Javascript must be enabled to continue!
Condenados de Manuel Mur Oti (1953): Lorca en Castilla / Condenados by Manuel Mur Oti (1953): Lorca in Castille
View through CrossRef
Condenados, tercer largometraje del cineasta gallego Manuel Mur Oti, es un apasionado drama rural que narra la historia de un sangriento triángulo amoroso. Pese a tratarse de la adaptación de una obra teatral de José Suárez Carreño, el análisis fílmico de la película, articulado en torno a la puesta en escena de las miradas de sus protagonistas, revela que en realidad el filme solo guarda relación argumental con l a obra original, centrada en el concepto calderoniano de la honra. Mur Oti depura todos los componentes sociales, religiosos y psicológico s del texto de Suárez Carreño para poner en escena un relato mítico, una cosmogonía temáticamente vinculada al resto de dramas rurales firmados por el autor, sobre el hombre y la mujer primigenios de naturaleza esencialmente fecunda. Un relato más estrechamente emparentado con el espíritu de la tragedia lorquiana que con el tradicional drama rural que le sirve de base en tanto que Aurelia, protagonista femenina de Condenados, se nos presenta como heredera directa de la Yerma de Lorca, dispuesta a sacrificar de manera irracional su propia naturaleza por mantener un matrimonio que el destino le ha otorgado, pese a que ello suponga la condena a la eterna esterilidad.Palabras clave: Condenados, Mur Oti, Suárez Carreño, Lorca, Yerma, drama rural.AbstractCondenados, Manuel Mur Oti’s third film, is a passionate rural drama which depicts a bloody love triangle. Although based upon a play by José Suárez Carreño, the analysis of the mise en scène reveals that, in fact, the film adaptation shares only the original plotline dealing with the traditional concept of honour. Mur Oti purges every social, religious or psychological element from Suárez Carreño´s text and stages, like in his other rural dramas, a mythical tale, a cosmogony about the primordial and essentially fertile male and female. The film is closer in spirit to Lorca’s tragedy than to the play it adapts since Aurelia , the protagonist of Condenados, is portrayed as Yerma´s reflect ion: a woman irrationally ready to sacrifice her own female essence in order to save the marriage she´s been given by fate, even if such a decision condemns her to eternal infertility.Keywords: Condenados, Mur Oti, Suárez Carreño, Lorca, Yerma, rural drama.
Servicio de Publicaciones de la Universidad Autonoma de Madrid
Title: Condenados de Manuel Mur Oti (1953): Lorca en Castilla / Condenados by Manuel Mur Oti (1953): Lorca in Castille
Description:
Condenados, tercer largometraje del cineasta gallego Manuel Mur Oti, es un apasionado drama rural que narra la historia de un sangriento triángulo amoroso.
Pese a tratarse de la adaptación de una obra teatral de José Suárez Carreño, el análisis fílmico de la película, articulado en torno a la puesta en escena de las miradas de sus protagonistas, revela que en realidad el filme solo guarda relación argumental con l a obra original, centrada en el concepto calderoniano de la honra.
Mur Oti depura todos los componentes sociales, religiosos y psicológico s del texto de Suárez Carreño para poner en escena un relato mítico, una cosmogonía temáticamente vinculada al resto de dramas rurales firmados por el autor, sobre el hombre y la mujer primigenios de naturaleza esencialmente fecunda.
Un relato más estrechamente emparentado con el espíritu de la tragedia lorquiana que con el tradicional drama rural que le sirve de base en tanto que Aurelia, protagonista femenina de Condenados, se nos presenta como heredera directa de la Yerma de Lorca, dispuesta a sacrificar de manera irracional su propia naturaleza por mantener un matrimonio que el destino le ha otorgado, pese a que ello suponga la condena a la eterna esterilidad.
Palabras clave: Condenados, Mur Oti, Suárez Carreño, Lorca, Yerma, drama rural.
AbstractCondenados, Manuel Mur Oti’s third film, is a passionate rural drama which depicts a bloody love triangle.
Although based upon a play by José Suárez Carreño, the analysis of the mise en scène reveals that, in fact, the film adaptation shares only the original plotline dealing with the traditional concept of honour.
Mur Oti purges every social, religious or psychological element from Suárez Carreño´s text and stages, like in his other rural dramas, a mythical tale, a cosmogony about the primordial and essentially fertile male and female.
The film is closer in spirit to Lorca’s tragedy than to the play it adapts since Aurelia , the protagonist of Condenados, is portrayed as Yerma´s reflect ion: a woman irrationally ready to sacrifice her own female essence in order to save the marriage she´s been given by fate, even if such a decision condemns her to eternal infertility.
Keywords: Condenados, Mur Oti, Suárez Carreño, Lorca, Yerma, rural drama.
Related Results
New Insights into the Effects of Microbial Muramidase Addition in the Diets of Broiler Chickens
New Insights into the Effects of Microbial Muramidase Addition in the Diets of Broiler Chickens
The study aimed to explore how broiler chickens’ blood biochemistry, breast muscles’ fatty acid profile, growth, intestinal morphology, and immune status would be influenced by add...
GUİLLERMO LORCA’NIN RESİMLERİNDE KORKU VE ARZU DİYALEKTİĞİ
GUİLLERMO LORCA’NIN RESİMLERİNDE KORKU VE ARZU DİYALEKTİĞİ
Bu çalışma, Şilili ressam Guillermo Lorca’nın resimlerinde korku ve arzu diyalektiğini sanat tarihi, estetik felsefesi ve psikanalitik kuram bağlamında incelemektedir. Çalışma, Lor...
Morente-Lorca, Lorca-Morente
Morente-Lorca, Lorca-Morente
In this paper we will focus on Morente-Lorca, the explicit recording that Enrique dedicated in 1998 to Fuente Vaqueros on the centenary of his birth. Produced by La Barbería del Su...
An Investigation of the Traditional Cante Jondo as the Inspiration for the Song Cycle Five Poems of Garcia Lorca by Elisenda Fabregas
An Investigation of the Traditional Cante Jondo as the Inspiration for the Song Cycle Five Poems of Garcia Lorca by Elisenda Fabregas
The traditional cante jondo is a song unique to Andalusia as it developed from the "mosaic" of cultures that have inhabited its borders, including Arabs, Jews and Gypsies. The genr...
Manuel de Solà-Morales, escritura y pensamiento
Manuel de Solà-Morales, escritura y pensamiento
(English) The written work of Manuel de Solà-Morales deserves a central place in his intellectual biography, along with the pedagogical experience and the urban projects he develop...
Incidence of Laryngotracheal Lesions After Orotracheal Intubation in Coronavirus Disease Patients
Incidence of Laryngotracheal Lesions After Orotracheal Intubation in Coronavirus Disease Patients
Objectives/HypothesisTo evaluate the incidence of lesions and severe sequelae and the risk factors for the development of laryngotracheal lesions after orotracheal intubation (OTI)...
Simulation learning in the emergency department: Impact on VideoLaryngoscope Intubation Skills
Simulation learning in the emergency department: Impact on VideoLaryngoscope Intubation Skills
Introduction In the emergency department (ED), learning by simulation provides a safe acquisition of procedural skills. This study’s objective was to evaluate the impact of the sim...
Stigma Masyarakat Terhadap Pasien Sembuh Covid-19 di Desa Oti Kabupaten Donggala
Stigma Masyarakat Terhadap Pasien Sembuh Covid-19 di Desa Oti Kabupaten Donggala
Coronavirus pertama kali mewabah di Wuhan, Cina pada Desember 2019, virus ini dinamakan novel Coronavirus 2019 (CoVid-19) karena kemunculannya pada akhir Tahun 2019. Stigma adalah ...

