Javascript must be enabled to continue!
Isabella d’Este
View through CrossRef
Isabella d’Este (b. 1474–d. 1539) was the eldest child of Ercole I d’Este (b. 1431–d. 1505), second duke of Ferrara, and Duchess Eleonora d’Aragona (b. 1450–d. 1493). Raised in luxury and privilege, she was educated by humanists in a city that boasted an exceptionally refined court culture and one of Europe’s greatest universities. In 1490 she married Francesco II Gonzaga (b. 1466–d. 1519), Marchese of Mantua, and entered that city in triumph as its new princess. As Marchesa, she displayed extraordinary skills in management, diplomacy, and Politics, often counseling her husband and at times assuming the reins of government. All of Isabella and Francesco’s six children attained important positions among the European elite (See Family Relations). She is mainly remembered for her achievements not as a ruler, however, but as a collector of art and antiquities and the first woman in Europe to fashion a personalized gallery space in which to display her acquisitions. She called these rooms her studiolo and grotta, or her camerini. Her apartments also housed an impressive book collection, the musical instruments she was adept at playing, and other luxury items she collected (See Patronage, Collecting, Studiolo and Exhibition Catalogues). Her portraitists include Andrea Mantegna, Francesco Francia, Leonardo da Vinci, Titian, and Rubens. A woman of tremendous energies and intelligence, Isabella cultivated relationships with many writers and composers of her time. She also devoted notable attention to fashion, travel, gardening, food production and exchange, and the keeping of animals. Given her wide range of interests, her keen intelligence, and her extraordinarily active public profile, Isabella d’Este has often been regarded as a female version of the period’s “Renaissance men.” Her multifaceted life is recorded most visibly in the archive of her correspondence, now housed in the Archivio di Stato di Mantova (ASMn), where many thousands of her letters survive along with a wealth of official documents related to her court. Isabella d’Este’s art collections now reside in museums around the world, chief among these the Paris Louvre and the Vienna Kunsthistorisches Museum.
Title: Isabella d’Este
Description:
Isabella d’Este (b.
1474–d.
1539) was the eldest child of Ercole I d’Este (b.
1431–d.
1505), second duke of Ferrara, and Duchess Eleonora d’Aragona (b.
1450–d.
1493).
Raised in luxury and privilege, she was educated by humanists in a city that boasted an exceptionally refined court culture and one of Europe’s greatest universities.
In 1490 she married Francesco II Gonzaga (b.
1466–d.
1519), Marchese of Mantua, and entered that city in triumph as its new princess.
As Marchesa, she displayed extraordinary skills in management, diplomacy, and Politics, often counseling her husband and at times assuming the reins of government.
All of Isabella and Francesco’s six children attained important positions among the European elite (See Family Relations).
She is mainly remembered for her achievements not as a ruler, however, but as a collector of art and antiquities and the first woman in Europe to fashion a personalized gallery space in which to display her acquisitions.
She called these rooms her studiolo and grotta, or her camerini.
Her apartments also housed an impressive book collection, the musical instruments she was adept at playing, and other luxury items she collected (See Patronage, Collecting, Studiolo and Exhibition Catalogues).
Her portraitists include Andrea Mantegna, Francesco Francia, Leonardo da Vinci, Titian, and Rubens.
A woman of tremendous energies and intelligence, Isabella cultivated relationships with many writers and composers of her time.
She also devoted notable attention to fashion, travel, gardening, food production and exchange, and the keeping of animals.
Given her wide range of interests, her keen intelligence, and her extraordinarily active public profile, Isabella d’Este has often been regarded as a female version of the period’s “Renaissance men.
” Her multifaceted life is recorded most visibly in the archive of her correspondence, now housed in the Archivio di Stato di Mantova (ASMn), where many thousands of her letters survive along with a wealth of official documents related to her court.
Isabella d’Este’s art collections now reside in museums around the world, chief among these the Paris Louvre and the Vienna Kunsthistorisches Museum.
Related Results
Novedades sobre el enterramiento femenino de la Primera Edad del Hierro de Casa del Carpio (Belvís de la Jara, Toledo)
Novedades sobre el enterramiento femenino de la Primera Edad del Hierro de Casa del Carpio (Belvís de la Jara, Toledo)
Las características de la ubicación de la tumba de Casa del Carpio (Belvís de la Jara, Toledo), las circunstancias de su documentación, y lo excepcional del ajuar documentado han c...
DAMPAK PSIKOLOGIS TOKOH ISABELLA DALAM NOVEL ISABELLA KARYA MAULANA MUHAMMAD SAEED DEHLVI
DAMPAK PSIKOLOGIS TOKOH ISABELLA DALAM NOVEL ISABELLA KARYA MAULANA MUHAMMAD SAEED DEHLVI
The purpose of this research is to describe the role and impact of converting psychological character Isabella in the novel Isabella works of Maulana Muhammad Saeed Dehlvi by: (1) ...
THE CHARACTER DEVELOPMENT OF ISABELLA LINTON IN EMILY BRONTE’S WUTHERING HEIGHTS NOVEL
THE CHARACTER DEVELOPMENT OF ISABELLA LINTON IN EMILY BRONTE’S WUTHERING HEIGHTS NOVEL
The purposes of this research were to find the character development of Isabella Linton and what are the events that influence Isabella Linton’s character development. This researc...
Homenaje a Edgar Morin
Homenaje a Edgar Morin
La presentación del número 14/4 de nuestra Revista Boletín Redipe consta de 2 apartes: Palabras del pedagogo español Doctor José Manuel Touriñán durante la jornada de ceremonia en ...
Isabella Üzümü ve Kefir İlaveli Fonksiyonel Dondurma
Isabella Üzümü ve Kefir İlaveli Fonksiyonel Dondurma
Çalışmada, dondurma ürününe fonksiyonel özellik kazandırmak amacıyla yüksek fenolik bileşenler ve resveratrol içeren üzüm meyvesi ile probiyotik özellik gösteren kefir içeceği ilav...
Diego Sandoval De Castro, un barlume intellettuale nell'oscura torre di Isabella Morra.
Diego Sandoval De Castro, un barlume intellettuale nell'oscura torre di Isabella Morra.
Diego Sandoval de Castro, a poet of Spanish origins, published his “Petrarchian rhymes” in Naples in 1542, but these were not his only writings. The poet, in fact, offered the poet...
Memorias de la Jornada de Investigación en Derecho y Ciencias Forenses
Memorias de la Jornada de Investigación en Derecho y Ciencias Forenses
Aplicación de la licencia de luto, según la Ley 1280 de 2009 en el Ordenamiento Jurídico Colombiano de Cara a las Relaciones Individuales de Trabajo
Luisa Fernanda Tr...
Political Image Making in Portraits of Isabella d'Este, Marchioness of Mantua
Political Image Making in Portraits of Isabella d'Este, Marchioness of Mantua
AbstractIsabella d'Este (1474–1539), marchioness of the northern Italian city state of Mantua, commissioned portraits of herself from some of the foremost painters of her day, incl...

