Search engine for discovering works of Art, research articles, and books related to Art and Culture
ShareThis
Javascript must be enabled to continue!

Songs and Arias Ornamented by Giovanni Battista Velluti, the Last Operatic Castrato

View through CrossRef
This edition consists of twenty-nine songs and arias from the early nineteenth-century solo vocal music repertoire to which Giovanni Battista (Giambattista) Velluti (1780–1861) composed (and frequently, though not always, published) ornamentation. The last great operatic castrato, Velluti, over the course of his career, became increasingly well known not only for his singing, but also for his creative, adventuresome ornaments. His publications of ornamented songs and arias were frequent throughout the last decade of his career, when his singing style became less purely virtuosic and more concerned with affect. The edition includes only ornamented solo songs and arias with a secure attribution to Velluti. Those with doubtful or spurious attribution are excluded, as are Velluti’s ornamented duets and trios, as well as arias in full orchestral score.
A-R Editions
Title: Songs and Arias Ornamented by Giovanni Battista Velluti, the Last Operatic Castrato
Description:
This edition consists of twenty-nine songs and arias from the early nineteenth-century solo vocal music repertoire to which Giovanni Battista (Giambattista) Velluti (1780–1861) composed (and frequently, though not always, published) ornamentation.
The last great operatic castrato, Velluti, over the course of his career, became increasingly well known not only for his singing, but also for his creative, adventuresome ornaments.
His publications of ornamented songs and arias were frequent throughout the last decade of his career, when his singing style became less purely virtuosic and more concerned with affect.
The edition includes only ornamented solo songs and arias with a secure attribution to Velluti.
Those with doubtful or spurious attribution are excluded, as are Velluti’s ornamented duets and trios, as well as arias in full orchestral score.

Related Results

‘Veluti in speculum’: The twilight of the castrato
‘Veluti in speculum’: The twilight of the castrato
The final performances of castrato Giovanni Battista Velluti in London in the late 1820s constitute a particularly rich vantage point from which to explore why the castrato was eve...
Creative profile of Giovanni Ansani
Creative profile of Giovanni Ansani
The subject of the research is the operatic art of the turn of the 18th and 19th centuries. The object is the operatic performance creativity of the singer Giovanni Ansani. Giovann...
129 Songs
129 Songs
How many songs did Charles Ives (1874–1954) write? For years the songs of this iconoclastic American composer have only been known in imperfect editions of his 114 Songs (privately...
Professor Erdenebilig's Role of Research for Folk Songs
Professor Erdenebilig's Role of Research for Folk Songs
Erdenebilig, a professor at Northwest University of the People’s Republic of China, a researcher of oral literature and etiquette, is a tireless worker and eternal seeker who has d...
Singing behavior of white-handed gibbons (Hylobates lar) of Khao Yai National Park, Thailand
Singing behavior of white-handed gibbons (Hylobates lar) of Khao Yai National Park, Thailand
This thesis manuscript focusses on the remarkable vocal abilities of white-handed gibbons (Hylobates lar) of Khao Yai National Park, Thailand. To understand the mechanisms underlyi...
Utilization and Significance of the Pansori Inserted Songs
Utilization and Significance of the Pansori Inserted Songs
This study assumed that the insertion of songs or inserted songs during the formative period of Pansori played a significant role in establishing Pansori as epic poetry. To verify ...
A Collection of Loyal Songs: Songs as Spaces of Memory
A Collection of Loyal Songs: Songs as Spaces of Memory
In 1750, four years after the Battle of Culloden, Edinburgh printer Robert Fleming distributed the Jacobite songbook A Collection of Loyal Songs, Poems, &c. Jacobitism was, for...
SEARCHING FOR THE SOURCES OF 18TH AND 19TH CENTURY LATGALIAN RELIGIOUS SONGS
SEARCHING FOR THE SOURCES OF 18TH AND 19TH CENTURY LATGALIAN RELIGIOUS SONGS
<p><em>Latgalian </em><em>„</em><em>svātuos dzīsmis”</em><em> (‘sacred songs’) were not only sung in the church in the 18<sup>...

Back to Top