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Rosa Negri Pavona (Negri-Risack) as a parce in “Attilio Regolo” by Metastasio and Hasse. Hoftheater Dresden, premiere January 12, 1750. Feather drawing by F. Ponte, sheet 3 in: Vestiarium of the opera “Attilio Regolo.” Dresden: Copper engraving cabinet Ca
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Rosa Negri Pavona (Negri-Risack) as a parce in “Attilio Regolo” by Metastasio and Hasse. Hoftheater Dresden, premiere January 12, 1750. Feather drawing by F. Ponte, sheet 3 in: Vestiarium of the opera “Attilio Regolo.” Dresden: Copper engraving cabinet Ca 103
Title: Rosa Negri Pavona (Negri-Risack) as a parce in “Attilio Regolo” by Metastasio and Hasse. Hoftheater Dresden, premiere January 12, 1750. Feather drawing by F. Ponte, sheet 3 in: Vestiarium of the opera “Attilio Regolo.” Dresden: Copper engraving cabinet Ca
Description:
Rosa Negri Pavona (Negri-Risack) as a parce in “Attilio Regolo” by Metastasio and Hasse.
Hoftheater Dresden, premiere January 12, 1750.
Feather drawing by F.
Ponte, sheet 3 in: Vestiarium of the opera “Attilio Regolo.
” Dresden: Copper engraving cabinet Ca 103.
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Rosa Negri Pavona (Negri-Risack) as a parce in “Attilio Regolo” by Metastasio and Hasse. Hoftheater Dresden, premiere January 12, 1750. Feather drawing by F. Ponte, sheet 3 in: Vestiarium of the opera “Attilio Regolo.” Dresden: Copper engraving cabinet Ca
Rosa Negri Pavona (Negri-Risack) as a parce in “Attilio Regolo” by Metastasio and Hasse. Hoftheater Dresden, premiere January 12, 1750. Feather drawing by F. Ponte, sheet 3 in: Vestiarium of the opera “Attilio Regolo.” Dresden: Copper engraving cabinet Ca
Rosa Negri Pavona (Negri-Risack) as a parce in “Attilio Regolo” by Metastasio and Hasse. Hoftheater Dresden, premiere January 12, 1750. Feather drawing by F. Ponte, sheet 3 in: Ves...
Venturo Rocchetti, called Venturini, as Amilcare in “Attilio Regolo” by Metastasio and Hasse. Hoftheater Dresden, premiere January 12, 1750. Feather drawing by F. Ponte, sheet 7 in: Vestiarium of the opera “Attilio Regolo.” Dresden: Copper engraving cabin
Venturo Rocchetti, called Venturini, as Amilcare in “Attilio Regolo” by Metastasio and Hasse. Hoftheater Dresden, premiere January 12, 1750. Feather drawing by F. Ponte, sheet 7 in: Vestiarium of the opera “Attilio Regolo.” Dresden: Copper engraving cabin
Venturo Rocchetti, called Venturini, as Amilcare in “Attilio Regolo” by Metastasio and Hasse. Hoftheater Dresden, premiere January 12, 1750. Feather drawing by F. Ponte, sheet 7 in...
Angelo Amorevoli as Manlio in “Attilio Regolo” by Metastasio and Hasse. Hoftheater Dresden, premiere January 12, 1750. Feather drawing by F. Ponte, sheet 4 in: Vestiarium of the opera “Attilio Regolo.” Dresden: Copper engraving cabinet Ca 103
Angelo Amorevoli as Manlio in “Attilio Regolo” by Metastasio and Hasse. Hoftheater Dresden, premiere January 12, 1750. Feather drawing by F. Ponte, sheet 4 in: Vestiarium of the opera “Attilio Regolo.” Dresden: Copper engraving cabinet Ca 103
Angelo Amorevoli as Manlio in “Attilio Regolo” by Metastasio and Hasse. Hoftheater Dresden, premiere January 12, 1750. Feather drawing by F. Ponte, sheet 4 in: Vestiarium of the op...
Venturo Rocchetti, called Venturini, as Linceo in “Ipermestra” by Metastasio and Hasse. Hoftheater Dresden, premiere in Hubertusburg, 7 October 1751. Feather drawing by F. Ponte, sheet 3 in: Vestiarium of the opera “Ipermestra.” Dresden: Copper engraving
Venturo Rocchetti, called Venturini, as Linceo in “Ipermestra” by Metastasio and Hasse. Hoftheater Dresden, premiere in Hubertusburg, 7 October 1751. Feather drawing by F. Ponte, sheet 3 in: Vestiarium of the opera “Ipermestra.” Dresden: Copper engraving
Venturo Rocchetti, called Venturini, as Linceo in “Ipermestra” by Metastasio and Hasse. Hoftheater Dresden, premiere in Hubertusburg, 7 October 1751. Feather drawing by F. Ponte, s...
Joseph Tichatschek in the title role for the premiere of Richard Wagner’s opera “Tannhäuser und der Singer Joseph auf Wartburg.” Royal Saxon Court Theater Dresden, 19 October 1845 under the direction of the composer. Steel engraving by A. H. Payne after d
Joseph Tichatschek in the title role for the premiere of Richard Wagner’s opera “Tannhäuser und der Singer Joseph auf Wartburg.” Royal Saxon Court Theater Dresden, 19 October 1845 under the direction of the composer. Steel engraving by A. H. Payne after d
Joseph Tichatschek in the title role for the premiere of Richard Wagner’s opera “Tannhäuser und der Singer Joseph auf Wartburg.” Royal Saxon Court Theater Dresden, 19 October 1845 ...
The messenger. Figurine for the opera “Antigone” by Carl Orff at the Staatsoper Dresden (playground Großes Haus; German premiere 27.01.1950). Karl von Appen, probably 1949. Graphite, water colors; 26.5 x 13.1 cm. Dresden: copper engraving cabinet C 1982-2
The messenger. Figurine for the opera “Antigone” by Carl Orff at the Staatsoper Dresden (playground Großes Haus; German premiere 27.01.1950). Karl von Appen, probably 1949. Graphite, water colors; 26.5 x 13.1 cm. Dresden: copper engraving cabinet C 1982-2
The messenger. Figurine for the opera “Antigone” by Carl Orff at the Staatsoper Dresden (playground Großes Haus; German premiere 27.01.1950). Karl von Appen, probably 1949. Graphit...
Children, Hans: Destroyed street in Dresden. 1945. Feather drawing, ink on drawing paper; 20 x 25.1 cm. Dresden: copper engraving cabinet C 1981-266, BAE 470
Children, Hans: Destroyed street in Dresden. 1945. Feather drawing, ink on drawing paper; 20 x 25.1 cm. Dresden: copper engraving cabinet C 1981-266, BAE 470
Children, Hans: Destroyed street in Dresden. 1945. Feather drawing, ink on drawing paper; 20 x 25.1 cm. Dresden: copper engraving cabinet C 1981-266, BAE 470...