Greek Inscribed Epigram

“Epigram,” (Gr. epigramma) is one of the terms that the Greeks employed, from Herodotus onward, for short verse-inscriptions, poems typically composed in hexameters or elegiacs in order to be inscribed, and as a rule originally associated with a particular object, occasion, and context (such as dedicatory, funeral, honorific, or sympotic). By the virtue of its metrical form it constitutes a category separate from the prose inscriptions, and by the virtue of its conciseness, its reliance on the object, and the occasion, it stands apart from other verse-inscriptions (such as metrical oracles, hymns, or aretalogies which in some cases may also have extraordinary length). The history of inscribed epigram started in the second half of the 8th century bce and continued throughout the entirety of Greco-Roman antiquity. Inscribed epigrams are attested in significant numbers in all major areas inhabited by the Greeks, but also in remote areas of Asia and Egypt where Hellenization was relatively short-lived. Inscribed epigram flourished again during the Byzantine period, and the practice of carving epigrams on public monuments continued in Greece well into the modern period. These texts represent an invaluable source for literary, cultural, social, religious, art, and military history. From the Archaic and Classical periods, around 950 inscribed epigrams survive; from the Hellenistic period, based on the estimates, more than 1,500; from the later periods, and until the end of antiquity, several thousand poems survive. Poems are composed in a variety of meters, among which elegiac, hexameter, and iambic and trochaic tetrameter were most popular, but later texts also occasionally employ relatively less common meters such as Sotadeus or Priapeus. Some of the earliest inscriptional epigrams, attested on pottery, are composed in iambic meter and associated with the sympotic setting; in the course of early 6th century bce, dedicatory and funerary epigrams, often consisting of a single hexameter, gain in numbers. From around the middle of the 6th century bce, elegiac became by far the most dominant meter and would remain so until the end of Classical Antiquity. From the late 6th century bce onward new epigrammatic genres appeared (such as, e.g., epigrams that are distinctly honorific in nature, which are sometimes called “epideictic”), and prose inscriptions of various genres increasingly find their counterparts in verse-inscriptions (such as, e.g., iamata, binding spells, or building inscriptions). From the 5th century bce onward, professional poets are attested as authors of inscriptional epigrams. From the 4th century bce onward, there is conclusive evidence of collections of inscribed poems. From the early 3rd century bce at the latest, inscriptional epigram becomes a model for the by then fully established genre of literary epigram.