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Sombras do opus magnum: Samuel Beckett dirige A última gravação de Krapp
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O presente artigo tem como objetivo apresentar uma reflexão acerca do trabalho de Samuel Beckett como encenador de sua própria dramaturgia. Para tanto, abordaremos as encenações dirigidas por Beckett de A última gravação de Krapp, observando detalhes do trabalho de transposição realizado pelo dramaturgo-encenador de sua dramaturgia para o palco.Palavras-chave: Samuel Beckett, A última gravação de Krapp, dramaturgia, encenação, teatro moderno. Abstract: This article aims to present a reflection on the work of Samuel Beckett as the director of his own dramaturgy. For that, we will approach the stagings directed by Beckett of Krapp’s Last Tape, observing details of the work of transposition realized by the playwright-director of his dramaturgy for the stage.Key-words: Samuel Beckett, Krapp’s Last Tape, dramaturgy, staging, modern theatre.
Title: Sombras do opus magnum: Samuel Beckett dirige A última gravação de Krapp
Description:
O presente artigo tem como objetivo apresentar uma reflexão acerca do trabalho de Samuel Beckett como encenador de sua própria dramaturgia.
Para tanto, abordaremos as encenações dirigidas por Beckett de A última gravação de Krapp, observando detalhes do trabalho de transposição realizado pelo dramaturgo-encenador de sua dramaturgia para o palco.
Palavras-chave: Samuel Beckett, A última gravação de Krapp, dramaturgia, encenação, teatro moderno.
Abstract: This article aims to present a reflection on the work of Samuel Beckett as the director of his own dramaturgy.
For that, we will approach the stagings directed by Beckett of Krapp’s Last Tape, observing details of the work of transposition realized by the playwright-director of his dramaturgy for the stage.
Key-words: Samuel Beckett, Krapp’s Last Tape, dramaturgy, staging, modern theatre.
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