“Italian Tango” Between Buenos Aires and Paolo Conte

This essay will attempt to disentangle the “DNA” of the intricate music of tango in order to reveal the Italian strand of its genetic sequence, following it trans-historically and trans-continentally from its inception in Buenos Aires to its contemporary return to one of its ancestral homes, Italy. Outlining a little-studied version of “Italian sound,” in the following pages I will aim to unearth the Italian roots of tango in Argentina, which require a thorough description because they are often overlooked, by considering some textual examples. I will then follow the tango’s long branching out to Italy, through a brief treatment of the successful arrival of this music on the peninsula and through consideration of some of its most original all-Italian versions, the tangos by singer and songwriter Paolo Conte. The perspective offered here will be that of an overview covering a century of “Italian tango” and will especially privilege the connection between the tangos of Buenos Aires and those of the Asti-born Italian composer.