Javascript must be enabled to continue!
Tomb of Akbar
View through Harvard Museums
This unfinished watercolor painting depicts the front of the tomb of Akbar, the third Mughal emperor (r. 1556 to 1605. The large, arch-shaped doorway (iwan) bears decorative panels with geometric, floral, and calligraphic designs. The actual tomb building is a four-tiered pyramid that is surmounted by a marble pavilion. The building is mainly constructed from red sandstone with accented with chhatris (canopies), large, dome-like structures that commonly adorn Indian architecture. In front of the complex is a square pool. The depiction is enclosed within a black border. At the bottom of the page, the inscription states, “Tomb of Akbar”.
Department of Islamic & Later Indian Art
Harvard Art Museums/Arthur M. Sackler Museum Gift of Miss Ellen Bullard
Title: Tomb of Akbar
Description:
This unfinished watercolor painting depicts the front of the tomb of Akbar, the third Mughal emperor (r.
1556 to 1605.
The large, arch-shaped doorway (iwan) bears decorative panels with geometric, floral, and calligraphic designs.
The actual tomb building is a four-tiered pyramid that is surmounted by a marble pavilion.
The building is mainly constructed from red sandstone with accented with chhatris (canopies), large, dome-like structures that commonly adorn Indian architecture.
In front of the complex is a square pool.
The depiction is enclosed within a black border.
At the bottom of the page, the inscription states, “Tomb of Akbar”.
Related Results
Mughal emperors Akbar, Jahangir and Shah Jahan with their ministers, by Bichitr (recto), foliate design in gold (verso), folio from the Minto Album
Mughal emperors Akbar, Jahangir and Shah Jahan with their ministers, by Bichitr (recto), foliate design in gold (verso), folio from the Minto Album
Mughal emperors Akbar, Jahangir and Shah Jahan with their ministers, by Bichitr (recto), foliate design in gold (verso), folio from the Minto Album.
This allegorical group portra...
Gateway to Akbar's tomb with carriage in front, Sikandar, negative no. 221
Gateway to Akbar's tomb with carriage in front, Sikandar, negative no. 221
A stately view of the entranceway to the tomb of the Mughal Emperor Akbar (d. 1605). The entrance gate sits in the center of the composition on a low horizon line created by the ga...
Entrance Gate to the Tomb of the Mughal Emperor Akbar at Sikandra
Entrance Gate to the Tomb of the Mughal Emperor Akbar at Sikandra
This painting features the main entrance gate to the tomb of the Mughal emperor Akbar (r. 1556-1605). Company School....
Humayun's tomb, Delhi, Samuel Bourne no. 1362
Humayun's tomb, Delhi, Samuel Bourne no. 1362
This landscape format albumen silver print depicts Humayun's Tomb in Delhi. The tomb occupies the center of the composition, resting upon a rather shallow horizon. The photograph...
Emperor Akbar and Gosain Jadrup, Folio from the St. Petersburg Muraqqa’
Emperor Akbar and Gosain Jadrup, Folio from the St. Petersburg Muraqqa’
Set within splendidly detailed borders, this painting depicts the aged Emperor Akbar (r. 1556–1605) conversing with the famous Hindu ascetic Gosain Jadrup. They are seated outside ...
Virgin and Child with Angels (painting by a Portuguese artist), folio from the Gulshan Album; mounted with an ornamental border by a Mughal artist
Virgin and Child with Angels (painting by a Portuguese artist), folio from the Gulshan Album; mounted with an ornamental border by a Mughal artist
This composition of the Virgin and Child, painted after a Flemish engraving by Antonius Wierix dated 1584, is attributed to an unnamed Portuguese artist brought by the Jesuit missi...
Tomb di Akbar
Tomb di Akbar
Illustration of the tomb of Akbar the Great, one of the masterpieces of Mughal architecture, built between 1605 and 1613 and located within a 48-hectare site in Sikandra, a suburb ...
Relief fragment from the tomb of Tepemankh
Relief fragment from the tomb of Tepemankh
This fragment includes scenes, executed in raised relief, from two registers. In the lower and better preserved one, two individuals are being dragged toward the right by two other...


