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Pazuzu Plaque

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A representation of the demon Pazuzu fills the entire front of this relief plaque of gray stone. The figure displays the standard features of this hybrid creature, mixing human, canine, bird, and other animal elements. Pazuzu has an almost square head with bulging brows and a broad mouth. He is flashing his teeth, which include four fangs, two at top and two below; the tongue peeks out in between. The missing nose likely was that of a dog, and the now abraded eyes would have been wide open. The beard is cropped short and indicated by strokes. The ears are human. Ribbed goat horns lie flat on top of the head. Below the long, stringy neck are human shoulders and arms, with feline paws instead of hands. Pazuzu's proper right arm is raised; the left is lowered. From the demon’s back emerge finely feathered double wings. The hairy chest and narrow ribcage resemble those of a dog, while the short legs are that of a bird, covered in feathers at top and terminating in large claws. The tail is shaped like a scorpion; the small but erect penis appears to end in a snake’s head, as on other examples. Pazuzu stands on a row of scales representing mountains. The plaque is missing the lower left corner. The stepped top is chipped. Other stone plaques of this shape have drill holes in the sides of the topmost part. These would have allowed suspension even if not fully drilled through. It is quite likely that this plaque, too, had such holes, which facilitated the breakage. Too heavy to be worn on the person as an amulet, the plaque could have been affixed to the wall of the room or building it was intended to protect. The prominent parts of the relief are abraded, chipped, and pitted; the back is heavily scratched but appears to have been blank.
Department of Ancient and Byzantine Art & Numismatics [Charles D. Kelekian New York (by 1952-1982)] by descent; to [Kelekian Associates New York (1982-1992)] by descent; to Nanette Rodney Kelekian New York (1992-2021) bequest; to the Harvard Art Museums. NOTE: "Kelekian Associates" was formed at the death of Charles D. Kelekian by Nanette Rodney Kelekian and her mother Beatrice Kelekian. Upon Beatrice Kelekian’s death in 1992 ownership passed to Nanette Rodney Kelekian. Harvard Art Museums/Arthur M. Sackler Museum Bequest of Nanette B. Kelekian
Title: Pazuzu Plaque
Description:
A representation of the demon Pazuzu fills the entire front of this relief plaque of gray stone.
The figure displays the standard features of this hybrid creature, mixing human, canine, bird, and other animal elements.
Pazuzu has an almost square head with bulging brows and a broad mouth.
He is flashing his teeth, which include four fangs, two at top and two below; the tongue peeks out in between.
The missing nose likely was that of a dog, and the now abraded eyes would have been wide open.
The beard is cropped short and indicated by strokes.
The ears are human.
Ribbed goat horns lie flat on top of the head.
Below the long, stringy neck are human shoulders and arms, with feline paws instead of hands.
Pazuzu's proper right arm is raised; the left is lowered.
From the demon’s back emerge finely feathered double wings.
The hairy chest and narrow ribcage resemble those of a dog, while the short legs are that of a bird, covered in feathers at top and terminating in large claws.
The tail is shaped like a scorpion; the small but erect penis appears to end in a snake’s head, as on other examples.
Pazuzu stands on a row of scales representing mountains.
The plaque is missing the lower left corner.
The stepped top is chipped.
Other stone plaques of this shape have drill holes in the sides of the topmost part.
These would have allowed suspension even if not fully drilled through.
It is quite likely that this plaque, too, had such holes, which facilitated the breakage.
Too heavy to be worn on the person as an amulet, the plaque could have been affixed to the wall of the room or building it was intended to protect.
The prominent parts of the relief are abraded, chipped, and pitted; the back is heavily scratched but appears to have been blank.

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