Search engine for discovering works of Art, research articles, and books related to Art and Culture
Javascript must be enabled to continue!
Various Haiku Composed by Kabuki Actor Banto Enkaku and His Pupils
View through Harvard Museums
Department of Asian Art
Harvard Art Museums/Arthur M. Sackler Museum Gift of the Friends of Arthur B. Duel
Title: Various Haiku Composed by Kabuki Actor Banto Enkaku and His Pupils
Description not available.
Related Results
Revenge scene from the kabuki play “Gappōga tsuji”
Revenge scene from the kabuki play “Gappōga tsuji”
Middle part of the triptych (cf. BI 11565-53 + BI 11565-55) Kunihisaga 様 mittlermittlerRacheszene from the Kabuki play “Gappga tsuji tsuō”. At the top of the big stone figure of Ka...
painting (watercolour): ["David Love"]
painting (watercolour): ["David Love"]
Portrait of a man in a black top hat. He also wears a brown jacket and a black waistcoat. He is holding papers in both hands. Stamp at bottom left of page reads 'Bristol Paper' aro...
Actor Yamashita Kinsaku (vom Bearbeiter vergebener Titel)
Actor Yamashita Kinsaku (vom Bearbeiter vergebener Titel)
The right part of the triptych (other parts not in the MAK) Shunshōga Rech様様 RechThe Kabuki actor Yamashita Kinsaku II Rech様 Rech様 Rech様 (1733-1799, active 1749-1799) in the role o...
Nakamura Matsue as Mrs. Komume
Nakamura Matsue as Mrs. Komume
The left part of the diptych (other part not in the MAK) Shunshosai Hokuchōga linlinlinlinlinNakamura Matsue III (様様文様, 1786-1855) as a comroom in the Kabuki play “Suda no haru gei...
Escena de teatre kabuki
Escena de teatre kabuki
This diptych shows the theatrical scene that explains the death of the popular Japanese bandit from the 16th century Ishikawa Goemon, who stole from the rich to help the poor. His ...
Tirthankara Suparsvanatha in Kayotsarga, or Standing Meditation, Posture and Protected by a Five-Headed Naga
Tirthankara Suparsvanatha in Kayotsarga, or Standing Meditation, Posture and Protected by a Five-Headed Naga
Formerly thought to represent Parsvanatha, Jainism’s twenty-third Tirthankara, this sculpture has now been identified as Suparsvanatha, Jainism’s seventh Tirthankara. According to ...