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Women as the Focus of Ksenija Atanasijević
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The subject of this chapter is Ksenija Atanasijević’s depiction of female
characters in the works of ancient literature. Through them, she affirms her standpoint
that a woman, in her natural complexity, is a valuable active participant in
ancient myths and tragedies. The aim of the text is to show that Atanasijević considered
women to be equally glorious expressions of a set of thoughts and feelings
as the most successful male dramatic characters, and that their fates are no
less tragic. The conclusion is that she affirms female subjectivity and dignity even
in the most difficult and tragic circumstances, thus encouraging readers to take
up such an attitude. A warning that “the possibility of being carefree has been
radically removed from all of us” is also present in her works, a warning equally
pertinent in her time as today. The chapter is structured as an imaginary dialogue
between the author and Ksenija Atanasijević, touching upon her most significant
attitudes, thoughts and ideas.
Faculty of Philosophy, University of Belgrade : Institute for Philosophy and Social Theory, University of Belgrade
Title: Women as the Focus of Ksenija Atanasijević
Description:
The subject of this chapter is Ksenija Atanasijević’s depiction of female
characters in the works of ancient literature.
Through them, she affirms her standpoint
that a woman, in her natural complexity, is a valuable active participant in
ancient myths and tragedies.
The aim of the text is to show that Atanasijević considered
women to be equally glorious expressions of a set of thoughts and feelings
as the most successful male dramatic characters, and that their fates are no
less tragic.
The conclusion is that she affirms female subjectivity and dignity even
in the most difficult and tragic circumstances, thus encouraging readers to take
up such an attitude.
A warning that “the possibility of being carefree has been
radically removed from all of us” is also present in her works, a warning equally
pertinent in her time as today.
The chapter is structured as an imaginary dialogue
between the author and Ksenija Atanasijević, touching upon her most significant
attitudes, thoughts and ideas.
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