Javascript must be enabled to continue!
Icons of Hell 7 Dictators, 700 Portraits, 7 Pages
View through CrossRef
Without an encounter with the unknown, creativity is impossible. In this encounter, there is no possibility for understanding anything, neither in terms of culture nor psychology. This is no dead end. Quite on the contrary: by finding your way out of the dead end, you can attain total freedom. Encounters with the unknown are extremely rare. The unknown is something you need to search out, overcoming the stereotypes of your thinking, the attitudes of your life and the dummies of your emotions. Our (creative) paths need to strike up against the unknown, no matter how thoroughly we build them and no matter which goal we pursue. The edges of my activity are always in some extreme, liminal state. My face is turned toward the unknown, while my masks address that which can be recognized by culture.
Title: Icons of Hell 7 Dictators, 700 Portraits, 7 Pages
Description:
Without an encounter with the unknown, creativity is impossible.
In this encounter, there is no possibility for understanding anything, neither in terms of culture nor psychology.
This is no dead end.
Quite on the contrary: by finding your way out of the dead end, you can attain total freedom.
Encounters with the unknown are extremely rare.
The unknown is something you need to search out, overcoming the stereotypes of your thinking, the attitudes of your life and the dummies of your emotions.
Our (creative) paths need to strike up against the unknown, no matter how thoroughly we build them and no matter which goal we pursue.
The edges of my activity are always in some extreme, liminal state.
My face is turned toward the unknown, while my masks address that which can be recognized by culture.
Related Results
Icons, Troubled and Troubling
Icons, Troubled and Troubling
The Vimānārcanakalpa, a text of around the 10th century C.E., belongs to the Vaikhānasa medieval corpus of ritual manuals. It contains a wealth of ritual and iconographic prescript...
Eve in Anglo-Saxon Retellings of the Harrowing of Hell
Eve in Anglo-Saxon Retellings of the Harrowing of Hell
A spate of recent articles attests to a growing interest in Eve in criticism of Old English literature. However, these same articles demonstrate the narrowness of this interest, as...
Nudge and bias in subjective ratings? The role of icon sets in determining ratings of icon characteristics
Nudge and bias in subjective ratings? The role of icon sets in determining ratings of icon characteristics
AbstractSubjective ratings have been central to the evaluation of icon characteristics. The current study examined biases in ratings in relation to the context in which icons are p...
Icônes récrites. Georges Schehadé / Lorand Gaspar
Icônes récrites. Georges Schehadé / Lorand Gaspar
Rewritten Icons. Georges Schehadé/Lorand Gaspar
For Ricoeur, literature is the destiny of writing separated from myth. Icons, which are, in Greek or Russian, not painted but ...
Catalogus van schilderijen van Jan Claesz
Catalogus van schilderijen van Jan Claesz
AbstractIn Enkhuizen, the fifth major town in the region of Holland at the time, dozens of portraits were painted in the last years of the sixteenth and first decades of the sevent...
Is God's prescription of eternal hell for kâfirūn (infidels) in the Quran evil? Contesting Aijaz's understanding of kufr (infidelity) and an analysis of eternal punishment in the Quran
Is God's prescription of eternal hell for kâfirūn (infidels) in the Quran evil? Contesting Aijaz's understanding of kufr (infidelity) and an analysis of eternal punishment in the Quran
Abstract
This article concerns the problem of eternal hell in Islam as an aporetic problem of evil with a focus on Aijaz's description of the Islamic soteriology. I contest his ...
'gedaen door N. de Vos, tot Antwerpen'. Lotgevallen van de portretten van Joris Vezelaer en Margaretha Boghe, voorouders van Constantijn Huygens, geschilderd door Joos van Cleve
'gedaen door N. de Vos, tot Antwerpen'. Lotgevallen van de portretten van Joris Vezelaer en Margaretha Boghe, voorouders van Constantijn Huygens, geschilderd door Joos van Cleve
AbstractBased on four letters dating from the period between December 1652 to January 1653, the article documents the vicissitudes of the portraits (and copies of them) of Joris Ve...
Embodying the Face: The Intersubjectivity of Portraits and Self-portraits
Embodying the Face: The Intersubjectivity of Portraits and Self-portraits
AbstractThe topic of the human face is addressed from a biocultural perspective, focusing on the empirical investigation of how the face is represented, perceived, and evaluated in...