Search engine for discovering works of Art, research articles, and books related to Art and Culture
ShareThis
Javascript must be enabled to continue!

Sketchbook

View through Harvard Museums
Sketchbook with black-leather-covered cardboard covers. Sewn page block; pages of off-white wove paper, each 27.2 x 20.8 cm. Drawings made in graphite and in vertical orientation unless otherwise described. p. 1: black crayon, u.r.: Lambro / 982 2868 center: RAPHAEL / SOYER / 1984 p. 2: July 3 / We arrived in Amsterdam / about 7:30 this evening, settled ourselves in the / American Hotel and went out for a stroll. This hotel / is right in the middle of Leidesplein [Leiderplein?], which seems / to be one of the main centers where the "action" / is, so to speak. There were crowds of young / people, listening to rock & roll, watching mimes and / jugglers. The square was jammed with young men / and women, long-haired, loosely dressed, colorful. / There was a feeling of freedom about them, permissiveness. / July 4 / After the neglected-looking museums in / Florence [added with caret: which depressed me], rich in content ‘tho they are, the Rijksmuseum / here gave me a lift. The paintings were beautifully / installed and well-lit. At the risk of repeating myself, / I must say again that to me Amsterdam is / Rembrandt. I don’t particularly care, or am [inserted with caret: I] interested / in the anecdotal genre of Dutch art. The paintings / of Jan Steen, [inserted with caret: the] van Ostade’s, are fussy and tiresome. Of / course, there are the few Vermeers. But it’s Rembrandt who is the phenomenal figure in the Rijksmuseum. / In the few weeks that we’ve been in Europe we have / seen so many great paintings—the breath-taking Courbets, Delacroix, Gericaults, in the Louvre, the great collection / of the Impressionists in the National Gallery of London, / the Raphaels & the Titians in Florence—Rembrandt, / tops them all, as far as I’m concerned. Page torn out (numbering does not skip). p. 3: Seated Female Nude. l.r.: RAPHAEL / SOYER p. 4: Seated Female Nude. l.r.: RAPHAEL / SOYER p. 5: Seated Female Nude. l.r.: RAPHAEL / SOYER p. 6: Seated Female Nude. l.r.: RAPHAEL / SOYER [same pose and model pp. 3-6, 11-13, 40] p. 7: Seated Female Nude l.r.: RAPHAEL / SOYER p. 8: Seated Female l.r.: RAPHAEL / SOYER p. 9: Seated Female p. 10: Seated Female [same model pp. 8-10] p. 11: Seated Female Nude. l.r.: RAPHAEL / SOYER p. 12: Female Head and Shoulders. l.l.: RAPHAEL / SOYER p. 13: Seated Female Nude. [same pose and model pp. 3-6, 11-13, 40] p. 14: Seated Female Nude. l.r.: RAPHAEL / SOYER [same model as 3-6, 11-13?] Page torn out (numbering does not skip). p. 15: Seated Female Nude l.r.: RAPHAEL / SOYER [same model as 3-6, 11-13?] p. 16: Woman with Chin in Hand. l.r.: RAPHAEL / SOYER p. 17: Seated Female. p. 18: Seated Female Nude. p. 19: Seated Female Nude. p. 20: Seated Female. Black ink. Graphite, l.l.: RAPHAEL / SOYER p. 21: Seated Female. Black ink. [same model and pose pp. 20-21] p. 22: Female Head Studies. [mostly drawn upside-down from orientation of book] [same model pp. 20-23] p. 23: Female Profile Portrait. l.l.: RAPHAEL / SOYER [same model as pp. 20-23] p. 24: Stylized Heads. p. 25: Seated Woman Undressing p. 26: Seated Woman Undressing p. 27: Seated Woman Undressing [pp. 25-27 in sequence as she undresses; [same model pp. 25-27, 29-36, 38-39, 42-43] p. 28: Female Portrait Sketch (Rebecca Soyer) center right: Rebecca l.r.: RAPHAEL / SOYER p. 29: Seated Woman Undressing l.r.: RAPHAEL / SOYER p. 30: Seated Woman Undressing. Black ink and graphite. p. 31: Seated Woman Undressing. Black ink and erased graphite. p. 32: Seated Woman Undressing. p. 33: Head Sketches of Woman Undressing. Black ink. p. 34: Seated Woman Undressing p. 35: Seated Woman Undressing. Black ink. Graphite, l.r.: RAPHAEL / SOYER p. 36: Seated Woman Undressing. [same model pp. 25-27, 29-36, 38-39, 42-43] p. 37: Male Portrait Head p. 38: Seated Woman Undressing. Black ink. p. 39: Seated Woman Undressing. Black ink. Graphite, l.r.: RAPHAEL / SOYER [same model pp. 25-27, 29-36, 38-39, 42-43] p. 40: Seated Female Nude [same pose and model pp. 3-6, 11-13, 40] p. 41: Male Portrait Sketch. Center right: Dion / O’Wieth / O’Wyatt l.r.: RAPHAEL / SOYER p. 42: Seated Woman Undressing. Black ink and wash over graphite. Graphite, l.r.: RAPHAELL [sic] / SOYER p. 43: Seated Woman Undressing. [same model pp. 25-27, 29-36, 38-39, 42-43] p. 44: Male Portrait Sketch (Nat Messik) l.r.: RAPHAEL / SOYER p. 45: Male Portrait Sketch (Nat Messik). Charcoal center right: of / Nat / Messik l.r.: RAPHAEL / SOYER p. 46: Male Portrait Sketch. Charcoal. p. 47: Reclining Female. Charcoal and graphite. Horizontal. Graphite, l.l.: RAPHAEL / SOYER p. 48: Reclining Female Nude. Charcoal. Horizontal. Graphite, l.r.: RAPHAEL / SOYER p. 49: Reclining Female Nude. Charcoal. Horizontal. Graphite, l.l.: RAPHAEL / SOYER p. 50: Reclining Female Nude from the Back. Charcoal. Horizontal. Graphite, l.l.: RAPHAEL / SOYER p. 51: Seated Female Pulling on Stockings. Charcoal. Graphite, l.r.: RAPHAEL / SOYER p. 52: Seated Female Pulling on Stockings. Charcoal. Graphite, l.r.: RAPHAEL / SOYER p. 53: Seated Female Pulling on Stockings. Charcoal. Graphite, l.r.: RS [pp. 51-53 roughly in sequence] p. 54: Seated Female Nude. Charcoal. l.l.: RAPHAEL / SOYER p. 55: Seated Female Nude. Charcoal. l.r.: RAPHAEL / SOYER p. 56: Seated Female. Charcoal and pastel [or colored crayon?] l.r.: RAPHAEL / SOYER p. 57: Seated Female. Graphite and charcoal. l.l.: RAPHAEL / SOYER p. 58: Seated Female Pulling on Stockings. l.r.: RS. p. 59: Seated Female Pulling on Stockings. Graphite and charcoal. l.r.: RAPHAEL / SOYER p. 60: Seated Female Pulling on Stockings. l.r.: R.S. p. 61: Seated Female Pulling on Stockings. Charcoal. Graphite, l.r.: RAPHAEL / SOYER p. 62: Seated Female Pulling on Stockings. Charcoal. Graphite, l.r.: RAPHAEL / SOYER [pp. 51-53, 58-62 same model and poses] p. 63: Seated Female. Black ink. [appears to be same model as that on previous pages] p. 64: Reclining Female. Charcoal and graphite. Graphite, l.l.: RAPHAEL / SOYER p. 65: Reclining Female. Charcoal and graphite. Horizontal. Graphite, l.r.: RAPHAEL / SOYER p. 66: Seated Female. Charcoal. l.l.: RAPHAEL / SOYER p. 67: Woman Leaning to Right. Brown and black ink. p. 68: Standing Female from the Back. Brown ink. p. 69: Standing Female from the Back and Stylized Profile Heads. Brown ink p. 70: Standing Female. Charcoal. p. 71: Male Portrait Sketch (Isaac B. Singer) center right: Isaac B / Singer p. 72: Female Heads. Brown ink; black crayon p. 73: Male Portrait Sketch. Center right: Lambro Ahlas l.l.: RAPHAEL / SOYER p. 74: Standing Female Nude p. 75: Female Nude Leaning Forward, from Behind. Graphite and black crayon. Graphite, l.r.: RAPHAEL / SOYER p. 76: Male Portrait Study (Gregory Corso) u.r.: Gregory / Corso / drunk l.r.: RAPHAEL / SOYER p. 77: Female Nude. Graphite and charcoal. l.l.: RAPHAEL / SOYER p. 78: Male Portrait Study. Graphite and charcoal. Graphite, u.r.: of / James / Kearny Graphite, l.r.: RAPHAEL / SOYER [column of figures across bottom of page] p. 79: Seated Female Undressing. Black crayon and pastel. Graphite, l.r.: RAPHAEL / SOYER p. 80: Seated Female Nude. Black crayon. Graphite, l.r.: RAPHAEL / SOYER p. 81: Seated Female Nude. Black crayon, graphite and charcoal. Graphite, l.r.: RAPHAEL / SOYER p. 82: Seated Female Nude. Black crayon. p. 83: Seated Female. Black crayon and charcoal. Graphite, l.r.: RAPHAEL / SOYER p. 84: Seated Female. Black crayon and pastel. Graphite, l.r.: RAPHAEL SOYER Verso of page completely colored red in crayon?; red has not transferred to recto of p. 85. p. 85: Seated Female. Black and red crayon and pastel. Graphite, l.r.: RAPHAEL SOYER p. 86: Female Lying Prone. Black crayon. p. 87: Female Lying Prone. Black crayon. Graphite, l.l.: RAPHAEL / SOYER [pp. 86-87 same model and pose] p. 88: Female Nude Lying Prone. Black crayon and graphite. Graphite, l.r.: RAPHAEL / SOYER p. 89: Female Nude Sketches, Stylized Heads. Black crayon and graphite. Graphite, l.r.: R.S. p. 90: Reclining Female Nude. Black crayon and graphite. Graphite, l.l.: RAPHAEL / SOYER p. 91: Seated Female Nude and Study of her Head. l.r.: RAPHAEL / SOYER p. 92: Seated Female Nude. l.r.: RAPHAEL / SOYER [same model and pose pp. 91-92] p. 93: Seated Female Nude. l.r.: RAPHAEL / SOYER p. 94: Seated Female. l.l.: RAPHAEL / SOYER [drawn upside down from orientation of book] p. 95: Female Nude. Charcoal. Graphite, l.l.: RAPHAEL / SOYER p. 96: Seated Female. l.r.: RAPHAEL / SOYER p. 97: Seated Female. p. 98: Seated Female. Charcoal. Graphite, l.r.: RAPHAEL / SOYER p. 99: Male Portrait Study (Nat Messik?). Charcoal. Graphite, l.r.: RAPHAEL / SOYER p. 100: Head sketch. p. 100 verso, blue ballpoint: Recieve [sic] one / painting on consignment / for payment $5,000. (five / thousand) to be paid / by, latest, February 1984 / [signature, illeg.] / Dec 6th, 1983. SIX pages torn out at back of book.
Department of Drawings Raphael Soyer bequest; to the Fogg Art Museum 1988. Harvard Art Museums/Fogg Museum Bequest of Raphael Soyer
Title: Sketchbook
Description:
Sketchbook with black-leather-covered cardboard covers.
Sewn page block; pages of off-white wove paper, each 27.
2 x 20.
8 cm.
Drawings made in graphite and in vertical orientation unless otherwise described.
p.
1: black crayon, u.
r.
: Lambro / 982 2868 center: RAPHAEL / SOYER / 1984 p.
2: July 3 / We arrived in Amsterdam / about 7:30 this evening, settled ourselves in the / American Hotel and went out for a stroll.
This hotel / is right in the middle of Leidesplein [Leiderplein?], which seems / to be one of the main centers where the "action" / is, so to speak.
There were crowds of young / people, listening to rock & roll, watching mimes and / jugglers.
The square was jammed with young men / and women, long-haired, loosely dressed, colorful.
/ There was a feeling of freedom about them, permissiveness.
/ July 4 / After the neglected-looking museums in / Florence [added with caret: which depressed me], rich in content ‘tho they are, the Rijksmuseum / here gave me a lift.
The paintings were beautifully / installed and well-lit.
At the risk of repeating myself, / I must say again that to me Amsterdam is / Rembrandt.
I don’t particularly care, or am [inserted with caret: I] interested / in the anecdotal genre of Dutch art.
The paintings / of Jan Steen, [inserted with caret: the] van Ostade’s, are fussy and tiresome.
Of / course, there are the few Vermeers.
But it’s Rembrandt who is the phenomenal figure in the Rijksmuseum.
/ In the few weeks that we’ve been in Europe we have / seen so many great paintings—the breath-taking Courbets, Delacroix, Gericaults, in the Louvre, the great collection / of the Impressionists in the National Gallery of London, / the Raphaels & the Titians in Florence—Rembrandt, / tops them all, as far as I’m concerned.
Page torn out (numbering does not skip).
p.
3: Seated Female Nude.
l.
r.
: RAPHAEL / SOYER p.
4: Seated Female Nude.
l.
r.
: RAPHAEL / SOYER p.
5: Seated Female Nude.
l.
r.
: RAPHAEL / SOYER p.
6: Seated Female Nude.
l.
r.
: RAPHAEL / SOYER [same pose and model pp.
3-6, 11-13, 40] p.
7: Seated Female Nude l.
r.
: RAPHAEL / SOYER p.
8: Seated Female l.
r.
: RAPHAEL / SOYER p.
9: Seated Female p.
10: Seated Female [same model pp.
8-10] p.
11: Seated Female Nude.
l.
r.
: RAPHAEL / SOYER p.
12: Female Head and Shoulders.
l.
l.
: RAPHAEL / SOYER p.
13: Seated Female Nude.
[same pose and model pp.
3-6, 11-13, 40] p.
14: Seated Female Nude.
l.
r.
: RAPHAEL / SOYER [same model as 3-6, 11-13?] Page torn out (numbering does not skip).
p.
15: Seated Female Nude l.
r.
: RAPHAEL / SOYER [same model as 3-6, 11-13?] p.
16: Woman with Chin in Hand.
l.
r.
: RAPHAEL / SOYER p.
17: Seated Female.
p.
18: Seated Female Nude.
p.
19: Seated Female Nude.
p.
20: Seated Female.
Black ink.
Graphite, l.
l.
: RAPHAEL / SOYER p.
21: Seated Female.
Black ink.
[same model and pose pp.
20-21] p.
22: Female Head Studies.
[mostly drawn upside-down from orientation of book] [same model pp.
20-23] p.
23: Female Profile Portrait.
l.
l.
: RAPHAEL / SOYER [same model as pp.
20-23] p.
24: Stylized Heads.
p.
25: Seated Woman Undressing p.
26: Seated Woman Undressing p.
27: Seated Woman Undressing [pp.
25-27 in sequence as she undresses; [same model pp.
25-27, 29-36, 38-39, 42-43] p.
28: Female Portrait Sketch (Rebecca Soyer) center right: Rebecca l.
r.
: RAPHAEL / SOYER p.
29: Seated Woman Undressing l.
r.
: RAPHAEL / SOYER p.
30: Seated Woman Undressing.
Black ink and graphite.
p.
31: Seated Woman Undressing.
Black ink and erased graphite.
p.
32: Seated Woman Undressing.
p.
33: Head Sketches of Woman Undressing.
Black ink.
p.
34: Seated Woman Undressing p.
35: Seated Woman Undressing.
Black ink.
Graphite, l.
r.
: RAPHAEL / SOYER p.
36: Seated Woman Undressing.
[same model pp.
25-27, 29-36, 38-39, 42-43] p.
37: Male Portrait Head p.
38: Seated Woman Undressing.
Black ink.
p.
39: Seated Woman Undressing.
Black ink.
Graphite, l.
r.
: RAPHAEL / SOYER [same model pp.
25-27, 29-36, 38-39, 42-43] p.
40: Seated Female Nude [same pose and model pp.
3-6, 11-13, 40] p.
41: Male Portrait Sketch.
Center right: Dion / O’Wieth / O’Wyatt l.
r.
: RAPHAEL / SOYER p.
42: Seated Woman Undressing.
Black ink and wash over graphite.
Graphite, l.
r.
: RAPHAELL [sic] / SOYER p.
43: Seated Woman Undressing.
[same model pp.
25-27, 29-36, 38-39, 42-43] p.
44: Male Portrait Sketch (Nat Messik) l.
r.
: RAPHAEL / SOYER p.
45: Male Portrait Sketch (Nat Messik).
Charcoal center right: of / Nat / Messik l.
r.
: RAPHAEL / SOYER p.
46: Male Portrait Sketch.
Charcoal.
p.
47: Reclining Female.
Charcoal and graphite.
Horizontal.
Graphite, l.
l.
: RAPHAEL / SOYER p.
48: Reclining Female Nude.
Charcoal.
Horizontal.
Graphite, l.
r.
: RAPHAEL / SOYER p.
49: Reclining Female Nude.
Charcoal.
Horizontal.
Graphite, l.
l.
: RAPHAEL / SOYER p.
50: Reclining Female Nude from the Back.
Charcoal.
Horizontal.
Graphite, l.
l.
: RAPHAEL / SOYER p.
51: Seated Female Pulling on Stockings.
Charcoal.
Graphite, l.
r.
: RAPHAEL / SOYER p.
52: Seated Female Pulling on Stockings.
Charcoal.
Graphite, l.
r.
: RAPHAEL / SOYER p.
53: Seated Female Pulling on Stockings.
Charcoal.
Graphite, l.
r.
: RS [pp.
51-53 roughly in sequence] p.
54: Seated Female Nude.
Charcoal.
l.
l.
: RAPHAEL / SOYER p.
55: Seated Female Nude.
Charcoal.
l.
r.
: RAPHAEL / SOYER p.
56: Seated Female.
Charcoal and pastel [or colored crayon?] l.
r.
: RAPHAEL / SOYER p.
57: Seated Female.
Graphite and charcoal.
l.
l.
: RAPHAEL / SOYER p.
58: Seated Female Pulling on Stockings.
l.
r.
: RS.
p.
59: Seated Female Pulling on Stockings.
Graphite and charcoal.
l.
r.
: RAPHAEL / SOYER p.
60: Seated Female Pulling on Stockings.
l.
r.
: R.
S.
p.
61: Seated Female Pulling on Stockings.
Charcoal.
Graphite, l.
r.
: RAPHAEL / SOYER p.
62: Seated Female Pulling on Stockings.
Charcoal.
Graphite, l.
r.
: RAPHAEL / SOYER [pp.
51-53, 58-62 same model and poses] p.
63: Seated Female.
Black ink.
[appears to be same model as that on previous pages] p.
64: Reclining Female.
Charcoal and graphite.
Graphite, l.
l.
: RAPHAEL / SOYER p.
65: Reclining Female.
Charcoal and graphite.
Horizontal.
Graphite, l.
r.
: RAPHAEL / SOYER p.
66: Seated Female.
Charcoal.
l.
l.
: RAPHAEL / SOYER p.
67: Woman Leaning to Right.
Brown and black ink.
p.
68: Standing Female from the Back.
Brown ink.
p.
69: Standing Female from the Back and Stylized Profile Heads.
Brown ink p.
70: Standing Female.
Charcoal.
p.
71: Male Portrait Sketch (Isaac B.
Singer) center right: Isaac B / Singer p.
72: Female Heads.
Brown ink; black crayon p.
73: Male Portrait Sketch.
Center right: Lambro Ahlas l.
l.
: RAPHAEL / SOYER p.
74: Standing Female Nude p.
75: Female Nude Leaning Forward, from Behind.
Graphite and black crayon.
Graphite, l.
r.
: RAPHAEL / SOYER p.
76: Male Portrait Study (Gregory Corso) u.
r.
: Gregory / Corso / drunk l.
r.
: RAPHAEL / SOYER p.
77: Female Nude.
Graphite and charcoal.
l.
l.
: RAPHAEL / SOYER p.
78: Male Portrait Study.
Graphite and charcoal.
Graphite, u.
r.
: of / James / Kearny Graphite, l.
r.
: RAPHAEL / SOYER [column of figures across bottom of page] p.
79: Seated Female Undressing.
Black crayon and pastel.
Graphite, l.
r.
: RAPHAEL / SOYER p.
80: Seated Female Nude.
Black crayon.
Graphite, l.
r.
: RAPHAEL / SOYER p.
81: Seated Female Nude.
Black crayon, graphite and charcoal.
Graphite, l.
r.
: RAPHAEL / SOYER p.
82: Seated Female Nude.
Black crayon.
p.
83: Seated Female.
Black crayon and charcoal.
Graphite, l.
r.
: RAPHAEL / SOYER p.
84: Seated Female.
Black crayon and pastel.
Graphite, l.
r.
: RAPHAEL SOYER Verso of page completely colored red in crayon?; red has not transferred to recto of p.
85.
p.
85: Seated Female.
Black and red crayon and pastel.
Graphite, l.
r.
: RAPHAEL SOYER p.
86: Female Lying Prone.
Black crayon.
p.
87: Female Lying Prone.
Black crayon.
Graphite, l.
l.
: RAPHAEL / SOYER [pp.
86-87 same model and pose] p.
88: Female Nude Lying Prone.
Black crayon and graphite.
Graphite, l.
r.
: RAPHAEL / SOYER p.
89: Female Nude Sketches, Stylized Heads.
Black crayon and graphite.
Graphite, l.
r.
: R.
S.
p.
90: Reclining Female Nude.
Black crayon and graphite.
Graphite, l.
l.
: RAPHAEL / SOYER p.
91: Seated Female Nude and Study of her Head.
l.
r.
: RAPHAEL / SOYER p.
92: Seated Female Nude.
l.
r.
: RAPHAEL / SOYER [same model and pose pp.
91-92] p.
93: Seated Female Nude.
l.
r.
: RAPHAEL / SOYER p.
94: Seated Female.
l.
l.
: RAPHAEL / SOYER [drawn upside down from orientation of book] p.
95: Female Nude.
Charcoal.
Graphite, l.
l.
: RAPHAEL / SOYER p.
96: Seated Female.
l.
r.
: RAPHAEL / SOYER p.
97: Seated Female.
p.
98: Seated Female.
Charcoal.
Graphite, l.
r.
: RAPHAEL / SOYER p.
99: Male Portrait Study (Nat Messik?).
Charcoal.
Graphite, l.
r.
: RAPHAEL / SOYER p.
100: Head sketch.
p.
100 verso, blue ballpoint: Recieve [sic] one / painting on consignment / for payment $5,000.
(five / thousand) to be paid / by, latest, February 1984 / [signature, illeg.
] / Dec 6th, 1983.
SIX pages torn out at back of book.

Related Results

Sketchbook ("Munich. July 1st 1884"): Figure and Animal Studies
Sketchbook ("Munich. July 1st 1884"): Figure and Animal Studies
Sketchbook with limp brown cloth covers, leather edges; and pencil sleeve. Pages of cream, green, and brown wove paper, with light green endpapers. Sewn page block. Green endpapers...
Sketchbook ("1871-72"): Alpine Travel Sketches and Figure Studies
Sketchbook ("1871-72"): Alpine Travel Sketches and Figure Studies
Sketchbook with black-paper-covered cardboard covers, leather-covered spine; stamped in gilt on front cover: ALBUM. Pages of off-white and beige-gray wove paper. Sewn page block. S...
Sketchbook ("Spain"): Mural Studies for Boston Public Library and Museum of Fine Arts
Sketchbook ("Spain"): Mural Studies for Boston Public Library and Museum of Fine Arts
Sketchbook with beige-cloth-covered cardboard covers; pencil sleeve; and remains of cloth ties. Pages of off-white wove paper. Sewn page block. Sketchbook is incomplete, with nine ...
Sketchbook (Maine)
Sketchbook (Maine)
Sketchbook with black fabric-covered cardboard covers, held together by two metal rings. An inscription in graphite on the upper left of the inside of the front cover reads "1st P...
Sketchbook (Paris)
Sketchbook (Paris)
Sketchbook with gray cardboard covers, held together by white spiral wire. The pages are of white wove paper, with a perforated edge and discoloration to the outside edges. The out...
Sketchbook
Sketchbook
Spiral-bound sketchbook with blue cardboard covers. 58 pages of ivory wove paper, 32 x 23.5 cm,. each numbered in graphite, but third page is not numbered, so subsequent numbering...

Back to Top