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Motezuma, la ópera mexica de Antonio Vivaldi y Girolamo Giusti
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El ensayo propone un acercamiento a los aspectos escénicos involucrados en la única representación de la ópera Motezuma, con música de Antonio Vivaldi, la cual fue estrenada en el teatro Sant’Angelo de Venecia en 1733. Basándose en archivos históricos inéditos, la autora establece a Girolamo Giusti como el autor del libreto Motezuma, exponiendo además los motivos y las fuentes documentales que pudieron impulsar la creación de la ópera de tema “indio-americano”. Motezuma, a Mexica opera by Antonio Vivaldi and Girolamo GiustiAbstractThis article discusses the theatrical aspects involved in the only performance of the opera Motezuma by the composer Antonio Vivaldi, which premiered at the Sant’Angelo theater in Venice in 1733. The author uses unpublished historical archives to establish Girolamo Giusti as the true playwright of the libretto Motezuma, addressing the motives and sources that could have lead to the creation of this opera with an Indigenous-American theme. Recibido: 10 de marzo de 2020Aceptado: 28 de septiembre de 2020
Universidad Veracruzana
Title: Motezuma, la ópera mexica de Antonio Vivaldi y Girolamo Giusti
Description:
El ensayo propone un acercamiento a los aspectos escénicos involucrados en la única representación de la ópera Motezuma, con música de Antonio Vivaldi, la cual fue estrenada en el teatro Sant’Angelo de Venecia en 1733.
Basándose en archivos históricos inéditos, la autora establece a Girolamo Giusti como el autor del libreto Motezuma, exponiendo además los motivos y las fuentes documentales que pudieron impulsar la creación de la ópera de tema “indio-americano”.
Motezuma, a Mexica opera by Antonio Vivaldi and Girolamo GiustiAbstractThis article discusses the theatrical aspects involved in the only performance of the opera Motezuma by the composer Antonio Vivaldi, which premiered at the Sant’Angelo theater in Venice in 1733.
The author uses unpublished historical archives to establish Girolamo Giusti as the true playwright of the libretto Motezuma, addressing the motives and sources that could have lead to the creation of this opera with an Indigenous-American theme.
Recibido: 10 de marzo de 2020Aceptado: 28 de septiembre de 2020.
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