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Standing Buddha Shakyamuni in Varada-mudra
Standing Buddha Shakyamuni in Varada-mudra
This sculpture depicts a Buddha gracefully standing on a shallow lotus pedestal, the Buddha likely the Buddha Sakyamuni (the Historical Buddha) though possibly the Buddha Dipankara...
Head of Buddha, probably the Buddha Sakyamuni
Head of Buddha, probably the Buddha Sakyamuni
Carved in gray limestone in Thailand in the seventh or early eighth century, this stone sculpture depicts the head of a Buddha, probably the Buddha Sakyamuni, the Historical Buddha...
Mother and Child
Mother and Child
Renoir once quipped that had God not created the female breast, he might never have become an artist. Indeed, the full, womanly bosom figures prominently in Renoir's loving portray...
The Man with the Broken Nose
The Man with the Broken Nose
The most renowned sculptor of the nineteenth century, Auguste Rodin was revolutionary in his exploration of the human form’s expressive potential. His dynamic compositions, free ha...
Young Bull. Cerrillo Blanco Sculptural Group (Porcuna, Jaén, Spain)
Young Bull. Cerrillo Blanco Sculptural Group (Porcuna, Jaén, Spain)
Three-dimensional sculpture carved in white calcarenite stone. It is dated to the 5th century BC and belongs to the culture of the Iberians. It comes from the heroon of Cerrillo Bl...
Sculpture of 'Laocoon and his sons', also known as the 'Laocoon group'. Excavated in Rome in 1506 it is a prime example of classical sculpture. The style of the sculpture is Hellenistic "Pergamene baroque". The original is Marble, but it is unclear whethe
Sculpture of 'Laocoon and his sons', also known as the 'Laocoon group'. Excavated in Rome in 1506 it is a prime example of classical sculpture. The style of the sculpture is Hellenistic "Pergamene baroque". The original is Marble, but it is unclear whethe
Sculpture of 'Laocoon and his sons', also known as the 'Laocoon group'. Excavated in Rome in 1506 it is a prime example of classical sculpture. The style of the sculpture is Hellen...
Untitled (To Bob and Pat Rohm)
Untitled (To Bob and Pat Rohm)
During the 1960s, Flavin shared with other proponents of Minimalism an analytical approach to art that rejected all associative or evocative forms. In each piece of this period, th...