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Sketchbook
View through Harvard Museums
Sketchbook with black-leather-covered cardboard covers. Sewn page block; pages of off-white wove paper, each 27.2 x 20.8 cm. Drawings made in graphite and in vertical orientation unless otherwise described.
p. 1: black crayon, u.r.: Lambro / 982 2868
center: RAPHAEL / SOYER / 1984
p. 2: July 3 / We arrived in Amsterdam / about 7:30 this evening, settled ourselves in the / American Hotel and went out for a stroll. This hotel / is right in the middle of Leidesplein [Leiderplein?], which seems / to be one of the main centers where the "action" / is, so to speak. There were crowds of young / people, listening to rock & roll, watching mimes and / jugglers. The square was jammed with young men / and women, long-haired, loosely dressed, colorful. / There was a feeling of freedom about them, permissiveness. / July 4 / After the neglected-looking museums in / Florence [added with caret: which depressed me], rich in content ‘tho they are, the Rijksmuseum / here gave me a lift. The paintings were beautifully / installed and well-lit. At the risk of repeating myself, / I must say again that to me Amsterdam is / Rembrandt. I don’t particularly care, or am [inserted with caret: I] interested / in the anecdotal genre of Dutch art. The paintings / of Jan Steen, [inserted with caret: the] van Ostade’s, are fussy and tiresome. Of / course, there are the few Vermeers. But it’s Rembrandt who is the phenomenal figure in the Rijksmuseum. / In the few weeks that we’ve been in Europe we have / seen so many great paintings—the breath-taking Courbets, Delacroix, Gericaults, in the Louvre, the great collection / of the Impressionists in the National Gallery of London, / the Raphaels & the Titians in Florence—Rembrandt, / tops them all, as far as I’m concerned.
Page torn out (numbering does not skip).
p. 3: Seated Female Nude.
l.r.: RAPHAEL / SOYER
p. 4: Seated Female Nude.
l.r.: RAPHAEL / SOYER
p. 5: Seated Female Nude.
l.r.: RAPHAEL / SOYER
p. 6: Seated Female Nude.
l.r.: RAPHAEL / SOYER
[same pose and model pp. 3-6, 11-13, 40]
p. 7: Seated Female Nude
l.r.: RAPHAEL / SOYER
p. 8: Seated Female
l.r.: RAPHAEL / SOYER
p. 9: Seated Female
p. 10: Seated Female [same model pp. 8-10]
p. 11: Seated Female Nude.
l.r.: RAPHAEL / SOYER
p. 12: Female Head and Shoulders.
l.l.: RAPHAEL / SOYER
p. 13: Seated Female Nude.
[same pose and model pp. 3-6, 11-13, 40]
p. 14: Seated Female Nude.
l.r.: RAPHAEL / SOYER
[same model as 3-6, 11-13?]
Page torn out (numbering does not skip).
p. 15: Seated Female Nude
l.r.: RAPHAEL / SOYER
[same model as 3-6, 11-13?]
p. 16: Woman with Chin in Hand.
l.r.: RAPHAEL / SOYER
p. 17: Seated Female.
p. 18: Seated Female Nude.
p. 19: Seated Female Nude.
p. 20: Seated Female. Black ink.
Graphite, l.l.: RAPHAEL / SOYER
p. 21: Seated Female. Black ink.
[same model and pose pp. 20-21]
p. 22: Female Head Studies.
[mostly drawn upside-down from orientation of book]
[same model pp. 20-23]
p. 23: Female Profile Portrait.
l.l.: RAPHAEL / SOYER
[same model as pp. 20-23]
p. 24: Stylized Heads.
p. 25: Seated Woman Undressing
p. 26: Seated Woman Undressing
p. 27: Seated Woman Undressing
[pp. 25-27 in sequence as she undresses; [same model pp. 25-27, 29-36, 38-39, 42-43]
p. 28: Female Portrait Sketch (Rebecca Soyer)
center right: Rebecca
l.r.: RAPHAEL / SOYER
p. 29: Seated Woman Undressing
l.r.: RAPHAEL / SOYER
p. 30: Seated Woman Undressing. Black ink and graphite.
p. 31: Seated Woman Undressing. Black ink and erased graphite.
p. 32: Seated Woman Undressing.
p. 33: Head Sketches of Woman Undressing. Black ink.
p. 34: Seated Woman Undressing
p. 35: Seated Woman Undressing. Black ink.
Graphite, l.r.: RAPHAEL / SOYER
p. 36: Seated Woman Undressing.
[same model pp. 25-27, 29-36, 38-39, 42-43]
p. 37: Male Portrait Head
p. 38: Seated Woman Undressing. Black ink.
p. 39: Seated Woman Undressing. Black ink.
Graphite, l.r.: RAPHAEL / SOYER
[same model pp. 25-27, 29-36, 38-39, 42-43]
p. 40: Seated Female Nude
[same pose and model pp. 3-6, 11-13, 40]
p. 41: Male Portrait Sketch.
Center right: Dion / O’Wieth / O’Wyatt
l.r.: RAPHAEL / SOYER
p. 42: Seated Woman Undressing. Black ink and wash over graphite.
Graphite, l.r.: RAPHAELL [sic] / SOYER
p. 43: Seated Woman Undressing.
[same model pp. 25-27, 29-36, 38-39, 42-43]
p. 44: Male Portrait Sketch (Nat Messik)
l.r.: RAPHAEL / SOYER
p. 45: Male Portrait Sketch (Nat Messik). Charcoal
center right: of / Nat / Messik
l.r.: RAPHAEL / SOYER
p. 46: Male Portrait Sketch. Charcoal.
p. 47: Reclining Female. Charcoal and graphite. Horizontal.
Graphite, l.l.: RAPHAEL / SOYER
p. 48: Reclining Female Nude. Charcoal. Horizontal.
Graphite, l.r.: RAPHAEL / SOYER
p. 49: Reclining Female Nude. Charcoal. Horizontal.
Graphite, l.l.: RAPHAEL / SOYER
p. 50: Reclining Female Nude from the Back. Charcoal. Horizontal.
Graphite, l.l.: RAPHAEL / SOYER
p. 51: Seated Female Pulling on Stockings. Charcoal.
Graphite, l.r.: RAPHAEL / SOYER
p. 52: Seated Female Pulling on Stockings. Charcoal.
Graphite, l.r.: RAPHAEL / SOYER
p. 53: Seated Female Pulling on Stockings. Charcoal.
Graphite, l.r.: RS
[pp. 51-53 roughly in sequence]
p. 54: Seated Female Nude. Charcoal.
l.l.: RAPHAEL / SOYER
p. 55: Seated Female Nude. Charcoal.
l.r.: RAPHAEL / SOYER
p. 56: Seated Female. Charcoal and pastel [or colored crayon?]
l.r.: RAPHAEL / SOYER
p. 57: Seated Female. Graphite and charcoal.
l.l.: RAPHAEL / SOYER
p. 58: Seated Female Pulling on Stockings.
l.r.: RS.
p. 59: Seated Female Pulling on Stockings. Graphite and charcoal.
l.r.: RAPHAEL / SOYER
p. 60: Seated Female Pulling on Stockings.
l.r.: R.S.
p. 61: Seated Female Pulling on Stockings. Charcoal.
Graphite, l.r.: RAPHAEL / SOYER
p. 62: Seated Female Pulling on Stockings. Charcoal.
Graphite, l.r.: RAPHAEL / SOYER
[pp. 51-53, 58-62 same model and poses]
p. 63: Seated Female. Black ink.
[appears to be same model as that on previous pages]
p. 64: Reclining Female. Charcoal and graphite.
Graphite, l.l.: RAPHAEL / SOYER
p. 65: Reclining Female. Charcoal and graphite. Horizontal.
Graphite, l.r.: RAPHAEL / SOYER
p. 66: Seated Female. Charcoal.
l.l.: RAPHAEL / SOYER
p. 67: Woman Leaning to Right. Brown and black ink.
p. 68: Standing Female from the Back. Brown ink.
p. 69: Standing Female from the Back and Stylized Profile Heads. Brown ink
p. 70: Standing Female. Charcoal.
p. 71: Male Portrait Sketch (Isaac B. Singer)
center right: Isaac B / Singer
p. 72: Female Heads. Brown ink; black crayon
p. 73: Male Portrait Sketch.
Center right: Lambro Ahlas
l.l.: RAPHAEL / SOYER
p. 74: Standing Female Nude
p. 75: Female Nude Leaning Forward, from Behind. Graphite and black crayon.
Graphite, l.r.: RAPHAEL / SOYER
p. 76: Male Portrait Study (Gregory Corso)
u.r.: Gregory / Corso / drunk
l.r.: RAPHAEL / SOYER
p. 77: Female Nude. Graphite and charcoal.
l.l.: RAPHAEL / SOYER
p. 78: Male Portrait Study. Graphite and charcoal.
Graphite, u.r.: of / James / Kearny
Graphite, l.r.: RAPHAEL / SOYER
[column of figures across bottom of page]
p. 79: Seated Female Undressing. Black crayon and pastel.
Graphite, l.r.: RAPHAEL / SOYER
p. 80: Seated Female Nude. Black crayon.
Graphite, l.r.: RAPHAEL / SOYER
p. 81: Seated Female Nude. Black crayon, graphite and charcoal.
Graphite, l.r.: RAPHAEL / SOYER
p. 82: Seated Female Nude. Black crayon.
p. 83: Seated Female. Black crayon and charcoal.
Graphite, l.r.: RAPHAEL / SOYER
p. 84: Seated Female. Black crayon and pastel.
Graphite, l.r.: RAPHAEL SOYER
Verso of page completely colored red in crayon?; red has not transferred to recto of p. 85.
p. 85: Seated Female. Black and red crayon and pastel.
Graphite, l.r.: RAPHAEL SOYER
p. 86: Female Lying Prone. Black crayon.
p. 87: Female Lying Prone. Black crayon.
Graphite, l.l.: RAPHAEL / SOYER
[pp. 86-87 same model and pose]
p. 88: Female Nude Lying Prone. Black crayon and graphite.
Graphite, l.r.: RAPHAEL / SOYER
p. 89: Female Nude Sketches, Stylized Heads. Black crayon and graphite.
Graphite, l.r.: R.S.
p. 90: Reclining Female Nude. Black crayon and graphite.
Graphite, l.l.: RAPHAEL / SOYER
p. 91: Seated Female Nude and Study of her Head.
l.r.: RAPHAEL / SOYER
p. 92: Seated Female Nude.
l.r.: RAPHAEL / SOYER
[same model and pose pp. 91-92]
p. 93: Seated Female Nude.
l.r.: RAPHAEL / SOYER
p. 94: Seated Female.
l.l.: RAPHAEL / SOYER
[drawn upside down from orientation of book]
p. 95: Female Nude. Charcoal.
Graphite, l.l.: RAPHAEL / SOYER
p. 96: Seated Female.
l.r.: RAPHAEL / SOYER
p. 97: Seated Female.
p. 98: Seated Female. Charcoal.
Graphite, l.r.: RAPHAEL / SOYER
p. 99: Male Portrait Study (Nat Messik?). Charcoal.
Graphite, l.r.: RAPHAEL / SOYER
p. 100: Head sketch.
p. 100 verso, blue ballpoint: Recieve [sic] one / painting on consignment / for payment $5,000. (five / thousand) to be paid / by, latest, February 1984 / [signature, illeg.] / Dec 6th, 1983.
SIX pages torn out at back of book.
Department of Drawings
Raphael Soyer bequest; to the Fogg Art Museum 1988.
Harvard Art Museums/Fogg Museum Bequest of Raphael Soyer
Title: Sketchbook
Description:
Sketchbook with black-leather-covered cardboard covers.
Sewn page block; pages of off-white wove paper, each 27.
2 x 20.
8 cm.
Drawings made in graphite and in vertical orientation unless otherwise described.
p.
1: black crayon, u.
r.
: Lambro / 982 2868
center: RAPHAEL / SOYER / 1984
p.
2: July 3 / We arrived in Amsterdam / about 7:30 this evening, settled ourselves in the / American Hotel and went out for a stroll.
This hotel / is right in the middle of Leidesplein [Leiderplein?], which seems / to be one of the main centers where the "action" / is, so to speak.
There were crowds of young / people, listening to rock & roll, watching mimes and / jugglers.
The square was jammed with young men / and women, long-haired, loosely dressed, colorful.
/ There was a feeling of freedom about them, permissiveness.
/ July 4 / After the neglected-looking museums in / Florence [added with caret: which depressed me], rich in content ‘tho they are, the Rijksmuseum / here gave me a lift.
The paintings were beautifully / installed and well-lit.
At the risk of repeating myself, / I must say again that to me Amsterdam is / Rembrandt.
I don’t particularly care, or am [inserted with caret: I] interested / in the anecdotal genre of Dutch art.
The paintings / of Jan Steen, [inserted with caret: the] van Ostade’s, are fussy and tiresome.
Of / course, there are the few Vermeers.
But it’s Rembrandt who is the phenomenal figure in the Rijksmuseum.
/ In the few weeks that we’ve been in Europe we have / seen so many great paintings—the breath-taking Courbets, Delacroix, Gericaults, in the Louvre, the great collection / of the Impressionists in the National Gallery of London, / the Raphaels & the Titians in Florence—Rembrandt, / tops them all, as far as I’m concerned.
Page torn out (numbering does not skip).
p.
3: Seated Female Nude.
l.
r.
: RAPHAEL / SOYER
p.
4: Seated Female Nude.
l.
r.
: RAPHAEL / SOYER
p.
5: Seated Female Nude.
l.
r.
: RAPHAEL / SOYER
p.
6: Seated Female Nude.
l.
r.
: RAPHAEL / SOYER
[same pose and model pp.
3-6, 11-13, 40]
p.
7: Seated Female Nude
l.
r.
: RAPHAEL / SOYER
p.
8: Seated Female
l.
r.
: RAPHAEL / SOYER
p.
9: Seated Female
p.
10: Seated Female [same model pp.
8-10]
p.
11: Seated Female Nude.
l.
r.
: RAPHAEL / SOYER
p.
12: Female Head and Shoulders.
l.
l.
: RAPHAEL / SOYER
p.
13: Seated Female Nude.
[same pose and model pp.
3-6, 11-13, 40]
p.
14: Seated Female Nude.
l.
r.
: RAPHAEL / SOYER
[same model as 3-6, 11-13?]
Page torn out (numbering does not skip).
p.
15: Seated Female Nude
l.
r.
: RAPHAEL / SOYER
[same model as 3-6, 11-13?]
p.
16: Woman with Chin in Hand.
l.
r.
: RAPHAEL / SOYER
p.
17: Seated Female.
p.
18: Seated Female Nude.
p.
19: Seated Female Nude.
p.
20: Seated Female.
Black ink.
Graphite, l.
l.
: RAPHAEL / SOYER
p.
21: Seated Female.
Black ink.
[same model and pose pp.
20-21]
p.
22: Female Head Studies.
[mostly drawn upside-down from orientation of book]
[same model pp.
20-23]
p.
23: Female Profile Portrait.
l.
l.
: RAPHAEL / SOYER
[same model as pp.
20-23]
p.
24: Stylized Heads.
p.
25: Seated Woman Undressing
p.
26: Seated Woman Undressing
p.
27: Seated Woman Undressing
[pp.
25-27 in sequence as she undresses; [same model pp.
25-27, 29-36, 38-39, 42-43]
p.
28: Female Portrait Sketch (Rebecca Soyer)
center right: Rebecca
l.
r.
: RAPHAEL / SOYER
p.
29: Seated Woman Undressing
l.
r.
: RAPHAEL / SOYER
p.
30: Seated Woman Undressing.
Black ink and graphite.
p.
31: Seated Woman Undressing.
Black ink and erased graphite.
p.
32: Seated Woman Undressing.
p.
33: Head Sketches of Woman Undressing.
Black ink.
p.
34: Seated Woman Undressing
p.
35: Seated Woman Undressing.
Black ink.
Graphite, l.
r.
: RAPHAEL / SOYER
p.
36: Seated Woman Undressing.
[same model pp.
25-27, 29-36, 38-39, 42-43]
p.
37: Male Portrait Head
p.
38: Seated Woman Undressing.
Black ink.
p.
39: Seated Woman Undressing.
Black ink.
Graphite, l.
r.
: RAPHAEL / SOYER
[same model pp.
25-27, 29-36, 38-39, 42-43]
p.
40: Seated Female Nude
[same pose and model pp.
3-6, 11-13, 40]
p.
41: Male Portrait Sketch.
Center right: Dion / O’Wieth / O’Wyatt
l.
r.
: RAPHAEL / SOYER
p.
42: Seated Woman Undressing.
Black ink and wash over graphite.
Graphite, l.
r.
: RAPHAELL [sic] / SOYER
p.
43: Seated Woman Undressing.
[same model pp.
25-27, 29-36, 38-39, 42-43]
p.
44: Male Portrait Sketch (Nat Messik)
l.
r.
: RAPHAEL / SOYER
p.
45: Male Portrait Sketch (Nat Messik).
Charcoal
center right: of / Nat / Messik
l.
r.
: RAPHAEL / SOYER
p.
46: Male Portrait Sketch.
Charcoal.
p.
47: Reclining Female.
Charcoal and graphite.
Horizontal.
Graphite, l.
l.
: RAPHAEL / SOYER
p.
48: Reclining Female Nude.
Charcoal.
Horizontal.
Graphite, l.
r.
: RAPHAEL / SOYER
p.
49: Reclining Female Nude.
Charcoal.
Horizontal.
Graphite, l.
l.
: RAPHAEL / SOYER
p.
50: Reclining Female Nude from the Back.
Charcoal.
Horizontal.
Graphite, l.
l.
: RAPHAEL / SOYER
p.
51: Seated Female Pulling on Stockings.
Charcoal.
Graphite, l.
r.
: RAPHAEL / SOYER
p.
52: Seated Female Pulling on Stockings.
Charcoal.
Graphite, l.
r.
: RAPHAEL / SOYER
p.
53: Seated Female Pulling on Stockings.
Charcoal.
Graphite, l.
r.
: RS
[pp.
51-53 roughly in sequence]
p.
54: Seated Female Nude.
Charcoal.
l.
l.
: RAPHAEL / SOYER
p.
55: Seated Female Nude.
Charcoal.
l.
r.
: RAPHAEL / SOYER
p.
56: Seated Female.
Charcoal and pastel [or colored crayon?]
l.
r.
: RAPHAEL / SOYER
p.
57: Seated Female.
Graphite and charcoal.
l.
l.
: RAPHAEL / SOYER
p.
58: Seated Female Pulling on Stockings.
l.
r.
: RS.
p.
59: Seated Female Pulling on Stockings.
Graphite and charcoal.
l.
r.
: RAPHAEL / SOYER
p.
60: Seated Female Pulling on Stockings.
l.
r.
: R.
S.
p.
61: Seated Female Pulling on Stockings.
Charcoal.
Graphite, l.
r.
: RAPHAEL / SOYER
p.
62: Seated Female Pulling on Stockings.
Charcoal.
Graphite, l.
r.
: RAPHAEL / SOYER
[pp.
51-53, 58-62 same model and poses]
p.
63: Seated Female.
Black ink.
[appears to be same model as that on previous pages]
p.
64: Reclining Female.
Charcoal and graphite.
Graphite, l.
l.
: RAPHAEL / SOYER
p.
65: Reclining Female.
Charcoal and graphite.
Horizontal.
Graphite, l.
r.
: RAPHAEL / SOYER
p.
66: Seated Female.
Charcoal.
l.
l.
: RAPHAEL / SOYER
p.
67: Woman Leaning to Right.
Brown and black ink.
p.
68: Standing Female from the Back.
Brown ink.
p.
69: Standing Female from the Back and Stylized Profile Heads.
Brown ink
p.
70: Standing Female.
Charcoal.
p.
71: Male Portrait Sketch (Isaac B.
Singer)
center right: Isaac B / Singer
p.
72: Female Heads.
Brown ink; black crayon
p.
73: Male Portrait Sketch.
Center right: Lambro Ahlas
l.
l.
: RAPHAEL / SOYER
p.
74: Standing Female Nude
p.
75: Female Nude Leaning Forward, from Behind.
Graphite and black crayon.
Graphite, l.
r.
: RAPHAEL / SOYER
p.
76: Male Portrait Study (Gregory Corso)
u.
r.
: Gregory / Corso / drunk
l.
r.
: RAPHAEL / SOYER
p.
77: Female Nude.
Graphite and charcoal.
l.
l.
: RAPHAEL / SOYER
p.
78: Male Portrait Study.
Graphite and charcoal.
Graphite, u.
r.
: of / James / Kearny
Graphite, l.
r.
: RAPHAEL / SOYER
[column of figures across bottom of page]
p.
79: Seated Female Undressing.
Black crayon and pastel.
Graphite, l.
r.
: RAPHAEL / SOYER
p.
80: Seated Female Nude.
Black crayon.
Graphite, l.
r.
: RAPHAEL / SOYER
p.
81: Seated Female Nude.
Black crayon, graphite and charcoal.
Graphite, l.
r.
: RAPHAEL / SOYER
p.
82: Seated Female Nude.
Black crayon.
p.
83: Seated Female.
Black crayon and charcoal.
Graphite, l.
r.
: RAPHAEL / SOYER
p.
84: Seated Female.
Black crayon and pastel.
Graphite, l.
r.
: RAPHAEL SOYER
Verso of page completely colored red in crayon?; red has not transferred to recto of p.
85.
p.
85: Seated Female.
Black and red crayon and pastel.
Graphite, l.
r.
: RAPHAEL SOYER
p.
86: Female Lying Prone.
Black crayon.
p.
87: Female Lying Prone.
Black crayon.
Graphite, l.
l.
: RAPHAEL / SOYER
[pp.
86-87 same model and pose]
p.
88: Female Nude Lying Prone.
Black crayon and graphite.
Graphite, l.
r.
: RAPHAEL / SOYER
p.
89: Female Nude Sketches, Stylized Heads.
Black crayon and graphite.
Graphite, l.
r.
: R.
S.
p.
90: Reclining Female Nude.
Black crayon and graphite.
Graphite, l.
l.
: RAPHAEL / SOYER
p.
91: Seated Female Nude and Study of her Head.
l.
r.
: RAPHAEL / SOYER
p.
92: Seated Female Nude.
l.
r.
: RAPHAEL / SOYER
[same model and pose pp.
91-92]
p.
93: Seated Female Nude.
l.
r.
: RAPHAEL / SOYER
p.
94: Seated Female.
l.
l.
: RAPHAEL / SOYER
[drawn upside down from orientation of book]
p.
95: Female Nude.
Charcoal.
Graphite, l.
l.
: RAPHAEL / SOYER
p.
96: Seated Female.
l.
r.
: RAPHAEL / SOYER
p.
97: Seated Female.
p.
98: Seated Female.
Charcoal.
Graphite, l.
r.
: RAPHAEL / SOYER
p.
99: Male Portrait Study (Nat Messik?).
Charcoal.
Graphite, l.
r.
: RAPHAEL / SOYER
p.
100: Head sketch.
p.
100 verso, blue ballpoint: Recieve [sic] one / painting on consignment / for payment $5,000.
(five / thousand) to be paid / by, latest, February 1984 / [signature, illeg.
] / Dec 6th, 1983.
SIX pages torn out at back of book.
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