Javascript must be enabled to continue!
Comics Journalism and Fine Art: War, Massacre, and The Individual, in works of Pieter Bruegel, Joe Sacco and Otto Dix
View through CrossRef
<p>As a pioneer of Comics Journalism, Joe Sacco’s works have been linked to conflict studies, migration, education, and so on. But despite references that Sacco makes to 16th Century master painter, Pieter Bruegel, and 20th century New Objectivity painter Otto Dix in his interviews, there have been few studies on the potential link between comics of Sacco and works of these masters of fine art. In this study I explore this connection by examining the questions of war, individuality and portrayal of massacre in paintings of Bruegel and Dix and journalistic comics of Sacco. My greater aim is to demonstrate the potential of further comparative studies between arts and comics journalism, especially between Renaissance and modern artists. </p>
Title: Comics Journalism and Fine Art: War, Massacre, and The Individual, in works of Pieter Bruegel, Joe Sacco and Otto Dix
Description:
<p>As a pioneer of Comics Journalism, Joe Sacco’s works have been linked to conflict studies, migration, education, and so on.
But despite references that Sacco makes to 16th Century master painter, Pieter Bruegel, and 20th century New Objectivity painter Otto Dix in his interviews, there have been few studies on the potential link between comics of Sacco and works of these masters of fine art.
In this study I explore this connection by examining the questions of war, individuality and portrayal of massacre in paintings of Bruegel and Dix and journalistic comics of Sacco.
My greater aim is to demonstrate the potential of further comparative studies between arts and comics journalism, especially between Renaissance and modern artists.
</p>.
Related Results
Peranan Citizen Journalism di Media Online
Peranan Citizen Journalism di Media Online
Abstract. Along with the times, the media has also experienced a very large development so that the emergence of the internet as a change that can provide information to the public...
Advocacy Journalism in the Digital Age: Balancing Ethical Implications and Contemporary Realities
Advocacy Journalism in the Digital Age: Balancing Ethical Implications and Contemporary Realities
Over the past few decades, journalism has changed tremendously, moving from traditional objective reporting to a more subjective and opinionated approach. Advocacy journalism is a ...
Looking back at journalism ethics research over the past decade: An analysis of research in
digital journalism
,
journalism
,
journalism practice
Looking back at journalism ethics research over the past decade: An analysis of research in
digital journalism
,
journalism
,
journalism practice
This study aims to identify research trends and central concepts in the field of journalism ethics over the past decade. Focusing on four major journals— Digital Journalism, Journa...
The Producer/User Distinction in Journalism
The Producer/User Distinction in Journalism
Abstract
Journalism can be defined as a communication process between producers and consumers. Traditionally, both ends have been addressed as separate spheres. J...
Register in the guise of genre: Instrumental adaptation in the early comics of Grennan & Sperandio
Register in the guise of genre: Instrumental adaptation in the early comics of Grennan & Sperandio
Abstract
The method of analysis of communications registers outlined by linguists Douglas Biber and Susan Conrad, begins with the identification of what they call th...
The case for graphic counter-memorials in the comics of Joe Sacco, Art Spiegelman, and Brian Wood and Riccardo Burchielli
The case for graphic counter-memorials in the comics of Joe Sacco, Art Spiegelman, and Brian Wood and Riccardo Burchielli
My dissertation considers a group of contemporary comics about war by Joe Sacco,
Art Spiegelman, and Brian Wood and Riccardo Burchielli, as examples of a larger genre I
call the gr...
The case for graphic counter-memorials in the comics of Joe Sacco, Art Spiegelman, and Brian Wood and Riccardo Burchielli
The case for graphic counter-memorials in the comics of Joe Sacco, Art Spiegelman, and Brian Wood and Riccardo Burchielli
My dissertation considers a group of contemporary comics about war by Joe Sacco,
Art Spiegelman, and Brian Wood and Riccardo Burchielli, as examples of a larger genre I
call the gr...

