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The Aesthetics of Nature and the Environment

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The study of environmental and ecological aesthetics in China only began in the 21st century. But environmental aesthetics has a long history including the design of Chinese gardens and the practice and the evaluation of ancient Chinese landscape paintings. Comparing the aesthetic discourses on nature in China and in Europe, this essay lists Western discourses on the beauty of creation, of the sublime, and of the picturesque. Chinese discourses of the beauty of the nature have undergone a discursive development, which has formed a transformation of the discipline of aesthetics. From the appreciation of the beauty of nature in ancient times to contemporary ecological and environmental aesthetics, discourses in both cultures demonstrate similarities and differences. Understanding contemporary schools of Chinese aesthetics, from subjectivism to the materialists, shows that an historical analysis has positive implications for our understanding of the aesthetics of nature in both eastern and western cultures.
Title: The Aesthetics of Nature and the Environment
Description:
The study of environmental and ecological aesthetics in China only began in the 21st century.
But environmental aesthetics has a long history including the design of Chinese gardens and the practice and the evaluation of ancient Chinese landscape paintings.
Comparing the aesthetic discourses on nature in China and in Europe, this essay lists Western discourses on the beauty of creation, of the sublime, and of the picturesque.
Chinese discourses of the beauty of the nature have undergone a discursive development, which has formed a transformation of the discipline of aesthetics.
From the appreciation of the beauty of nature in ancient times to contemporary ecological and environmental aesthetics, discourses in both cultures demonstrate similarities and differences.
Understanding contemporary schools of Chinese aesthetics, from subjectivism to the materialists, shows that an historical analysis has positive implications for our understanding of the aesthetics of nature in both eastern and western cultures.

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