The image of Zhenya Komelkova in the opera by Tan Jianping "The Dawns Here Are Quiet"

The subject of the study is the analysis of the musical and dramatic features of the opera "The Dawns Here Are Quiet" by Chinese composer Tang Jianping, based on the novella by Boris Vasilyev. The work examines the interaction of Russian literary tradition with Chinese musical style, as well as the expressive means used in the opera to reveal the characters' personalities. Special attention is given to the musical image of Zhenya Komelkova, one of the key characters of the opera. Her vocal line, the evolution of the musical accompaniment, and her dramatic role in the development of the plot are explored. Key scenes are considered in which Zhenya goes from cheerfulness to the realization of her tragic fate. The article analyzes vocal and instrumental means, such as timbral solutions, harmonic content, and rhythmic changes that enhance the emotional impact on the listener. The study employs methods of music-theoretical analysis that allow for the identification of features of vocal parts and orchestral accompaniment. A comparative method is used to study the musical language of the opera in the context of Russian and Chinese traditions. The novelty of the research lies in the detailed examination of the interaction between Chinese musical tradition and the Russian literary original. The analysis of Tang Jianping's opera demonstrates how the composer adapts traditional methods of Chinese musical theater to convey the dramatic line of Russian classics. An important contribution is the study of Zhenya Komelkova's vocal part, her evolution throughout the work, and the use of musical means to convey her emotional state. The main conclusions of the conducted research are the identification of musical techniques that contribute to the creation of vivid artistic images and the revelation of the dramaturgical role of music in shaping the emotional impact on the audience. An original methodology for analyzing military themes in musical works has been developed. The study opens new perspectives for investigating the intercultural dialogue in the field of contemporary music.