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TYPES OF POLYPHONY IN DESIGNING THE COREOGRAPHY OF MIRSKA PJENIJA BY SRDJAN JAĆIMOVIĆ
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Polyphony, as a composing technique, has the same function in every historicallyartistic period – the development and enrichment of melodic lines. What distinguishes polyphony treatment throughout the epochs is the different sound impression of the stylistic musical period in which the composition was created. Musical language of choreographed scenes in Mirska pjenija by the composer Srdjan Jaćimović is to a large extent the musical language of our epoch, a language of postmodern orientation. The piece abounds with the impressionistic presentation of the atmosphere through musical expressing of the text. A detailed polyphonic analysis of the composition indicates the use of different types of polyphony in each of the choreographed scenes individually, which are systematically separated and explained in this paper.
Title: TYPES OF POLYPHONY IN DESIGNING THE COREOGRAPHY OF MIRSKA PJENIJA BY SRDJAN JAĆIMOVIĆ
Description:
Polyphony, as a composing technique, has the same function in every historicallyartistic period – the development and enrichment of melodic lines.
What distinguishes polyphony treatment throughout the epochs is the different sound impression of the stylistic musical period in which the composition was created.
Musical language of choreographed scenes in Mirska pjenija by the composer Srdjan Jaćimović is to a large extent the musical language of our epoch, a language of postmodern orientation.
The piece abounds with the impressionistic presentation of the atmosphere through musical expressing of the text.
A detailed polyphonic analysis of the composition indicates the use of different types of polyphony in each of the choreographed scenes individually, which are systematically separated and explained in this paper.
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