Search engine for discovering works of Art, research articles, and books related to Art and Culture
ShareThis
Javascript must be enabled to continue!

Caddo Pottery in Modern and Contemporary Art and Protection of Native American Cultures in Fine Arts by the IACB’s Indian Arts and Crafts Act

View through CrossRef
Hello, my name is Chase Kawinhut Earles. I was named by Julia Edge, daughter of Pauline Washington, who was the granddaughter of the Caddo chief, George Washington. I recently, well, not that very long ago started creating Caddo pottery with the much appreciated guidance from Jeri Redcorn. I have been an artist all my life, but mostly only a painter, not much clay, sculpture or pottery. I was inspired to create pottery though, but my experiences were with the Southwest and the Pueblo artists, as this is what I grew up around and what I learned. But I never started. I never found any inspiration. I realized one day it was because I am not a Pueblo Indian and creating Pueblo or Southwest pottery would, to me, feel hollow. I would feel as though I was just creating knock-offs or replications, and not truly inspired or authentic art. This beginning is what defines me and my ideas about Native American Art. Jeri Redcorn and I are two of only maybe a few active Caddo traditional potters. As we work to revive our long tradition and heritage of pottery we have started to unfold an ancient legacy that has proven to be very unique among other native cultures.
Title: Caddo Pottery in Modern and Contemporary Art and Protection of Native American Cultures in Fine Arts by the IACB’s Indian Arts and Crafts Act
Description:
Hello, my name is Chase Kawinhut Earles.
I was named by Julia Edge, daughter of Pauline Washington, who was the granddaughter of the Caddo chief, George Washington.
I recently, well, not that very long ago started creating Caddo pottery with the much appreciated guidance from Jeri Redcorn.
I have been an artist all my life, but mostly only a painter, not much clay, sculpture or pottery.
I was inspired to create pottery though, but my experiences were with the Southwest and the Pueblo artists, as this is what I grew up around and what I learned.
But I never started.
I never found any inspiration.
I realized one day it was because I am not a Pueblo Indian and creating Pueblo or Southwest pottery would, to me, feel hollow.
I would feel as though I was just creating knock-offs or replications, and not truly inspired or authentic art.
This beginning is what defines me and my ideas about Native American Art.
Jeri Redcorn and I are two of only maybe a few active Caddo traditional potters.
As we work to revive our long tradition and heritage of pottery we have started to unfold an ancient legacy that has proven to be very unique among other native cultures.

Related Results

Impacts of man-made structures on marine biodiversity and species status - native & non-native species
Impacts of man-made structures on marine biodiversity and species status - native & non-native species
<p>Coastal environments are exposed to anthropogenic activities such as frequent marine traffic and restructuring, i.e., addition, removal or replacing with man-made structur...
Arts and Crafts Management Model of Baan Huai Ta Community, Utttaradit Province
Arts and Crafts Management Model of Baan Huai Ta Community, Utttaradit Province
Purpose: The objectives of the present research on the arts and crafts management model of Baan Huai Ta community, Uttaradit province were to analyze the community arts and crafts ...
Arts and Crafts Movement
Arts and Crafts Movement
The Arts and Crafts movement emerged in 19th-century England in response to the hardships imposed on workers under a growing factory system. Critics denounced the degrading conditi...
JARINGAN SOSIAL PERAJIN GERABAH DALAM MEMPERTAHANKAN USAHA di GAMPONG ME MATANG PANYANG ACEH UTARA
JARINGAN SOSIAL PERAJIN GERABAH DALAM MEMPERTAHANKAN USAHA di GAMPONG ME MATANG PANYANG ACEH UTARA
This study examines the Social Network of Pottery Craftsmen in Maintaining Their Business (Study in Gampong Me Matang Panyang, Tanah Pasir District, North Aceh Regency). This study...
Chronology of Grayish Pottery in the Lower Nakdonggang River
Chronology of Grayish Pottery in the Lower Nakdonggang River
In this paper, as part of the basic work to examine the establishment and development process of various groups during the Proto-Three Kingdoms period in the Nakdong River lower re...
Analysis of Surface Collections from Areas A and B at the Sam Roberts Site (41CP8) on Prairie Creek, Camp County, Texas
Analysis of Surface Collections from Areas A and B at the Sam Roberts Site (41CP8) on Prairie Creek, Camp County, Texas
The Sam Roberts site is a large ancestral Caddo mound center and habitation site on the floodplain of Prairie Creek, an eastward-flowing tributary to Big Cypress Creek, as well as ...
Measurable Progress? Teaching Artsworkers to Assess and Articulate the Impact of Their Work
Measurable Progress? Teaching Artsworkers to Assess and Articulate the Impact of Their Work
The National Cultural Policy Discussion Paper—drafted to assist the Australian Government in developing the first national Cultural Policy since Creative Nation nearly two decades ...
Indo-Anglian: Connotations and Denotations
Indo-Anglian: Connotations and Denotations
A different name than English literature, ‘Anglo-Indian Literature’, was given to the body of literature in English that emerged on account of the British interaction with India un...

Back to Top