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Maria Rosa Negri Pavona, Mezzosopran, in der Rolle der Barce (aus dem Vestiarium der Oper "Attilio Regolo", aufgeführt am 12. Januar 1750 in Dresden)
Title: Maria Rosa Negri Pavona, Mezzosopran, in der Rolle der Barce (aus dem Vestiarium der Oper "Attilio Regolo", aufgeführt am 12. Januar 1750 in Dresden)
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Rosa Negri Pavona (Negri-Risack) as a parce in “Attilio Regolo” by Metastasio and Hasse. Hoftheater Dresden, premiere January 12, 1750. Feather drawing by F. Ponte, sheet 3 in: Vestiarium of the opera “Attilio Regolo.” Dresden: Copper engraving cabinet Ca
Rosa Negri Pavona (Negri-Risack) as a parce in “Attilio Regolo” by Metastasio and Hasse. Hoftheater Dresden, premiere January 12, 1750. Feather drawing by F. Ponte, sheet 3 in: Vestiarium of the opera “Attilio Regolo.” Dresden: Copper engraving cabinet Ca
Rosa Negri Pavona (Negri-Risack) as a parce in “Attilio Regolo” by Metastasio and Hasse. Hoftheater Dresden, premiere January 12, 1750. Feather drawing by F. Ponte, sheet 3 in: Ves...
Rosa Negri Pavona (Negri-Risack) as a parce in “Attilio Regolo” by Metastasio and Hasse. Hoftheater Dresden, premiere January 12, 1750. Feather drawing by F. Ponte, sheet 3 in: Vestiarium of the opera “Attilio Regolo.” Dresden: Copper engraving cabinet Ca
Rosa Negri Pavona (Negri-Risack) as a parce in “Attilio Regolo” by Metastasio and Hasse. Hoftheater Dresden, premiere January 12, 1750. Feather drawing by F. Ponte, sheet 3 in: Vestiarium of the opera “Attilio Regolo.” Dresden: Copper engraving cabinet Ca
Rosa Negri Pavona (Negri-Risack) as a parce in “Attilio Regolo” by Metastasio and Hasse. Hoftheater Dresden, premiere January 12, 1750. Feather drawing by F. Ponte, sheet 3 in: Ves...
Venturo Rocchetti, called Venturini, as Amilcare in “Attilio Regolo” by Metastasio and Hasse. Hoftheater Dresden, premiere January 12, 1750. Feather drawing by F. Ponte, sheet 7 in: Vestiarium of the opera “Attilio Regolo.” Dresden: Copper engraving cabin
Venturo Rocchetti, called Venturini, as Amilcare in “Attilio Regolo” by Metastasio and Hasse. Hoftheater Dresden, premiere January 12, 1750. Feather drawing by F. Ponte, sheet 7 in: Vestiarium of the opera “Attilio Regolo.” Dresden: Copper engraving cabin
Venturo Rocchetti, called Venturini, as Amilcare in “Attilio Regolo” by Metastasio and Hasse. Hoftheater Dresden, premiere January 12, 1750. Feather drawing by F. Ponte, sheet 7 in...
Angelo Amorevoli as Manlio in “Attilio Regolo” by Metastasio and Hasse. Hoftheater Dresden, premiere January 12, 1750. Feather drawing by F. Ponte, sheet 4 in: Vestiarium of the opera “Attilio Regolo.” Dresden: Copper engraving cabinet Ca 103
Angelo Amorevoli as Manlio in “Attilio Regolo” by Metastasio and Hasse. Hoftheater Dresden, premiere January 12, 1750. Feather drawing by F. Ponte, sheet 4 in: Vestiarium of the opera “Attilio Regolo.” Dresden: Copper engraving cabinet Ca 103
Angelo Amorevoli as Manlio in “Attilio Regolo” by Metastasio and Hasse. Hoftheater Dresden, premiere January 12, 1750. Feather drawing by F. Ponte, sheet 4 in: Vestiarium of the op...
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Venturo Rocchetti, called Venturini, as Linceo in “Ipermestra” by Metastasio and Hasse. Hoftheater Dresden, premiere in Hubertusburg, 7 October 1751. Feather drawing by F. Ponte, sheet 3 in: Vestiarium of the opera “Ipermestra.” Dresden: Copper engraving
Venturo Rocchetti, called Venturini, as Linceo in “Ipermestra” by Metastasio and Hasse. Hoftheater Dresden, premiere in Hubertusburg, 7 October 1751. Feather drawing by F. Ponte, s...
Dresden. Max Seydewitz, general director of the Dresden art collections accompanies the cosmonaut Leonow (with his wife) through the Dresden painting gallery “Alte Meister” (with glasses), 1965 & Dresden. Lea Grundig accompanies the cosmonaut Leonow throu
Dresden. Max Seydewitz, general director of the Dresden art collections accompanies the cosmonaut Leonow (with his wife) through the Dresden painting gallery “Alte Meister” (with glasses), 1965 & Dresden. Lea Grundig accompanies the cosmonaut Leonow throu
Dresden. Max Seydewitz, general director of the Dresden art collections accompanies the cosmonaut Leonow (with his wife) through the Dresden painting gallery “Alte Meister” (with g...
Dresden. Max Seydewitz, general director of the Dresden art collections accompanies the cosmonaut Leonow (with his wife) through the Dresden painting gallery “Alte Meister” (with glasses), 1965 & Dresden. Lea Grundig accompanies the cosmonaut Leonow throu
Dresden. Max Seydewitz, general director of the Dresden art collections accompanies the cosmonaut Leonow (with his wife) through the Dresden painting gallery “Alte Meister” (with glasses), 1965 & Dresden. Lea Grundig accompanies the cosmonaut Leonow throu
Dresden. Max Seydewitz, general director of the Dresden art collections accompanies the cosmonaut Leonow (with his wife) through the Dresden painting gallery “Alte Meister” (with g...
Dresden. Max Seydewitz, general director of the Dresden art collections accompanies the cosmonaut Leonow (with his wife) through the Dresden painting gallery “Alte Meister” (with glasses), 1965 & Dresden. Lea Grundig accompanies the cosmonaut Leonow throu
Dresden. Max Seydewitz, general director of the Dresden art collections accompanies the cosmonaut Leonow (with his wife) through the Dresden painting gallery “Alte Meister” (with glasses), 1965 & Dresden. Lea Grundig accompanies the cosmonaut Leonow throu
Dresden. Max Seydewitz, general director of the Dresden art collections accompanies the cosmonaut Leonow (with his wife) through the Dresden painting gallery “Alte Meister” (with g...