Study of the concept and reality of Pansori faction

This study takes a synchronic look at how the theory and Confucian concept of pansori music evolved from the Joseon Dynasty to the modern flowering period. During the Joseon Dynasty, writers recognized pansori as a written document, leaving appreciation or translation of it as poems. As one of the clown arts, they recorded the customs of the performance scenes in poetry, but failed to develop it into pansori music theory. Pansori music theory was first established in Jung Hyun-seok's letter or Shin Jae-hyo's clown in the late 19th century. Jeong Hyun-seok's Pansori music theory presented 1. a well-matched editorial, 2. a neat appearance and natural voice, 3. clear pronunciation 3. vocalization and performance ability, 4. a modest lark, which is very similar to Shin Jae-hyo's clown. Subsequently, there was no pansori musical theory that remained in the literature in the late 19th and early 20th centuries, but it prevailed in various types of pansori texts that recognized pansori music at that time. Analyzing these texts can help derive a great deal of information to understand the changes in pansori music. Accordingly, studying the pansori text is an important research task in academia. Since the 20th century, gramophone recording has made practical pansori music research possible. The music recorded on the gramophone has several musical phenomena that cannot be explained by the concept of the Pansori sect presented by Jeong No-sik in Chosun Changgeuk history. In addition, newspaper magazines during the enlighten-ment period reported various activities of pansori masters. The musical phenomena and reality that appear in the album differ from those previously known. The study of planetary recordings during this period is a task that academia should study together.