Search engine for discovering works of Art, research articles, and books related to Art and Culture
Javascript must be enabled to continue!
From a whisper to a scream: music in the films of Michael Haneke
View through CrossRef
Abstract
Michael Haneke’s films foreground music in provocative ways. Played in parts and frequently interrupted by silence or noise, music in Haneke is closely linked to his central thematic obsessions with alienation, glaciation and fragmentation. This paper analyzes musical fragmentation in Haneke and focuses on the modes of interruption and interference that characterize its emphatic and alienating effects.
Title: From a whisper to a scream: music in the films of Michael Haneke
Description:
Abstract
Michael Haneke’s films foreground music in provocative ways.
Played in parts and frequently interrupted by silence or noise, music in Haneke is closely linked to his central thematic obsessions with alienation, glaciation and fragmentation.
This paper analyzes musical fragmentation in Haneke and focuses on the modes of interruption and interference that characterize its emphatic and alienating effects.
Related Results
Retuning music teaching: Online music tutorials preferences as predictors of amateur musicians’ music self-efficacy in informal music learning
Retuning music teaching: Online music tutorials preferences as predictors of amateur musicians’ music self-efficacy in informal music learning
Music self-efficacy has been acknowledged as a strong predictor of successful performance among musicians and music students, but is less researched among amateur musicians. The pu...
Pop and world music in Dutch music education: two cases of authentic learning in music teacher education and secondary music education
Pop and world music in Dutch music education: two cases of authentic learning in music teacher education and secondary music education
Popular and world music play an important role in Dutch music education. This article examines two case studies that illustrate authentic music learning environments in which these...
Music and communication in music psychology
Music and communication in music psychology
There is a general consensus that music is both universal and communicative, and musical dialogue is a key element in much music-therapeutic practice. However, the idea that music ...
Tempo in Baroque Music and Dance
Tempo in Baroque Music and Dance
Growing interest in studies on the relationship between music and movement has given rise to many paradigms and theories, including embodied approaches that provide interesting met...
A Bodily Haunting
A Bodily Haunting
Abstract
The woman’s wordless scream in Not I and Happy Days acts as a spectral-yet-embodied rendering of unspoken and apparently unspeakable sexual trauma. If trauma symptomol...
Integrating popular music and informal music learning practices: A multiple case study of secondary school music teachers enacting change in music education
Integrating popular music and informal music learning practices: A multiple case study of secondary school music teachers enacting change in music education
The purpose of this multiple case study was to examine the practices and perspectives of four music teachers who integrated popular music and informal music learning practices into...
The gendered carnival of pop
The gendered carnival of pop
One of the ironies of popular music studies is that the music that is the most popular, in terms of contemporary chart success, is rarely discussed by academics writing in the fiel...
Music therapy for people with chronic pain: facilitators and barriers.
Music therapy for people with chronic pain: facilitators and barriers.
The aim of this study was to investigate the perceptions of music therapy among those living with chronic pain, and the possible facilitators and barriers to music therapy if offer...