Search engine for discovering works of Art, research articles, and books related to Art and Culture
ShareThis
Javascript must be enabled to continue!

Yalis and Makaras within Ogival Lattice

View through Harvard Museums
Featured in the ogival lattice design of are confronted creatures from Hindu mythology: in one row, yellow yalis, and in the alternating row, blue makaras. Yali possesses the head and body of a lion and wings. Makara is a sea animal that often appears with an elephant head and a crocodile body. Both yalis and makaras are believed to be guardian creatures and are typically found as stone carvings in Hindu temples—at the entrance, on the exterior walls or pillars. Their protective power would have been fitting for textiles of this kind which are believed to be used for decorating imperial tents and canopies. Produced in the Islamic Sultanate period of India, this lampas is a cultural hybrid that combines motifs from Hindu temple architecture and the ogival lattice pattern that was popular in Central Asia, Iran, Egypt, and Ottoman Turkey.
Department of Islamic & Later Indian Art Michael Frances. Harvard Art Museums/Arthur M. Sackler Museum Francis H. Burr and William H. Prichard Memorial Funds
image-zoom
Title: Yalis and Makaras within Ogival Lattice
Description:
Featured in the ogival lattice design of are confronted creatures from Hindu mythology: in one row, yellow yalis, and in the alternating row, blue makaras.
Yali possesses the head and body of a lion and wings.
Makara is a sea animal that often appears with an elephant head and a crocodile body.
Both yalis and makaras are believed to be guardian creatures and are typically found as stone carvings in Hindu temples—at the entrance, on the exterior walls or pillars.
Their protective power would have been fitting for textiles of this kind which are believed to be used for decorating imperial tents and canopies.
Produced in the Islamic Sultanate period of India, this lampas is a cultural hybrid that combines motifs from Hindu temple architecture and the ogival lattice pattern that was popular in Central Asia, Iran, Egypt, and Ottoman Turkey.

Related Results

Casket
Casket
The casket consists of a rectangular box with a detachable lid and inner drawers. The box is supported on four feet of five-clawed animal paws. The exterior panels are luxuriousl...
Cave 1, Details of Pillars f.33
Cave 1, Details of Pillars f.33
Pencil drawing of pillars and pilasters from Cave 1 at Ajanta, from an Album of 26 ground plans of the Ajanta caves and 16 folios of drawings of sculpture and architectural details...
Qizil Kimishek (red head veil)
Qizil Kimishek (red head veil)
This garment is a fine example of a qizil kimishek (red head veil), a distinctive and exuberant garment from the Karakalpak people of western Uzbekistan. Made by girls as part of t...
Three Italian art glass bowls
Three Italian art glass bowls
Comprising a thin-walled lattice and twisted stripe squared bowl, a thick-walled lattice and twisted stripe square bowl, and a shell-form lattice and twisted stripe bowl, 3 pieces,...
Zhang lingrui | The Lattice Pursuit
Zhang lingrui | The Lattice Pursuit
HdM Gallery is pleased to present Zhang Lingrui’s solo exhibition, “The Lattice Pursuit”. Taking the “lattice” from ordinary checkered fabrics as the micro visual unit, this motif ...

Back to Top