Javascript must be enabled to continue!
Aesthetic and Structural Characteristics of Selected Woven Silks with Emphasis on Dutch Silks of the Seventeenth Century
View through CrossRef
The purpose of the study was to describe Dutch silks of the late sixteenth and seventeenth centuries. Dutch and British research papers and transcribed sixteenth and seventeenth century trade documents were translated and critiqued. Selected museums and archives in the Netherlands, England, and the United States were visited. A descriptive chart was developed to record the motifs, colors, weaves, and other surface qualities of the 49 silks selected for analysis; line drawings and photographs were also made. The majority of silks had floral or plant motifs that were uniformly two dimensional in treatment. Most motifs were stylized, usually did not exceed 13.0 centimeters in length or width, and were isolated rather than connected units. Alternating rows of reversed designs (comber repeat) were most frequently found in the silks. Predominant hues were Munsell System Red, Yellow Red, Yellow, Green Yellow, Red Purple, and Black. Because only seven silks with seventeenth century documentation were accessible to the researcher, no general conclusions about their aesthetics or structure could be drawn.
Title: Aesthetic and Structural Characteristics of Selected Woven Silks with Emphasis on Dutch Silks of the Seventeenth Century
Description:
The purpose of the study was to describe Dutch silks of the late sixteenth and seventeenth centuries.
Dutch and British research papers and transcribed sixteenth and seventeenth century trade documents were translated and critiqued.
Selected museums and archives in the Netherlands, England, and the United States were visited.
A descriptive chart was developed to record the motifs, colors, weaves, and other surface qualities of the 49 silks selected for analysis; line drawings and photographs were also made.
The majority of silks had floral or plant motifs that were uniformly two dimensional in treatment.
Most motifs were stylized, usually did not exceed 13.
0 centimeters in length or width, and were isolated rather than connected units.
Alternating rows of reversed designs (comber repeat) were most frequently found in the silks.
Predominant hues were Munsell System Red, Yellow Red, Yellow, Green Yellow, Red Purple, and Black.
Because only seven silks with seventeenth century documentation were accessible to the researcher, no general conclusions about their aesthetics or structure could be drawn.
Related Results
Form Follows Force: A theoretical framework for Structural Morphology, and Form-Finding research on shell structures
Form Follows Force: A theoretical framework for Structural Morphology, and Form-Finding research on shell structures
The springing up of freeform architecture and structures introduces many challenges to structural engineers. The main challenge is to generate structural forms with high structural...
Aesthetic attitude
Aesthetic attitude
It is undeniable that there are aesthetic and non-aesthetic attitudes. But is there such a thing as the aesthetic attitude? What is meant by the aesthetic attitude is the particula...
Extending Post-Interpretive Criticism: Additional Diagnostic Indices for Enhanced Phenomenological Fidelity in Art Criticism
Extending Post-Interpretive Criticism: Additional Diagnostic Indices for Enhanced Phenomenological Fidelity in Art Criticism
This paper extends Post-Interpretive Criticism (PIC) by introducing a second layer of diagnostic indices designed to evaluate the phenomenological fidelity of art criticism. While ...
Multiaxis 3D Woven Preform and Properties of Multiaxis 3D Woven and 3D Orthogonal Woven Carbon/Epoxy Composites
Multiaxis 3D Woven Preform and Properties of Multiaxis 3D Woven and 3D Orthogonal Woven Carbon/Epoxy Composites
In this study, multiaxis 3D woven preform was developed with five yarn sets: + bias, -bias, warp, filling, and z-yarns. The orientation of the yarns on the five axis have improved ...
A Study on the Innovative Development Path of Higher Aesthetic Education in Greater Bay Area from the Perspective of Cultural Confidence
A Study on the Innovative Development Path of Higher Aesthetic Education in Greater Bay Area from the Perspective of Cultural Confidence
To build the Guangdong-Hong Kong-Macao Greater Bay Area into an international education demonstration plot is inseparable from the innovative development of higher aesthetic educat...
Ary Scheffer, een Nederlandse Fransman
Ary Scheffer, een Nederlandse Fransman
AbstractAry Scheffer (1795-1858) is so generally included in the French School (Note 2)- unsurprisingly, since his career was confined almost entirely to Paris - that the fact that...
Grammer of Grief
Grammer of Grief
This essay investigates the relationship between mourning and linguistic structure, proposing that grief produces not merely emotional disruption but a reconfiguration of grammar i...
werkelijkheid of schijn. Het beeld van het Hollandse interieur in de zeventiende-eeuwse genreschilderkunst
werkelijkheid of schijn. Het beeld van het Hollandse interieur in de zeventiende-eeuwse genreschilderkunst
AbstractOur ideas of what 17th century Dutch interiors looked like have been conditioned by the hundreds of paintings of interiors by Dutch genre painters. Even restorations and re...

