Javascript must be enabled to continue!
Centering Women in Contemporary Gulf Arab Fiction: Jokha Alharthi's Sayyidat al-qamar ( Celestial Bodies )
View through CrossRef
Abstract: The article looks at Omani author Jokha Alharthi's Celestial Bodies ( Sayyidat al-Qamar ), the first Gulf Arab novel to receive the International Man Booker Prize in 2019. Alharthi's novel offers insight into the transformations of a tribal society foregrounding emblematic moments of social disruption, namely, the end of slavery and concomitant modernization. Through a remarkable intervention into Omani literary tradition, Alharthi repositions femininity upon the novelistic proscenium and captures the spectrum of Omani women's lived experiences while highlighting the affective topography of the female body. Her female characters are representative of a cross-section of Omani society, occupying a range of social positions, from the wives of wealthy Omani merchants to the slave women who own absolutely nothing, not even their own labor or their own bodies. Pertinently, the reproducing female body becomes the most spectacular site of modernization in the novel, reflecting upon major transformations in the institutional techniques facilitating and regulating birth and identity production in Oman. Ultimately, Alharthi's novel reveals how women remain encapsulated within a punitive patriarchal economy, and their reified gendered positionality persists as the influx of Western goods and technologies infiltrates and transforms the materiality of everyday life in the community.
Title: Centering Women in Contemporary Gulf Arab Fiction: Jokha Alharthi's Sayyidat al-qamar ( Celestial Bodies )
Description:
Abstract: The article looks at Omani author Jokha Alharthi's Celestial Bodies ( Sayyidat al-Qamar ), the first Gulf Arab novel to receive the International Man Booker Prize in 2019.
Alharthi's novel offers insight into the transformations of a tribal society foregrounding emblematic moments of social disruption, namely, the end of slavery and concomitant modernization.
Through a remarkable intervention into Omani literary tradition, Alharthi repositions femininity upon the novelistic proscenium and captures the spectrum of Omani women's lived experiences while highlighting the affective topography of the female body.
Her female characters are representative of a cross-section of Omani society, occupying a range of social positions, from the wives of wealthy Omani merchants to the slave women who own absolutely nothing, not even their own labor or their own bodies.
Pertinently, the reproducing female body becomes the most spectacular site of modernization in the novel, reflecting upon major transformations in the institutional techniques facilitating and regulating birth and identity production in Oman.
Ultimately, Alharthi's novel reveals how women remain encapsulated within a punitive patriarchal economy, and their reified gendered positionality persists as the influx of Western goods and technologies infiltrates and transforms the materiality of everyday life in the community.
Related Results
Women in Australian Politics: Maintaining the Rage against the Political Machine
Women in Australian Politics: Maintaining the Rage against the Political Machine
Women in federal politics are under-represented today and always have been. At no time in the history of the federal parliament have women achieved equal representation with men. T...
Customs and traditions of the Sultanate of Oman and their reflection in Jokha Alharthi's “Celestial Bodies”
Customs and traditions of the Sultanate of Oman and their reflection in Jokha Alharthi's “Celestial Bodies”
The subject of this research is the rituals and customs of the Omani people and their reflection in the novel “Celestial Bodies” by Jokha Alharthi. The author t...
Pregnant Prisoners in Shackles
Pregnant Prisoners in Shackles
Photo by niu niu on Unsplash
ABSTRACT
Shackling prisoners has been implemented as standard procedure when transporting prisoners in labor and during childbirth. This procedure ensu...
PENTINGNYA AL-QU-RAN BAGI PEMBELAJARAN BAHASA ARAB
PENTINGNYA AL-QU-RAN BAGI PEMBELAJARAN BAHASA ARAB
Keberadaan Al-qur-an yang turun dengan menggunakan bahasa Arab mengubah bahasa Arab menjadi perhatian seluruh umat Islam di dunia ini, baik dari orang Arab maupun non Arab, sebagia...
Male Objectification in Jokha Alharthi’s Celestial Bodies: A Deconstructive Reading
Male Objectification in Jokha Alharthi’s Celestial Bodies: A Deconstructive Reading
This paper explores the often-overlooked issue of male objectification in literature, using Jokha Alharthi’s novel Celestial Bodies (2019) to illustrate the concept. While traditio...
The Women Who Don’t Get Counted
The Women Who Don’t Get Counted
Photo by Hédi Benyounes on Unsplash
ABSTRACT
The current incarceration facilities for the growing number of women are depriving expecting mothers of adequate care cruci...
Multiple Hues of Marginality and Assertion in Jokha Alharthi’s Celestial Bodies
Multiple Hues of Marginality and Assertion in Jokha Alharthi’s Celestial Bodies
Marginality is not only a state of tangible/physical suffering but also a condition of mind. However, the nature of both is complementary to each other as the troubled psychic stat...
Astro-poetics and Celestial Imagery in Celestial Bodies by Alharthi
Astro-poetics and Celestial Imagery in Celestial Bodies by Alharthi
Celestial imagery serves as a powerful thematic and symbolic element in Jokha Alharthi's Celestial Bodies, reflecting the intricate interplay between family, culture, and identity....

