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Introduction to Part III: The Intersection of Contemporary Latin American Art and Religion
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This introduction examines the usefulness of Habermas’s “post-secularity” for discussions of religion in contemporary Latin American art, as well as the Náhuatl concept of “nepantla,” or in-betweeness, and Néstor García Canclini’s “multi-temporal heterogeneity.” These terms are examined in relation to the work of artists Delilah Montoya and Francis Alÿs.
Title: Introduction to Part III: The Intersection of Contemporary Latin American Art and Religion
Description:
This introduction examines the usefulness of Habermas’s “post-secularity” for discussions of religion in contemporary Latin American art, as well as the Náhuatl concept of “nepantla,” or in-betweeness, and Néstor García Canclini’s “multi-temporal heterogeneity.
” These terms are examined in relation to the work of artists Delilah Montoya and Francis Alÿs.
.
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