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‘Nothing is really statically at rest’: Cézanne and Modern Still Life
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This introduction introduces the shifting terms and characteristics historically ascribed to the still life genre, in order to open up a more nuanced discussion of the significance of stillness and still life for modern cultural practices across different media, in literature, painting, sculpture and dance. The still life paintings of the French Post-Impressionist Paul Cézanne (1839–1906) are paradigmatic in this exploration of modern still life and the phenomenon of the ‘animate inanimate’. This introduction examines a range of textual responses to his still lifes by Virginia Woolf, Rainer Maria Rilke, Wassily Kandinsky and (in an extended exploration) D.H. Lawrence, in order to explore a constellation of motifs, concerns and desires that shape the still life in the ‘age of speed’.
Title: ‘Nothing is really statically at rest’: Cézanne and Modern Still Life
Description:
This introduction introduces the shifting terms and characteristics historically ascribed to the still life genre, in order to open up a more nuanced discussion of the significance of stillness and still life for modern cultural practices across different media, in literature, painting, sculpture and dance.
The still life paintings of the French Post-Impressionist Paul Cézanne (1839–1906) are paradigmatic in this exploration of modern still life and the phenomenon of the ‘animate inanimate’.
This introduction examines a range of textual responses to his still lifes by Virginia Woolf, Rainer Maria Rilke, Wassily Kandinsky and (in an extended exploration) D.
H.
Lawrence, in order to explore a constellation of motifs, concerns and desires that shape the still life in the ‘age of speed’.
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