Search engine for discovering works of Art, research articles, and books related to Art and Culture
ShareThis
Javascript must be enabled to continue!

Sibelius: Symphony No. 5

View through CrossRef
Sibelius's Fifth is one of the great late-Romantic symphonies. In this searching account, based on a wealth of new information, James Hepokoski takes a fresh look at the work and its composer. His findings have implications beyond Sibelius himself into the entire repertory of Post-Wagnerian symphonic composition. The early chapters place the Fifth Symphony squarely within the general culture of European musical 'modernism' and focus in particular on the problem of the clash of that culture with the more radical 'New-Music' experiments of an emerging younger generation of composers. Subsequent chapters include a probing consideration of Sibelius's style and meditative aesthetic; an account of how the symphony was composed; and a descriptive analysis of the final, familiar version. The book concludes with a discussion of the composer's own prescribed tempos for the Fifth Symphony, along with a comparison of several different recordings.
Cambridge University Press
Title: Sibelius: Symphony No. 5
Description:
Sibelius's Fifth is one of the great late-Romantic symphonies.
In this searching account, based on a wealth of new information, James Hepokoski takes a fresh look at the work and its composer.
His findings have implications beyond Sibelius himself into the entire repertory of Post-Wagnerian symphonic composition.
The early chapters place the Fifth Symphony squarely within the general culture of European musical 'modernism' and focus in particular on the problem of the clash of that culture with the more radical 'New-Music' experiments of an emerging younger generation of composers.
Subsequent chapters include a probing consideration of Sibelius's style and meditative aesthetic; an account of how the symphony was composed; and a descriptive analysis of the final, familiar version.
The book concludes with a discussion of the composer's own prescribed tempos for the Fifth Symphony, along with a comparison of several different recordings.

Related Results

Sibelius (1965)
Sibelius (1965)
Abstract AALTONEN: Mr Britten, as a composer you are master of a variety of branches of music. Would you please tell us which one you prefer working in?BRITTEN: I th...
IMPLEMENTASI MATA PELAJARAN SIMULASI DIGITAL MENGGUNAKAN SIBELIUS DI JURUSAN SENI MUSIK KLASIK SMKN 12 SURABAYA
IMPLEMENTASI MATA PELAJARAN SIMULASI DIGITAL MENGGUNAKAN SIBELIUS DI JURUSAN SENI MUSIK KLASIK SMKN 12 SURABAYA
Simulasi Digital merupakan salah satu mata pelajaran yang ada pada jurusan Seni Musik Klasik SMK Negeri 12. Mata pelajaran Simulasi Digital mempelajari tentang penulisan aransemen ...
Sibelius as Violinist and Composer
Sibelius as Violinist and Composer
This chapter presents an overview of Sibelius’s early musical training, especially as a violinist. It highlights the life-long persistence of Sibelius’s violin training in his musi...
The Songs of Jean Sibelius
The Songs of Jean Sibelius
A landmark in Sibelius scholarship, this is the first book that presents all of Sibelius's solo art songs in their musical and aesthetic context. Indispensable for scholars and per...
Sibelius – “a composer made for modes”
Sibelius – “a composer made for modes”
Sibelius — « Un compositeur fait pour les modes » Selon Sibelius, les mélodies populaires finnoises sont basées sur « simplement cinq notes – ré mi fa sol la – auxquelles deux autr...
Symphony Evolving into Drama in Historical Retrospect
Symphony Evolving into Drama in Historical Retrospect
The symphony genre grew out of the opera overture and, from about 1730, became an independent form of orchestral music. Initially, a symphony orchestra consisted ofstrings and a fe...
Peter Maxwell Davies's Symphony No. 10, LSO and chorus, Barbican Centre, London
Peter Maxwell Davies's Symphony No. 10, LSO and chorus, Barbican Centre, London
Sir Peter Maxwell Davies' Tenth Symphony was given its premiere by the London Symphony Orchestra and Chorus at the Barbican on 2 February 2014. The work concerns itself with both t...

Back to Top