Javascript must be enabled to continue!
[A distance of 312 feet and an imaginary distance of 587 feet...]
Title: [A distance of 312 feet and an imaginary distance of 587 feet...]
Description:
Stanley Brouwn.
Related Results
Feet and Footwear
Feet and Footwear
Take a walk in someone else's shoes in this fascinating examination of shoes and feet around the world! This one-of-a-kind A-Z reference work contains over 150 fascinating entries ...
Power to Assume Form
Power to Assume Form
The Power to Assume Form: Cornelius Castoriadis and Regulative Regimes of Historicity examines the major contribution of Cornelius Castoriadis’s work, which elucidated the role of ...
Distance entre langues, distance entre cultures
Distance entre langues, distance entre cultures
Apprendre une langue étrangère, c’est se confronter inévitablement à une distance à la fois culturelle et linguistique, inégale selon les langues ; c’est cette distance elle-même q...
Understanding 19th-Century Slave Narratives
Understanding 19th-Century Slave Narratives
African American slave narratives of the 19th century recorded the grim realities of the antebellum South; they also provide the foundation for this compelling and revealing work o...
Natasha Gordinsky, Bishloshah nofim: yetziratah hamukdemet shel Leah Goldberg (In Three Landscapes: Leah Goldberg’s Early Writings). Jerusalem: Magnes Press, 2016. 222 pp.
Natasha Gordinsky, Bishloshah nofim: yetziratah hamukdemet shel Leah Goldberg (In Three Landscapes: Leah Goldberg’s Early Writings). Jerusalem: Magnes Press, 2016. 222 pp.
This chapter reviews the books Bishloshah nofim: yetziratah hamukdemet shel Leah Goldberg (In Three Landscapes: Leah Goldberg’s Early Writings) (2016), by Natasha Gordinsky, and Ne...
Voice Into Acting
Voice Into Acting
How can actors bridge the gap between themselves and the text and action of a script, integrating fully their learned vocal skills? How do we make an imaginary world real, create t...
Voice into Acting
Voice into Acting
How can actors bridge the gap between themselves and the text and action of a script, integrating fully their learned vocal skills? How do we make an imaginary world real, create t...
Aesthetics (Theary Seng, Vann Nath, and Victim Participation)
Aesthetics (Theary Seng, Vann Nath, and Victim Participation)
The second part of the book, “Turbulence,” centers on the transitional justice encounter of three survivors (Theary Seng, Vann Nath, and Bou Meng) involved in victim participation ...

