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L’IMAGE DU MONTENEGRO ET UN POINT DU VUE SUR LA NARRATION DANS LETTRES SUR L’ADRIATIQUE ET LE MONTENEGRO DE XAVIER MARMIER
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IMAGE OF MONTENEGRO AND VIEWPOINT ON NARRATION IN XAVIER MARMIER’S LETTERS ON THE ADRIATIC AND MONTENEGRO
In the present article, we intend to present Letters on the Adriatic and
Montenegro by Xavier Marmier, a French traveller and writer who took many
trips around the world, including Montenegro in 1852. His journey is described
in two volumes, and the second one is mainly devoted to Montenegro (six out
of eight chapters). He spent two months in Montenegro and wrote a beautiful testimony of this period, relying on the historical facts, testimonies of the
inhabitants and on his personal impressions. In the first part of our paper, we
provide a summary of his writing on Montenegro, focusing on points such as
the historical context, the living conditions of the people, as well as on their
customs and traditions. In the second part, we propose a reflection on the narration and more precisely on the narrative temporality in this work. We seek
to identify the different temporal markers in order to explain the use of certain
tenses in the narrative.
Key words: Montenegro, Xavier Marmier, travel writing, narration, temporality
Title: L’IMAGE DU MONTENEGRO ET UN POINT DU VUE SUR LA NARRATION DANS LETTRES SUR L’ADRIATIQUE ET LE MONTENEGRO DE XAVIER MARMIER
Description:
IMAGE OF MONTENEGRO AND VIEWPOINT ON NARRATION IN XAVIER MARMIER’S LETTERS ON THE ADRIATIC AND MONTENEGRO
In the present article, we intend to present Letters on the Adriatic and
Montenegro by Xavier Marmier, a French traveller and writer who took many
trips around the world, including Montenegro in 1852.
His journey is described
in two volumes, and the second one is mainly devoted to Montenegro (six out
of eight chapters).
He spent two months in Montenegro and wrote a beautiful testimony of this period, relying on the historical facts, testimonies of the
inhabitants and on his personal impressions.
In the first part of our paper, we
provide a summary of his writing on Montenegro, focusing on points such as
the historical context, the living conditions of the people, as well as on their
customs and traditions.
In the second part, we propose a reflection on the narration and more precisely on the narrative temporality in this work.
We seek
to identify the different temporal markers in order to explain the use of certain
tenses in the narrative.
Key words: Montenegro, Xavier Marmier, travel writing, narration, temporality.
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