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Huang Hsun-Hui, Peacock (2022)
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Cotton Surinamese Creole headscarf
Cotton Surinamese Creole headscarf
Cotton kerchief, folded in peacock-tere, peacock tail. The meaning of the fabric and method of folding is unknown, though it is based on Indonesian batik. \In this way, the women i...
Embroidered in silk on linen in red and yellow-green, Greek (Crete?), 1700s. Silk embroidery on linen in long-armed cross stitch and stem stitch. The colours are red and yellow-green. Along the bottom and up each seam to a depth of about 8 inches is a nar
Embroidered in silk on linen in red and yellow-green, Greek (Crete?), 1700s. Silk embroidery on linen in long-armed cross stitch and stem stitch. The colours are red and yellow-green. Along the bottom and up each seam to a depth of about 8 inches is a nar
Embroidered in silk on linen in red and yellow-green, Greek (Crete?), 1700s. Silk embroidery on linen in long-armed cross stitch and stem stitch. The colours are red and yellow-gre...
Model of a Surinamese Creole headscarf
Model of a Surinamese Creole headscarf
In peacock tail, pawtere, folded model of an angisa. The motifs are an imitation of Javanese batik: yampanesi. These kinds of cloths are worn at parties.\nAngisa's are starched cot...
Huang Hsun-Hui, The Emperor / The Imperial (2022)
Huang Hsun-Hui, The Emperor / The Imperial (2022)
Oil on Canvas, 80 × 60 × 2 cm...
Christopher Martin, Peacock & Pottery (2022)
Christopher Martin, Peacock & Pottery (2022)
Peacock & Pottery, 140 × 58 in...