Javascript must be enabled to continue!
Poulenc
View through CrossRef
Francis Poulenc is a key figure in twentieth-century classical music, as well as an unorthodox and striking individual. This book draws upon Poulenc's music and other primary sources to write an authoritative life of this great artist. Although associated with five other French composers in what came to be called “Les Six,” Poulenc was very much
sui generis
in personality and in his music, where he excelled over a wide repertoire-opera, songs, ballet scores, chamber works, piano pieces, sacred and secular choral works, orchestral works and concertos. This book fully covers this wide range, while also describing the vicissitudes of Poulenc's life and the many important relationships he had with major figures such as Satie, Ravel, Stravinsky, Diaghilev, Cocteau and others.
Title: Poulenc
Description:
Francis Poulenc is a key figure in twentieth-century classical music, as well as an unorthodox and striking individual.
This book draws upon Poulenc's music and other primary sources to write an authoritative life of this great artist.
Although associated with five other French composers in what came to be called “Les Six,” Poulenc was very much
sui generis
in personality and in his music, where he excelled over a wide repertoire-opera, songs, ballet scores, chamber works, piano pieces, sacred and secular choral works, orchestral works and concertos.
This book fully covers this wide range, while also describing the vicissitudes of Poulenc's life and the many important relationships he had with major figures such as Satie, Ravel, Stravinsky, Diaghilev, Cocteau and others.
Related Results
Emmanuel Chabrier de Francis Poulenc
Emmanuel Chabrier de Francis Poulenc
La correspondance de Francis Poulenc, ses entretiens avec Claude Rostand et tout particulièrement la biographie publiée en 1961, Emmanuel Chabrier, révèlent la grande admiration qu...
Surrealism and Faith 1934–1939
Surrealism and Faith 1934–1939
This chapter recounts the first Bernac/Poulenc recital that took place at the École normale de musique after Francis Poulenc's North African tour with Maria Modrakowska in February...
Mad About Nuns 1952–1956
Mad About Nuns 1952–1956
This chapter focuses on Francis Poulenc's devotion to three very different works. It analyzes Ave verum that Poulenc wrote for women's voices and commissioned by the Howard Heinz F...
‘Liberty, I Write Your Name’ 1944–1952
‘Liberty, I Write Your Name’ 1944–1952
This chapter looks into Francis Poulenc's performance of the Figure humaine after the liberation of France from the Second World War. It talks about Poulenc's Les Mamelles in which...
The Years of Darkness 1939–1944
The Years of Darkness 1939–1944
This chapter focuses on Francis Poulenc's military service during the Second World War, in which his creativity, in sympathy, became muted and would remain so for at least three ye...
Depression and Recovery 1929–1934
Depression and Recovery 1929–1934
This chapter explains what made the years from 1929 to 1934 terrible and not easy to decipher for Francis Poulenc. It speculates that the cause of Poulenc's depression was due to t...
Francis Poulenc, Sonata for Oboe and Piano (1962)
Francis Poulenc, Sonata for Oboe and Piano (1962)
Abstract
This chapter examines Francis Poulenc’s Sonata for Oboe and Piano (1962) and explores the intricate relationship between the composer’s personal journey and...
‘Now we are Six’ 1919–1924
‘Now we are Six’ 1919–1924
This chapter explains how Francis Poulenc exorcized the influence of Claude Debussy's piano music through his multi-stave preludes. It also analyzes Poulenc's modelling of his solo...

