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Manifestation of Traditional Techniques and Material Adaptations in Indian Contemporary Tanjore Painting
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Tanjore painting, one of South India’s most cherished classical art forms, is celebrated for its intricate relief work, vibrant natural colours, and opulent gold embellishments. More than just visual splendour, the tradition carries deep spiritual and cultural significance. In today’s rapidly evolving artistic landscape, contemporary artists face the challenge of maintaining its authenticity while negotiating practical constraints, changing patron demands, and global exposure.
The research draws upon interviews with four experienced Tanjore artists Swarna Raja Kochi, Ushaa Kannan, Mythili Ganesh, and Kanimozhi Santhanam to examine how traditional techniques are preserved, adapted, and taught. The study reveals that while certain material adaptations may be necessitated by modern circumstances, the spiritual core and rigorous methodology remain fiercely protected by practitioners who view themselves not merely as artists but as cultural custodians.
International Journal for Multidisciplinary Research (IJFMR)
Title: Manifestation of Traditional Techniques and Material Adaptations in Indian Contemporary Tanjore Painting
Description:
Tanjore painting, one of South India’s most cherished classical art forms, is celebrated for its intricate relief work, vibrant natural colours, and opulent gold embellishments.
More than just visual splendour, the tradition carries deep spiritual and cultural significance.
In today’s rapidly evolving artistic landscape, contemporary artists face the challenge of maintaining its authenticity while negotiating practical constraints, changing patron demands, and global exposure.
The research draws upon interviews with four experienced Tanjore artists Swarna Raja Kochi, Ushaa Kannan, Mythili Ganesh, and Kanimozhi Santhanam to examine how traditional techniques are preserved, adapted, and taught.
The study reveals that while certain material adaptations may be necessitated by modern circumstances, the spiritual core and rigorous methodology remain fiercely protected by practitioners who view themselves not merely as artists but as cultural custodians.
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