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Burlas en torno a la «Fábula de Polifemo y Galatea» en el cancionero barroco portugués

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In this paper I focus on three mythological fables published in the Portuguese anthology A fénix renascida (1716-1728) that reflect the appropriation of Luis de Góngora’s epilio, either through paraphrase or burlesque parody, questioning the uses of poetry, between erudition and vulgarisation. I give mainly attention to Jacinto Freire de Andrade’s «Fábula de Polifemo e Galatea» in order to understand a fundamental issue in these «burlas»: the satire of the literary institution. In the wake of the Gongorian polemic, the mockery surrounding don Luis’ poem attacks the context of the professionalization of poetry in the Siglo de Oro. Through Andrade’s poem, it becomes clear that the setting of Góngora’s poem and, especially, the song of the cyclops, point towards the vicissitudes of poetry’s craft, especially the poetry of praise, where «commission» goes hand in hand with conceptismo.
Universidad de Navarra
Title: Burlas en torno a la «Fábula de Polifemo y Galatea» en el cancionero barroco portugués
Description:
In this paper I focus on three mythological fables published in the Portuguese anthology A fénix renascida (1716-1728) that reflect the appropriation of Luis de Góngora’s epilio, either through paraphrase or burlesque parody, questioning the uses of poetry, between erudition and vulgarisation.
I give mainly attention to Jacinto Freire de Andrade’s «Fábula de Polifemo e Galatea» in order to understand a fundamental issue in these «burlas»: the satire of the literary institution.
In the wake of the Gongorian polemic, the mockery surrounding don Luis’ poem attacks the context of the professionalization of poetry in the Siglo de Oro.
Through Andrade’s poem, it becomes clear that the setting of Góngora’s poem and, especially, the song of the cyclops, point towards the vicissitudes of poetry’s craft, especially the poetry of praise, where «commission» goes hand in hand with conceptismo.

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