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Reverberation Time in Traditional Courtyard Yue Opera Theatres
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The development of traditional Chinese theatres is closely related to the development of traditional Chinese opera. The acoustic quality of the theatre plays a crucial role in the performance effect of Chinese opera. As one of the five major traditional Chinese opera genres, Yue opera has a significant number of existing traditional theatres in the Shaoxing area. This study conducted on-site measurements of the reverberation time in traditional courtyard Yue opera theatres. The results indicate that the mid-frequency EDT values in the main viewing areas range from 0.6 to 0.7 s, and T30 is around 0.7 s. Furthermore, aiming to investigate the optimal reverberation time for Yue opera performance spaces and the factors influencing preferences, subjective experiments using auralization technology and a paired comparison method were conducted. The results show that the optimal reverberation time for Yue opera performance spaces is around 0.8 s. There was no difference in the optimal reverberation time between the ordinary group and the experienced group, but the ordinary group tended to show a higher preference for shorter reverberation times. Compared to singing clips, recitation clips obtained higher preference scores for short reverberation times, indicating that audiences require higher clarity when listening to recitations.
Title: Reverberation Time in Traditional Courtyard Yue Opera Theatres
Description:
The development of traditional Chinese theatres is closely related to the development of traditional Chinese opera.
The acoustic quality of the theatre plays a crucial role in the performance effect of Chinese opera.
As one of the five major traditional Chinese opera genres, Yue opera has a significant number of existing traditional theatres in the Shaoxing area.
This study conducted on-site measurements of the reverberation time in traditional courtyard Yue opera theatres.
The results indicate that the mid-frequency EDT values in the main viewing areas range from 0.
6 to 0.
7 s, and T30 is around 0.
7 s.
Furthermore, aiming to investigate the optimal reverberation time for Yue opera performance spaces and the factors influencing preferences, subjective experiments using auralization technology and a paired comparison method were conducted.
The results show that the optimal reverberation time for Yue opera performance spaces is around 0.
8 s.
There was no difference in the optimal reverberation time between the ordinary group and the experienced group, but the ordinary group tended to show a higher preference for shorter reverberation times.
Compared to singing clips, recitation clips obtained higher preference scores for short reverberation times, indicating that audiences require higher clarity when listening to recitations.
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