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The New-Style of the Pageant on Immortals Event in Changle: Decorating Deities like Dolls

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The longevity of popular religions in China is primarily attributed to their strong adaptability. This study uses online ethnography to examine the Pageant on Immortals event in Changle, which became a popular topic on the Chinese Internet in February 2024, to explore the identity transformation of popular religious inheritors and innovations in religious rituals. This study contributes to the research on the diversity of Chinese religious cultures by addressing the question of what emotions young people in an atheistic society hold toward deities like “Prince Zhao,” and how are these emotions generated? Here the Pageant on Immortals event, the “Deities,” who traditionally held a subsidiary position to the main god, due to changes in statue-making styles and gaps in mythological narratives, resonates with the “daily superstition” practices of contemporary Chinese youth. This shift has led participants to treat the deities as idols, and the organizers have transitioned from traditional roles of religious merchants or ritual specialists to seeing themselves as the “dolls’ masters.” However, these changes and innovations present challenges for the transmission of faith.
Title: The New-Style of the Pageant on Immortals Event in Changle: Decorating Deities like Dolls
Description:
The longevity of popular religions in China is primarily attributed to their strong adaptability.
This study uses online ethnography to examine the Pageant on Immortals event in Changle, which became a popular topic on the Chinese Internet in February 2024, to explore the identity transformation of popular religious inheritors and innovations in religious rituals.
This study contributes to the research on the diversity of Chinese religious cultures by addressing the question of what emotions young people in an atheistic society hold toward deities like “Prince Zhao,” and how are these emotions generated? Here the Pageant on Immortals event, the “Deities,” who traditionally held a subsidiary position to the main god, due to changes in statue-making styles and gaps in mythological narratives, resonates with the “daily superstition” practices of contemporary Chinese youth.
This shift has led participants to treat the deities as idols, and the organizers have transitioned from traditional roles of religious merchants or ritual specialists to seeing themselves as the “dolls’ masters.
” However, these changes and innovations present challenges for the transmission of faith.

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