Search engine for discovering works of Art, research articles, and books related to Art and Culture
ShareThis
Javascript must be enabled to continue!

ULIN BARONG SEKELOA AS AN INTANGIBLE CULTURE OF BANDUNG

View through CrossRef
Ulin Barong Sekeloa is one of art culture were born from the local community in Bandung has been designated as an intangible cultural heritage of West Java Province from Bandung City. The meaning of Ulin is to play, Sirah Barong is the head of the barong, and Sekeloa is the name of a place in Bandung. This attraction is accompanied by traditional Sundanese musical instruments with an accompaniment of 12 peoples. Ulin Barong Sekeloa has appeared since 1885, the pioneer figure was Muhamad Tharwi and the development was carried out by Atjeng Sulaeman who is a living figure of Ulin Barong Sekeloa. The aim of the research is to describe the Ulin Barong Sekeloa for the preservation of traditional art culture and the potential for quality Bandung City cultural tourism attractions, especially for improving the economy of artists after the Covid-19 pandemic. The method used is descriptive analytic by exploring the potential of the Ulin Barong Sekeloa attraction to become a Cultural Tourism Attraction in Bandung City. The results show that the community empowerment ecosystem has made Ulin Barong Sekeloa one of the Intangible Cultural Heritage of Bandung city still exists until today which has the potential to become a cultural tourism attraction which can become a quality cultural destination in Bandung City. The conclusion obtained is that the existence of Ulin Barong Sekeloa until now has been formed from the results of the adaptation of society to changing times as the spearhead of the conservation of Ulin Barong Sekeloa.
Title: ULIN BARONG SEKELOA AS AN INTANGIBLE CULTURE OF BANDUNG
Description:
Ulin Barong Sekeloa is one of art culture were born from the local community in Bandung has been designated as an intangible cultural heritage of West Java Province from Bandung City.
The meaning of Ulin is to play, Sirah Barong is the head of the barong, and Sekeloa is the name of a place in Bandung.
This attraction is accompanied by traditional Sundanese musical instruments with an accompaniment of 12 peoples.
Ulin Barong Sekeloa has appeared since 1885, the pioneer figure was Muhamad Tharwi and the development was carried out by Atjeng Sulaeman who is a living figure of Ulin Barong Sekeloa.
The aim of the research is to describe the Ulin Barong Sekeloa for the preservation of traditional art culture and the potential for quality Bandung City cultural tourism attractions, especially for improving the economy of artists after the Covid-19 pandemic.
The method used is descriptive analytic by exploring the potential of the Ulin Barong Sekeloa attraction to become a Cultural Tourism Attraction in Bandung City.
The results show that the community empowerment ecosystem has made Ulin Barong Sekeloa one of the Intangible Cultural Heritage of Bandung city still exists until today which has the potential to become a cultural tourism attraction which can become a quality cultural destination in Bandung City.
The conclusion obtained is that the existence of Ulin Barong Sekeloa until now has been formed from the results of the adaptation of society to changing times as the spearhead of the conservation of Ulin Barong Sekeloa.

Related Results

TRADISI BARONG BAUH-BAUHAN DI BANJAR PINDA DESA SABA KECAMATAN BLAHBATUH KABUPATEN GIANYAR
TRADISI BARONG BAUH-BAUHAN DI BANJAR PINDA DESA SABA KECAMATAN BLAHBATUH KABUPATEN GIANYAR
<p><em>The Barong Bauh-Bauhan Tradition in Banjar Pinda Saba Village Blahbatuh District Gianyar Regency is very unique, the uniqueness lies in the process, usually the ...
The Visual Narrative of Satria Barong's Character as a Representation of the Mystical Entity of Barong Ket
The Visual Narrative of Satria Barong's Character as a Representation of the Mystical Entity of Barong Ket
This study aims to bring the aesthetic, ethical and cultural values contained in the Barong Bali entity to the audience through a modern cultural paradigm. The physical form of Bar...
Program “Bandung Menjawab” sebagai Strategi Komunikasi
Program “Bandung Menjawab” sebagai Strategi Komunikasi
Abstract. Dinas Komunikasi dan Informatika (Diskominfo) Bandung City functions as a platform to communicate messages to the public. Diskominfo Bandung City develops one of its flag...
Pengelolaan Pesan Parodi Melalui Media Sosial Instagram
Pengelolaan Pesan Parodi Melalui Media Sosial Instagram
Abstract. Traffic conditions in the city of Bandung are still very closely related to violations committed by road users due to a lack of awareness when driving. This problem promp...
Liturgi Sakralisasi Barong-Rangda: Eksplorasi Teo-Filosofis Estetik Mistik Bali
Liturgi Sakralisasi Barong-Rangda: Eksplorasi Teo-Filosofis Estetik Mistik Bali
Barong-Rangda selalu hadir dalam praktik-praktik beragama Hindu di Bali. Sosok yang dicitrakan sebagai Hyang Siwa dan Hyang Bhatari Uma selalu dihubungkan dengan dunia mistik, dan ...
INOVASI DAN KONVENSI TEATER TRADISIONAL BANYUWANGI
INOVASI DAN KONVENSI TEATER TRADISIONAL BANYUWANGI
Teater tradisional sebagai hasil konstruksi dan kreasi berpeluang melakukan inovasi agar tetap diminati pendukungnya. Pelaku seni, penanggap, penikmat, dan pemerintah merupakan eko...
Gambaran Religuitas Mualaf di Masjid Lautze 2 di Kota Bandung
Gambaran Religuitas Mualaf di Masjid Lautze 2 di Kota Bandung
Abstract. Bandung is one of the diverse cities, we can see the diversity of the city of Bandung with its cultured and religious society, of course, the people of Bandung have the p...
TOTEMISME BARONG GAJAH DI DESA BLAHKIUHKECAMATAN ABIANSEMAL KABUPATEN BADUNG
TOTEMISME BARONG GAJAH DI DESA BLAHKIUHKECAMATAN ABIANSEMAL KABUPATEN BADUNG
Artikel ini membahas tentang totemisme Barong gajah di Desa Balahkiuh. tujuannya yakni mengetahui dan memahami keberadaan Barong gajah sebagai simbol atau totem dalam upaya mempers...

Back to Top