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Listening to “Jolene”
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Abstract
“Jolene” is often described as heavy, chilling, full of dread, and haunted. Writers frequently attribute these qualities to the old-world, mountain music atmosphere in her songs. The minor mode—specifically the Aeolian mode—of “Jolene” is what sounds spooky to these critics. They associate this sound with music of the English Renaissance with references to Elizabethan music and “Greensleeves.” This chapter includes in-depth analysis of the song’s music—its signature guitar riff, chorus, verses, musical form, melody, harmony, phrase structure, and rhyme scheme—that reveals the way Dolly shapes its elements to convey the song’s anxious, pleading quality and ambiguity. “Jolene” marked a new development in Dolly’s songwriting. Even as she saturated the song with old-world resonances, she created an innovative sound. Two years after the song’s release, Dolly signed with the LA-based management firm of Katz, Gallin & Cleary in 1976, and two pop hits soon followed.
Title: Listening to “Jolene”
Description:
Abstract
“Jolene” is often described as heavy, chilling, full of dread, and haunted.
Writers frequently attribute these qualities to the old-world, mountain music atmosphere in her songs.
The minor mode—specifically the Aeolian mode—of “Jolene” is what sounds spooky to these critics.
They associate this sound with music of the English Renaissance with references to Elizabethan music and “Greensleeves.
” This chapter includes in-depth analysis of the song’s music—its signature guitar riff, chorus, verses, musical form, melody, harmony, phrase structure, and rhyme scheme—that reveals the way Dolly shapes its elements to convey the song’s anxious, pleading quality and ambiguity.
“Jolene” marked a new development in Dolly’s songwriting.
Even as she saturated the song with old-world resonances, she created an innovative sound.
Two years after the song’s release, Dolly signed with the LA-based management firm of Katz, Gallin & Cleary in 1976, and two pop hits soon followed.
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