Search engine for discovering works of Art, research articles, and books related to Art and Culture
ShareThis
Javascript must be enabled to continue!

“I Think of O’Neill as Kronos”: James Ijames on Eugene O’Neill

View through CrossRef
ABSTRACT Playwright James Ijames, who has garnered critical attention for plays like Kill Move Paradise, Good Bones, and his Pulitzer Prize–winning Fat Ham, shares his thoughts on Eugene O’Neill in this interview. As the title suggests, Ijames sees O’Neill’s influence as almost mythical in scope, although he also speaks to the practical aspect of O’Neill’s craft that he admires. Ijames shares his perspectives on O’Neill’s work from the point of view of his own training as an actor, director, and playwright, which enables him to engage with the plays in myriad ways. This conversation between Ijames and Bess Rowen, both faculty members at Villanova University, provides a brief look into Ijames’s ability to connect to many different kinds of storytelling and to combine an appreciation for the past with an optimism about the future of where we’re headed in the theater.
The Pennsylvania State University Press
Title: “I Think of O’Neill as Kronos”: James Ijames on Eugene O’Neill
Description:
ABSTRACT Playwright James Ijames, who has garnered critical attention for plays like Kill Move Paradise, Good Bones, and his Pulitzer Prize–winning Fat Ham, shares his thoughts on Eugene O’Neill in this interview.
As the title suggests, Ijames sees O’Neill’s influence as almost mythical in scope, although he also speaks to the practical aspect of O’Neill’s craft that he admires.
Ijames shares his perspectives on O’Neill’s work from the point of view of his own training as an actor, director, and playwright, which enables him to engage with the plays in myriad ways.
This conversation between Ijames and Bess Rowen, both faculty members at Villanova University, provides a brief look into Ijames’s ability to connect to many different kinds of storytelling and to combine an appreciation for the past with an optimism about the future of where we’re headed in the theater.

Related Results

Eugene O'Neill's Irish “Con” Man: Charles Lever
Eugene O'Neill's Irish “Con” Man: Charles Lever
Abstract In his late plays Eugene O'Neill attends to forms of inheritance he received from growing up in a family of Irish origin. In 1946 he wrote that Irish herita...
Intravenous Vitamin C for Patients Hospitalized With COVID-19
Intravenous Vitamin C for Patients Hospitalized With COVID-19
ImportanceThe efficacy of vitamin C for hospitalized patients with COVID-19 is uncertain.ObjectiveTo determine whether vitamin C improves outcomes for patients with COVID-19.Design...
Plasma AR Alterations and Timing of Intensified Hormone Treatment for Prostate Cancer
Plasma AR Alterations and Timing of Intensified Hormone Treatment for Prostate Cancer
This randomized clinical trial explores whether hormone intensification at start of androgen deprivation therapy alters selection of androgen receptor (AR) gene alterations within ...
A luta coletiva em A marquesa de Vale Negro, de Maria O’Neill
A luta coletiva em A marquesa de Vale Negro, de Maria O’Neill
Resumo: Os romances de Maria O’Neill (1876-1932), escritora portuguesa feminista, espírita e socialista comprometida, eram considerados por muitos conservadores como propaganda de ...
Eugene O’Neill: Superpersonalisation and Racial Spectacularism
Eugene O’Neill: Superpersonalisation and Racial Spectacularism
Playwright Eugene O’Neill jumpstarted his career and had his first major successes in and from the little art colony in Provincetown; this chapter focuses on O’Neill, the Provincet...
Rose O'Neill's Sweet Monsters : an exploration in motherhood and romantic love in early 20th century America
Rose O'Neill's Sweet Monsters : an exploration in motherhood and romantic love in early 20th century America
During the late 19th and early 20th centuries in America Rose O'Neill, artist, illustrator, and author, achieve unp'arallel success. She was a self-taught artist, although her info...

Back to Top