Javascript must be enabled to continue!
Newest Historiographic Studies of the Ukrainian Icon-Painting of The Last Judgment
View through CrossRef
The analysis of features of iconography, stylistics, coloring and manner of execution of compositions of the Last Judgment is devoted to many scientific works. Despite this, the issue of the peculiarities of symbolism and source potential of the Stranger Judgment icons remains inexhaustible. The article is devoted to the analysis of the latest scientific research of the XXI century. Dedicated to the Ukrainian iconography of the Last Judgment. The main achievements and discoveries in the Work of Researchers are described for the development of the research of the Contemporary Issues in the historical and artistic key words. The potential of Ukrainian iconography research is also determined in the article. Studying the historiographical aspect of the research of Ukrainian icons, the specificity of approaches and areas of analysis of iconographic samples as historical sources by historians and art historians of the XXI century is traced. Historiography of the plot of the Last Judgment of the modern age is presented by the works of several authors: Ivan Himki, Lilya Berezhnoy, Marty Fedak, Lyudmila Milyaeva, etc. Analyzing this topic, we should mention that the literature of the nineteenth and twentieth centuries more focuses on aesthetic, especially on the artistic meaning of icons. Actually, the iconography of this period is formed -first as a branch of history and archeology, and from the end of the nineteenth century, as a branch of art studies. Studies of the twentieth century have some disadvantages caused by the influence of the Soviet period, in which there was no place for the icon just as a spiritual sanctuary, as sources of religious outlook of society. Particularly, this was due to the Marxist-Leninist “methodology”, that is, the approach to the icon as a painting, without taking into account its symbolic significance. With the restoration of Ukraine’s political independence at the end of the ХХ century the anti-religious propaganda was stopped and the community began to return to the spiritual origins, one of which is Christianity, including its components to which icons also belong to the Orthodox tradition. And precisely because of the great importance of the Ukrainian icon painting of the Last Judgment, there are scientific works of the 21st century that make it possible to look at the icon with completely different approach.
Title: Newest Historiographic Studies of the Ukrainian Icon-Painting of The Last Judgment
Description:
The analysis of features of iconography, stylistics, coloring and manner of execution of compositions of the Last Judgment is devoted to many scientific works.
Despite this, the issue of the peculiarities of symbolism and source potential of the Stranger Judgment icons remains inexhaustible.
The article is devoted to the analysis of the latest scientific research of the XXI century.
Dedicated to the Ukrainian iconography of the Last Judgment.
The main achievements and discoveries in the Work of Researchers are described for the development of the research of the Contemporary Issues in the historical and artistic key words.
The potential of Ukrainian iconography research is also determined in the article.
Studying the historiographical aspect of the research of Ukrainian icons, the specificity of approaches and areas of analysis of iconographic samples as historical sources by historians and art historians of the XXI century is traced.
Historiography of the plot of the Last Judgment of the modern age is presented by the works of several authors: Ivan Himki, Lilya Berezhnoy, Marty Fedak, Lyudmila Milyaeva, etc.
Analyzing this topic, we should mention that the literature of the nineteenth and twentieth centuries more focuses on aesthetic, especially on the artistic meaning of icons.
Actually, the iconography of this period is formed -first as a branch of history and archeology, and from the end of the nineteenth century, as a branch of art studies.
Studies of the twentieth century have some disadvantages caused by the influence of the Soviet period, in which there was no place for the icon just as a spiritual sanctuary, as sources of religious outlook of society.
Particularly, this was due to the Marxist-Leninist “methodology”, that is, the approach to the icon as a painting, without taking into account its symbolic significance.
With the restoration of Ukraine’s political independence at the end of the ХХ century the anti-religious propaganda was stopped and the community began to return to the spiritual origins, one of which is Christianity, including its components to which icons also belong to the Orthodox tradition.
And precisely because of the great importance of the Ukrainian icon painting of the Last Judgment, there are scientific works of the 21st century that make it possible to look at the icon with completely different approach.
Related Results
Serhii Tymoshenko: Ukrainian Architect and Diplomat
Serhii Tymoshenko: Ukrainian Architect and Diplomat
This research is focused on the life and legacy of Serhii Tymoshenko (1881–1950), Ukrainian political emigrant, political activist, statesman, and a member of the Ukrainian nationa...
ARTISTIC IMAGE OF UKRAINIAN FOLK COSTUME IN THE CONTEMPORARY UKRAINIAN ICON PAINTING ARTWORKS BY OLEKSANDR OKHAPKIN
ARTISTIC IMAGE OF UKRAINIAN FOLK COSTUME IN THE CONTEMPORARY UKRAINIAN ICON PAINTING ARTWORKS BY OLEKSANDR OKHAPKIN
This study offers an analysis of certain works by the contemporary Ukrainian icon painter Oleksandr Okhapkin. His works address the traditions of Ukrainian decorative and applied a...
Украинская историография: 1991–2001. Десятилетие перемен
Украинская историография: 1991–2001. Десятилетие перемен
SUMMARY:
In his article Yaroslav Hrytsak reviews the development of Ukrainian historiography in the past decade after the dissolution of the Soviet Union, situating it in the co...
Nudge and bias in subjective ratings? The role of icon sets in determining ratings of icon characteristics
Nudge and bias in subjective ratings? The role of icon sets in determining ratings of icon characteristics
AbstractSubjective ratings have been central to the evaluation of icon characteristics. The current study examined biases in ratings in relation to the context in which icons are p...
Ethnomusicology of Ukraine at the Turn of XX–XXI Centuries (1991–2022): Science, Publications, Conferences
Ethnomusicology of Ukraine at the Turn of XX–XXI Centuries (1991–2022): Science, Publications, Conferences
The long-awaited times of Independence opened wide opportunities for Ukrainian ethnomusicologists. In the last issue of Problems of Ethnomusicology”, we began to review the achieve...
IVAN KRYPIAKEVYCH AND THE POLITICAL EMIGRANTS OF NADDNIPRIANSHCHYNA: RELATIONS AND COOPERATION (1910 – 1930)
IVAN KRYPIAKEVYCH AND THE POLITICAL EMIGRANTS OF NADDNIPRIANSHCHYNA: RELATIONS AND COOPERATION (1910 – 1930)
The study deals with Ivan Krypiakevych's relations with political emigrants of Naddniprianshchyna during the Ukrainian people's struggle for the state and national-cultural rights....
TRANSLATION AS A MEAN FOR INTERCULTURAL COMMUNICATION: THE LATEST LITERARY TRANSLATIONS FROM UKRAINIAN TO ROMANIAN
TRANSLATION AS A MEAN FOR INTERCULTURAL COMMUNICATION: THE LATEST LITERARY TRANSLATIONS FROM UKRAINIAN TO ROMANIAN
The purpose of this article is to present literary translations from Ukrainian to Romanian in the context of Romanian-Ukrainian intercultural relations. The specificity of translat...
Preservation of the iconographic canon among Ukrainian diaspora
Preservation of the iconographic canon among Ukrainian diaspora
Iconography of the Ukrainian diaspora is an important component of Ukrainian (Western Ukrainian) canonical sacred art. Genetically, the iconography of the Ukrainian diaspora is bas...

