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Pietro Metastasio
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Inscriptions and textual elements: Steiner pinx. Inscriptions and textual elements: Bollinger sc. Inscriptions and textual elements: PIETRO METASTASIO. Inscriptions and textual elements: Zwickau, bei Gebr. Schumann.
Title: Pietro Metastasio
Description:
Inscriptions and textual elements: Steiner pinx.
Inscriptions and textual elements: Bollinger sc.
Inscriptions and textual elements: PIETRO METASTASIO.
Inscriptions and textual elements: Zwickau, bei Gebr.
Schumann.
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Venturo Rocchetti, called Venturini, as Linceo in “Ipermestra” by Metastasio and Hasse. Hoftheater Dresden, premiere in Hubertusburg, 7 October 1751. Feather drawing by F. Ponte, sheet 3 in: Vestiarium of the opera “Ipermestra.” Dresden: Copper engraving
Venturo Rocchetti, called Venturini, as Linceo in “Ipermestra” by Metastasio and Hasse. Hoftheater Dresden, premiere in Hubertusburg, 7 October 1751. Feather drawing by F. Ponte, sheet 3 in: Vestiarium of the opera “Ipermestra.” Dresden: Copper engraving
Venturo Rocchetti, called Venturini, as Linceo in “Ipermestra” by Metastasio and Hasse. Hoftheater Dresden, premiere in Hubertusburg, 7 October 1751. Feather drawing by F. Ponte, s...
Venturo Rocchetti, called Venturini, as Amilcare in “Attilio Regolo” by Metastasio and Hasse. Hoftheater Dresden, premiere January 12, 1750. Feather drawing by F. Ponte, sheet 7 in: Vestiarium of the opera “Attilio Regolo.” Dresden: Copper engraving cabin
Venturo Rocchetti, called Venturini, as Amilcare in “Attilio Regolo” by Metastasio and Hasse. Hoftheater Dresden, premiere January 12, 1750. Feather drawing by F. Ponte, sheet 7 in: Vestiarium of the opera “Attilio Regolo.” Dresden: Copper engraving cabin
Venturo Rocchetti, called Venturini, as Amilcare in “Attilio Regolo” by Metastasio and Hasse. Hoftheater Dresden, premiere January 12, 1750. Feather drawing by F. Ponte, sheet 7 in...
Angelo Amorevoli as Manlio in “Attilio Regolo” by Metastasio and Hasse. Hoftheater Dresden, premiere January 12, 1750. Feather drawing by F. Ponte, sheet 4 in: Vestiarium of the opera “Attilio Regolo.” Dresden: Copper engraving cabinet Ca 103
Angelo Amorevoli as Manlio in “Attilio Regolo” by Metastasio and Hasse. Hoftheater Dresden, premiere January 12, 1750. Feather drawing by F. Ponte, sheet 4 in: Vestiarium of the opera “Attilio Regolo.” Dresden: Copper engraving cabinet Ca 103
Angelo Amorevoli as Manlio in “Attilio Regolo” by Metastasio and Hasse. Hoftheater Dresden, premiere January 12, 1750. Feather drawing by F. Ponte, sheet 4 in: Vestiarium of the op...
Rosa Negri Pavona (Negri-Risack) as a parce in “Attilio Regolo” by Metastasio and Hasse. Hoftheater Dresden, premiere January 12, 1750. Feather drawing by F. Ponte, sheet 3 in: Vestiarium of the opera “Attilio Regolo.” Dresden: Copper engraving cabinet Ca
Rosa Negri Pavona (Negri-Risack) as a parce in “Attilio Regolo” by Metastasio and Hasse. Hoftheater Dresden, premiere January 12, 1750. Feather drawing by F. Ponte, sheet 3 in: Vestiarium of the opera “Attilio Regolo.” Dresden: Copper engraving cabinet Ca
Rosa Negri Pavona (Negri-Risack) as a parce in “Attilio Regolo” by Metastasio and Hasse. Hoftheater Dresden, premiere January 12, 1750. Feather drawing by F. Ponte, sheet 3 in: Ves...
Rosa Negri Pavona (Negri-Risack) as a parce in “Attilio Regolo” by Metastasio and Hasse. Hoftheater Dresden, premiere January 12, 1750. Feather drawing by F. Ponte, sheet 3 in: Vestiarium of the opera “Attilio Regolo.” Dresden: Copper engraving cabinet Ca
Rosa Negri Pavona (Negri-Risack) as a parce in “Attilio Regolo” by Metastasio and Hasse. Hoftheater Dresden, premiere January 12, 1750. Feather drawing by F. Ponte, sheet 3 in: Vestiarium of the opera “Attilio Regolo.” Dresden: Copper engraving cabinet Ca
Rosa Negri Pavona (Negri-Risack) as a parce in “Attilio Regolo” by Metastasio and Hasse. Hoftheater Dresden, premiere January 12, 1750. Feather drawing by F. Ponte, sheet 3 in: Ves...