Search engine for discovering works of Art, research articles, and books related to Art and Culture
ShareThis
Javascript must be enabled to continue!

A Portrait of Milton Engraved by William Blake 'When Three Years of Age'? A Speculation by Samuel Palmer

View through CrossRef
In March 1879 Samuel Palmer wrote a letter to George Richmond. Both Samuel Palmer and George Richmond had of course known Blake intimately in his last years, though they were only twenty-two and eighteen when Blake died, and they both cherished their memories of him and told others gladly what they knew of him. In matters of fact concerning Blake they are very reliable, and especially so when they talked of Blake to one another, for each could test the accuracy of his memory of Blake against that of the other. Assuming that Samuel Palmer did write such a letter, I think we are justified in taking at face value his report of his conversation with Blake.
University of Toronto Press Inc. (UTPress)
Title: A Portrait of Milton Engraved by William Blake 'When Three Years of Age'? A Speculation by Samuel Palmer
Description:
In March 1879 Samuel Palmer wrote a letter to George Richmond.
Both Samuel Palmer and George Richmond had of course known Blake intimately in his last years, though they were only twenty-two and eighteen when Blake died, and they both cherished their memories of him and told others gladly what they knew of him.
In matters of fact concerning Blake they are very reliable, and especially so when they talked of Blake to one another, for each could test the accuracy of his memory of Blake against that of the other.
Assuming that Samuel Palmer did write such a letter, I think we are justified in taking at face value his report of his conversation with Blake.

Related Results

William Blake in Contemporary Russian Literature and Culture
William Blake in Contemporary Russian Literature and Culture
The article discusses the creativity of the English romantic William Blake comprehended in contemporary Russian literature and culture. These facts are quite significant, since man...
Blake in the Marketplace, 2022
Blake in the Marketplace, 2022
John Windle provided an auspicious beginning for the 2022 Blake market with his February publication of catalogue 70, Present Joy. At 160 pages offering 809 items, this is the seco...
Speculation in the Late-Romantic Literary Marketplace
Speculation in the Late-Romantic Literary Marketplace
Late-Romantic writers were explicitly engaged with the marketplace, and this involvement shows itself in the themes and genres of their work. Literature of the 1820s, in particular...
Peninsula Lost: Mapping Milton’s Celtiberian cartographies
Peninsula Lost: Mapping Milton’s Celtiberian cartographies
In A Mask Presented at Ludlow Castle (1634), John Milton depicts Comus “ripe and frolic of his full grown age, Roving the Celtic and Iberian fields.” While Milton’s complex engagem...
Blake After Two Centuries
Blake After Two Centuries
The value of centenaries and similar observances is that they call attention, not simply to great men, but to what we do with our great men. The anniversary punctuates, so to speak...
The Speculative Hopper: Toward a Geology of a Toxic Absolute
The Speculative Hopper: Toward a Geology of a Toxic Absolute
The paper examines the overall course of the so-called “speculative turn” in contemporary Continental philosophy with regard to the ecology of the Absolute. Following the radical r...
Conscripting Imagination: The National “Duty” of William Blake’s Art
Conscripting Imagination: The National “Duty” of William Blake’s Art
This paper explores William Blake’s creative and commercial positioning relative to late-eighteenth-century galleries, exhibition culture and artistic spectacle. Demonstrating a de...
No "Sombre Satan": C. S. Lewis, Milton, and Re-presentations of the Diabolical
No "Sombre Satan": C. S. Lewis, Milton, and Re-presentations of the Diabolical
AbstractC.S. Lewis is most often read as a staunch "anti-Satanist" and critic of romanticized readings of Milton's Satan, a view derived largely from his Preface to Paradise Lost. ...

Back to Top