Javascript must be enabled to continue!
Sleeper Awakened by a Young Woman with Fire
View through Europeana Collections
A scene of comic ribaldry unfolds like a tableau vivant, with figures of great bodily and affective presence, painted from life and posed in the darkened space of the artist’s studio. A mischievous young prostitute prepares to play a prank on a soldier of fortune who, after a night of excess at a Roman tavern, has dozed off during a game of cards. The figures are momentarily caught in a bright shaft of light, the play of shadows heightening the sense of drama. A dumb show of gestures and glances, mirroring the exuberance of the comic actor’s repertoire, tells the story. The sleeper is about to learn a lesson – he will be burnt by the lit roll of tobacco wrapper held under his nose, an act fraught with eroticism. With a demonstrative gesture enjoining silence, the prankster invites the viewer’s complicity in mocking the folly of her unsuspecting victim. Contemporary viewers would have recognised the characters as stock figures of popular theatre and picaresque novels. Swaggering embodiments of excess, notorious for their foolishness, mercenaries were often portrayed in prodigal circumstances. Explicit action and characters exaggerated to the point of caricature were deemed appropriate for low-life subjects in a comic moralising mode. Delighted by feats of illusion such as the torn playing card, or the molten wax on the candlestick, our eye is seduced by Régnier’s artifice in bringing the scene seemingly to life. Description as new acquisition, November 2011: Sleeper Awakened by a Young Woman with a Lit Wick, by Nicolas Régnier Nicolas Régnier was a Flemish painter who lived 1591-1667. During his time as an artist, he was active mainly in Rome and Venice in Italy. Therefore his art has come to be regarded as Italian rather than Flemish. While in Italy, Régnier encountered the artistic tradition started by the great Caravaggio. Works from this tradition typically depict emotional manoeuvring, reinforced by powerful light effects and deep colours. This work, Sleeper Awakened by a Young Woman with a Lit Wick, was painted during Régnier’s Roman period. It is part of a suite of three works on the same theme. The painting is considered one of Régnier’s finest works, full of exquisite details such as the torn cards, the wax has flowed along the candlestick and shade from the young man's eyelashes. The young woman depicted in the painting invites the viewer to take part in the joke being played on the sleeping man Régnier’s painting was given to Nationalmuseum by the association Friends of Museum. The association celebrated its 100th anniversary in 2011. To mark this, an appeal was launched to raise money for a significant centenary gift. The gift was handed over to Nationalmuseum at the celebration’s Grand Finale Night in late November 2011. The painting will complement and enrich the museum’s collection of Italian 17th century art.
Nationalmuseum Sweden
Title: Sleeper Awakened by a Young Woman with Fire
Description:
A scene of comic ribaldry unfolds like a tableau vivant, with figures of great bodily and affective presence, painted from life and posed in the darkened space of the artist’s studio.
A mischievous young prostitute prepares to play a prank on a soldier of fortune who, after a night of excess at a Roman tavern, has dozed off during a game of cards.
The figures are momentarily caught in a bright shaft of light, the play of shadows heightening the sense of drama.
A dumb show of gestures and glances, mirroring the exuberance of the comic actor’s repertoire, tells the story.
The sleeper is about to learn a lesson – he will be burnt by the lit roll of tobacco wrapper held under his nose, an act fraught with eroticism.
With a demonstrative gesture enjoining silence, the prankster invites the viewer’s complicity in mocking the folly of her unsuspecting victim.
Contemporary viewers would have recognised the characters as stock figures of popular theatre and picaresque novels.
Swaggering embodiments of excess, notorious for their foolishness, mercenaries were often portrayed in prodigal circumstances.
Explicit action and characters exaggerated to the point of caricature were deemed appropriate for low-life subjects in a comic moralising mode.
Delighted by feats of illusion such as the torn playing card, or the molten wax on the candlestick, our eye is seduced by Régnier’s artifice in bringing the scene seemingly to life.
Description as new acquisition, November 2011: Sleeper Awakened by a Young Woman with a Lit Wick, by Nicolas Régnier Nicolas Régnier was a Flemish painter who lived 1591-1667.
During his time as an artist, he was active mainly in Rome and Venice in Italy.
Therefore his art has come to be regarded as Italian rather than Flemish.
While in Italy, Régnier encountered the artistic tradition started by the great Caravaggio.
Works from this tradition typically depict emotional manoeuvring, reinforced by powerful light effects and deep colours.
This work, Sleeper Awakened by a Young Woman with a Lit Wick, was painted during Régnier’s Roman period.
It is part of a suite of three works on the same theme.
The painting is considered one of Régnier’s finest works, full of exquisite details such as the torn cards, the wax has flowed along the candlestick and shade from the young man's eyelashes.
The young woman depicted in the painting invites the viewer to take part in the joke being played on the sleeping man Régnier’s painting was given to Nationalmuseum by the association Friends of Museum.
The association celebrated its 100th anniversary in 2011.
To mark this, an appeal was launched to raise money for a significant centenary gift.
The gift was handed over to Nationalmuseum at the celebration’s Grand Finale Night in late November 2011.
The painting will complement and enrich the museum’s collection of Italian 17th century art.
Related Results
Werbefilme der Insel-Film GmbH: Musterrolle 69/1
Werbefilme der Insel-Film GmbH: Musterrolle 69/1
Spot Nr. 1 (00:34): POLAR Rum 68/1: A person dressed in fur jacket in snow flurry. „Winter time, polar time, grog time - time for Polar.“ The person is serving grog with Polar Rum....
Sketchbook
Sketchbook
Sketchbook with black-leather-covered cardboard covers. Sewn page block; pages of off-white wove paper, each 27.2 x 20.8 cm. Drawings made in graphite and in vertical orientation...
Pelike depicting Helen and Paris
Pelike depicting Helen and Paris
The scene on the front of the pelike (jar) comprises five figures: a couple consisting of a woman and a young man, flanked by a boy and second woman, respectively. A small Eros flu...
Sketchbook
Sketchbook
Sketchbook with black-leather-covered cardboard covers. Sewn page block. Pages of white wove paper, each 34.7 x 27.1 cm. Pages numbered at l.l. of verso in graphite. Drawings i...
Portrait of a Lady spinning
Portrait of a Lady spinning
During the 16th century, painting in the Netherlands underwent a transformation, abandoning the intimate, religious compositions used by the early Flemish artists that has so brill...
The Psyche mirror
The Psyche mirror
The Cheval-Glass or La Psyché, as it is also called, is one of the paintings by Berthe Morisot shown at the Third Impressionist Exhibition held in 1877 in the apartment rented by G...
Kylix (drinking cup): Men and Women at the Symposium
Kylix (drinking cup): Men and Women at the Symposium
Attic red-figure kylix (drinking cup); losses have been restored in plaster and inpainted. The foot of the cup was lost and has not been restored.
Interior: a man and a woman a...
Woman Reading
Woman Reading
Having fled Paris in the wake of the Franco-Prussian War and the uprising of the Commune in the summer of 1871, Dalou settled down in London, where he developed an intimate-realist...

