Search engine for discovering works of Art, research articles, and books related to Art and Culture
ShareThis
Javascript must be enabled to continue!

Artist's documents: photographs and slides of the Pier Project and/or REO, 1970

View through Harvard Museums
6 black-and-white gelatin silver photographs related to the Pier Project and REO. The images are unlabeled, undated, and of various sizes, showing students at work, at rest, and perhaps an installation view. Wilmarth carried out two, probably simultaneous projects in 1970, one with each of his first- and second-year sculpture classes from Cooper Union, in both of which he took his students into alternative urban spaces to work and exhibit. REO occurred around the Fulton Fish Market and the Brooklyn Bridge, and the Pier Project was done at the South Street Seaport Pier and on South and Fulton Streets. For more reading on these projects, see CW2001.1690. The 2 color slides seem to be snapshots taken at the opening party for Pier Project, which was held on the Ambrose Lightship, or for REO, which was held on a ferryboat. Wilmarth is pictured in both. . . . The inside back cover of the original file, now replaced, carried the following note, now recopied: "Complete documentation of the Pier Project and REO are in the holdings of the Archives of American Art. / Negatives of photographs taken are in the NEGATIVES BINDER. 1/1989."
Archives Harvard Art Museums/Fogg Museum The Christopher Wilmarth Archive Gift of Susan Wilmarth-Rabineau
image-zoom
Title: Artist's documents: photographs and slides of the Pier Project and/or REO, 1970
Description:
6 black-and-white gelatin silver photographs related to the Pier Project and REO.
The images are unlabeled, undated, and of various sizes, showing students at work, at rest, and perhaps an installation view.
Wilmarth carried out two, probably simultaneous projects in 1970, one with each of his first- and second-year sculpture classes from Cooper Union, in both of which he took his students into alternative urban spaces to work and exhibit.
REO occurred around the Fulton Fish Market and the Brooklyn Bridge, and the Pier Project was done at the South Street Seaport Pier and on South and Fulton Streets.
For more reading on these projects, see CW2001.
1690.
The 2 color slides seem to be snapshots taken at the opening party for Pier Project, which was held on the Ambrose Lightship, or for REO, which was held on a ferryboat.
Wilmarth is pictured in both.
.
.
.
The inside back cover of the original file, now replaced, carried the following note, now recopied: "Complete documentation of the Pier Project and REO are in the holdings of the Archives of American Art.
/ Negatives of photographs taken are in the NEGATIVES BINDER.
1/1989.
".

Related Results

Artist's documents: letter and announcements related to the Pier Project and REO, 1970
Artist's documents: letter and announcements related to the Pier Project and REO, 1970
3 one-sided xeroxed sheets of handwritten letter from Wilmarth to John Russell of the Arts & Liesure section of the New York Times. In it Wilmarth details REO and the Pier Project ...
Illustrated London Almanack
Illustrated London Almanack
Illustrations: wood engravings and color lithographs...
Illustrated London Almanack
Illustrated London Almanack
Illustrations: wood engravings and color lithographs...
Artist's documents: photographs of Sackett Street studio, 1985-87
Artist's documents: photographs of Sackett Street studio, 1985-87
1) Black-and-white photograph of Sackett St. studio with Gnomon's Parade (Front), 1980; Long Straight Stray, 1976; Susan Walked In, 1976; and Gnomon's Parade, 1978. The print is id...

Back to Top