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Studio for the First Amendment, miscellaneous, 1978-1983 and 1986
View through Harvard Museums
1) Box advertising file folders filled with the following: 2 rubber stamps, one with the Studio for the First Amendment logo, the other a copyright stamp originally made for 1976 but it seems Wilmarth cut the last two numbers off of the year; file with 2 xeroxed pages of handwritten price list for works on view in the fall of 1979, 5 color transparencies of Studio logo, and 1 large cardboard logo still with the remnants of mounting tape on verso; file with 21 invoices, 1 a xerox of a handwritten page, the rest various pink, white, or yellow slips filled out in Wilmarth's hand; file with 2 typed, stapled sheets of cream laid Studio stationery titled THE OUTDOOR SCULPTURE OF CHRISTOPHER WILMARTH: Materials, Maintenance, and Permanence; and file with unused Studio stationery, envelopes, business cards, etc., and a poster for the Gnomon's Parade exhibition.
2) File folder with 2 blue-and-white diamond-shaped metal signs for the Studio, one wrapped in brown paper.
3) Green hanging file folder with xeroxed pages from a visitor's register from 1986 (probably from show at Hirschl & Adler); a slim navy blue notebook with a visitor's register from the inaugural Studio show in 1978; brown guestbook dated November of 1980.
4) Blue cloth-covered visitor's log for May 1982.
Archives
Harvard Art Museums/Fogg Museum The Christopher Wilmarth Archive Gift of Susan Wilmarth-Rabineau
Title: Studio for the First Amendment, miscellaneous, 1978-1983 and 1986
Description:
1) Box advertising file folders filled with the following: 2 rubber stamps, one with the Studio for the First Amendment logo, the other a copyright stamp originally made for 1976 but it seems Wilmarth cut the last two numbers off of the year; file with 2 xeroxed pages of handwritten price list for works on view in the fall of 1979, 5 color transparencies of Studio logo, and 1 large cardboard logo still with the remnants of mounting tape on verso; file with 21 invoices, 1 a xerox of a handwritten page, the rest various pink, white, or yellow slips filled out in Wilmarth's hand; file with 2 typed, stapled sheets of cream laid Studio stationery titled THE OUTDOOR SCULPTURE OF CHRISTOPHER WILMARTH: Materials, Maintenance, and Permanence; and file with unused Studio stationery, envelopes, business cards, etc.
, and a poster for the Gnomon's Parade exhibition.
2) File folder with 2 blue-and-white diamond-shaped metal signs for the Studio, one wrapped in brown paper.
3) Green hanging file folder with xeroxed pages from a visitor's register from 1986 (probably from show at Hirschl & Adler); a slim navy blue notebook with a visitor's register from the inaugural Studio show in 1978; brown guestbook dated November of 1980.
4) Blue cloth-covered visitor's log for May 1982.
Related Results
Poetry reading at the opening of "Breath" exhibition, Studio for the First Amendment, New York
Poetry reading at the opening of "Breath" exhibition, Studio for the First Amendment, New York
1) Gray manila envelope labeled "Poetry reading" by Wilmarth.
2) 6 identical photographs of a poetry reading at the opening of "Breath" at the Studio for the First Amendment, le...
Postcard from the Studio for the First Amendment
Postcard from the Studio for the First Amendment
Blue-and-white Studio for the First Amendment postcard, with Studio logo on recto, blank on verso but for Wilmarth's address where a return address generally sits and a dividing li...
Highgate from "Illustrated London, or, a series of views in the British metropolis and its vicinity, engraved by Albert Henry Payne, from original drawings. The historical, topographical and miscellaneous notices, by W. I. Bicknell".
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engraving from "Illustrated London, or, a series of views in the British metropolis and its vicinity, engraved by Albert Henry Payne, from original drawings. The historical, topographical and miscellaneous notices, by W. I. Bicknell".
engraving from "Illustrated London, or, a series of views in the British metropolis and its vicinity, engraved by Albert Henry Payne, from original drawings. The historical, topographical and miscellaneous notices, by W. I. Bicknell".
This image has been taken from scan 000113 from volume 02 of "Illustrated London, or, a series of views in the British metropolis and its vicinity, engraved by Albert Henry Payne, ...
Keith Haring, Montreux Jazz Festival, 1983 (Pink); Montreux Jazz Festival, 1983 (Green); Montreux Jazz Festival, 1983 (Yellow) (1983)
Keith Haring, Montreux Jazz Festival, 1983 (Pink); Montreux Jazz Festival, 1983 (Green); Montreux Jazz Festival, 1983 (Yellow) (1983)
Each screenprint in colours on wove paper, 100 × 70 cm...