Search engine for discovering works of Art, research articles, and books related to Art and Culture
ShareThis
Javascript must be enabled to continue!

Montaigne on Animals

View through CrossRef
Abstract The “animal question” stands at the center of contemporary debates over modern subjectivity and its deconstruction. Taking as a point of departure the references made by Jacques Derrida to Montaigne’s defense of animals in the “Apology for Raymond Sebond”, this article seeks to demonstrate the fundamental differences separating the projects of these two thinkers. For Derrida, the animal presents itself to the human subject as a figure of radical alterity, precluding any attempts at establishing a homogeneous continuity. While challenging the dogmatic rationalist presumption to know the “internal impulses” of the animals, Montaigne for his part emphasizes the homogeneity of animal and human behaviors and the natural kinship uniting mankind with the animals. The animal represents for man a model of self-appropriation, appropriation to one’s “ordinary” condition and to one’s body. Thus, we find thus more continuities than a radical conflict between Montaigne and the “modern” rationalist tradition.
Title: Montaigne on Animals
Description:
Abstract The “animal question” stands at the center of contemporary debates over modern subjectivity and its deconstruction.
Taking as a point of departure the references made by Jacques Derrida to Montaigne’s defense of animals in the “Apology for Raymond Sebond”, this article seeks to demonstrate the fundamental differences separating the projects of these two thinkers.
For Derrida, the animal presents itself to the human subject as a figure of radical alterity, precluding any attempts at establishing a homogeneous continuity.
While challenging the dogmatic rationalist presumption to know the “internal impulses” of the animals, Montaigne for his part emphasizes the homogeneity of animal and human behaviors and the natural kinship uniting mankind with the animals.
The animal represents for man a model of self-appropriation, appropriation to one’s “ordinary” condition and to one’s body.
Thus, we find thus more continuities than a radical conflict between Montaigne and the “modern” rationalist tradition.

Related Results

La relecture des Essais de Montaigne au prisme de l'amitié
La relecture des Essais de Montaigne au prisme de l'amitié
La présente étude a pour but d’examiner l’amitié de Montaigne pour La Boétie dans la perspective de la lecture. Dans la première partie « Nous lecteurs de Montaigne », nous nous in...
Electric Animal An Interview with Akira Mizuta Lippit & (untitled photographs)
Electric Animal An Interview with Akira Mizuta Lippit & (untitled photographs)
Dr. Akira Mizuta Lippit, author of Electric Animal: Toward a Rhetoric of Wildlife, explores, in the context of the development of cinema, how the concept of “the animal” has become...
The Conservatism of the Counterreformation in Montaigne’s “Apology for Raymond Sebond”
The Conservatism of the Counterreformation in Montaigne’s “Apology for Raymond Sebond”
Montaigne’s “Apology” is a lengthy work the overarching theme of which is the relationship between epistemology, virtue, and vice. It is a commentary on the thesis that science or ...
Marie de Gournay
Marie de Gournay
Philosopher, translator, fiction writer, and editor: it is virtually impossible to pin down one authorial or scholarly identity for Marie de Gournay (b. 1565–d. 1645). Over the cou...
Remerciements
Remerciements
Les directrices de ce numéro tiennent à remercier le comité scientifique composé de Cyril Camus (CPGE / CAS, Toulouse-Jean Jaurès), Yves Davo (Université de Bordeaux), Magali Fleur...
Obraz člověka a výchovy v Esejích Michela de Montaigne
Obraz člověka a výchovy v Esejích Michela de Montaigne
The study deals with the question of the relationships among the conception of human nature, its cognition and education in Michel de Montaigne’s Essays. In the series of essays, M...
Breeches of Decorum: The Figure of a Barbarian in Montaigne and Addison
Breeches of Decorum: The Figure of a Barbarian in Montaigne and Addison
This essay proceeds from the suggestion that Joseph Addison alludes to Michel de Montaigne's "Des Cannibales" in Spectator 50, when Mr. Spectator relates the visit to London of "fo...
QUENTIN SKINNER ACERCA DA “DOUTRINA MAQUIAVÉLICA” E ESTOICA DE MONTAIGNE*
QUENTIN SKINNER ACERCA DA “DOUTRINA MAQUIAVÉLICA” E ESTOICA DE MONTAIGNE*
RESUMO O objetivo deste trabalho é considerar criticamente a leitura de Quentin Skinner, apresentada em As fundações do pensamento político moderno, a respeito da obra de Montaigne...

Back to Top