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Plaque with Scenes at Emmaus
View through The Met
Elephant ivory, Carolingian
Rights: Public Domain
The Cloisters, Metropolitan Museum of Art New York NY, The Cloisters Collection 1970
Related Results
Cena in Emmaus - Supper at Emmaus
Cena in Emmaus - Supper at Emmaus
Caravaggio painted the Supper at Emmaus between 1605 and 1606, that is to say between the end of his stay in Rome and his flight from the city following his conviction for murder. ...
Pazuzu Plaque
Pazuzu Plaque
A representation of the demon Pazuzu fills the entire front of this relief plaque of gray stone. The figure displays the standard features of this hybrid creature, mixing human, ca...
X-radiograph(s) of "Christ at Emmaus"
X-radiograph(s) of "Christ at Emmaus"
X-Radiograph Description: 2 details
Burroughs Number: 1875
X-Radiograph(s) of:
Artist: Tiepolo, Giovanni Battista, Italian, 1696-1770
Title: Christ at Emmaus
Owner: Louvr...
Plaque with the Journey to Emmaus and Noli Me Tangere
Plaque with the Journey to Emmaus and Noli Me Tangere
Ivory traces of gilding, Spanish...
Saint Matthew the Evangelist
Saint Matthew the Evangelist
Gabriel Mälesskircher may have trained in the Low Countries, from where he derived his technique and approach to representing reality. Mälesskircher has been identified as the youn...
Saint John the Evangelist
Saint John the Evangelist
Gabriel Mälesskircher may have trained in the Low Countries, from where he derived his technique and approach to representing reality. Mälesskircher has been identified as the youn...
The Miracle of the Hosts at the Tomb of Saint John the Evangelist
The Miracle of the Hosts at the Tomb of Saint John the Evangelist
Gabriel Mälesskircher may have trained in the Low Countries, from where he derived his technique and approach to representing reality. Mälesskircher has been identified as the youn...
Recent Results
Fit and Counterfeit: The Volatile Values of Epilepsy in Wilkie Collins’s Poor Miss Finch
Fit and Counterfeit: The Volatile Values of Epilepsy in Wilkie Collins’s Poor Miss Finch
Abstract
This paper explores Victorian culture’s persistent associations between epilepsy and bodily expenditure to locate the place of the epileptic body within the...
Max Liebermann, Badende Jungen (1886)
Max Liebermann, Badende Jungen (1886)
Etching, 27.3 × 36.8 cm...
Instrumentalizing Voice
Instrumentalizing Voice
This article applies Bakhtin’s ideas of “dialogics” and “speech genres” and Bourdieu’s approach to the “linguistic field” in a study of the “instrumentalization” of voice in intera...