Javascript must be enabled to continue!
Symeonis monachi opera omnia
View through CrossRef
Little is known about the life of Symeon of Durham (fl. c.1090–c.1128), other than that he was one of the monks present at the translation of the remains of Saint Cuthbert in 1104. This second volume of his complete works, published in 1885, was edited by Thomas Arnold (1823–1900) with an introduction and English side-notes. The main Latin text here is Symeon's history of the kings of Britain, which was intended as a continuation of Bede's history from the year 731 up to the writer's own day. Much of the early narrative is taken from local Durham annals, and later sections are borrowed from the chronicle of John of Worcester, but from 1119 to 1129 Symeon is an independent and unique authority. John of Hexham's continuation of the history, up to 1153, is also included, in addition to appendices on the genealogies of the Anglo-Saxon kings, a glossary and an index to both volumes.
Title: Symeonis monachi opera omnia
Description:
Little is known about the life of Symeon of Durham (fl.
c.
1090–c.
1128), other than that he was one of the monks present at the translation of the remains of Saint Cuthbert in 1104.
This second volume of his complete works, published in 1885, was edited by Thomas Arnold (1823–1900) with an introduction and English side-notes.
The main Latin text here is Symeon's history of the kings of Britain, which was intended as a continuation of Bede's history from the year 731 up to the writer's own day.
Much of the early narrative is taken from local Durham annals, and later sections are borrowed from the chronicle of John of Worcester, but from 1119 to 1129 Symeon is an independent and unique authority.
John of Hexham's continuation of the history, up to 1153, is also included, in addition to appendices on the genealogies of the Anglo-Saxon kings, a glossary and an index to both volumes.
Related Results
Opera House as a Category of Ukrainian Operology
Opera House as a Category of Ukrainian Operology
The aim of the article is to develop the explication of an opera house as a category of Ukrainian operology. The research methodology is based on the combination of historical, the...
«Channel» In' Cin' as first original Chinese national monumental opera
«Channel» In' Cin' as first original Chinese national monumental opera
The purpose of the article is to define the genre-specific opera of In' Cin' «Channel" (2012) as the first original China national monumental opera. The methodology consists in the...
Composer’s interpretation of Guo Wenjing of Chinese traditional opera «Si Fan»
Composer’s interpretation of Guo Wenjing of Chinese traditional opera «Si Fan»
Relevance of the study. Chinese traditional opera is one of the important treasures of the world musical culture. Now there are about 360 regional varieties of this opera in China,...
Virtual simulation of Yue Opera costumes and fashion design based on Yue Opera elements
Virtual simulation of Yue Opera costumes and fashion design based on Yue Opera elements
AbstractYue Opera is known as the second most important national opera in China. The costume is an important part of the performance of Yue Opera, which carries the culture and his...
The Application of Totem Culture Elements in the Design of Jin Opera Cultural and Creative Products
The Application of Totem Culture Elements in the Design of Jin Opera Cultural and Creative Products
Jin opera is one of the well-known local operas in China, commonly known as Shanxi opera. It is also known as Zhongluo opera because it originated in central Shanxi. Jin opera has ...
Analysis of the Current Problems and Improvement Methods of Kun Opera Teaching
Analysis of the Current Problems and Improvement Methods of Kun Opera Teaching
Abstract: Chinese opera revival has been advocated for many decades. There are some measures that can prove that, for example: Teaching textbooks always include units with the them...
Peking Opera (Beijing Opera, jingju)
Peking Opera (Beijing Opera, jingju)
Peking Opera (jingju京剧), a major genre of classical Chinese theater (xiqu戏曲), emerged in the late 18th and early 19th centuries during the Qing dynasty. As a blend of various South...
Ukrainian Opera Transformation in Wartime
Ukrainian Opera Transformation in Wartime
This article examines key trends in Ukrainian opera during wartime, analyzing its conceptual foundations and the search for new forms of expression through non-verbal techniques an...

