Contemporary redefinitions of the irish family in Colm Tóibín's fiction

In nationalist Ireland, definitions of family have traditionally followed a hetero-normative and sexist pattern whereby husbands and wives fulfilled deeply unequal roles. Moreover, the notion of family has been too often idealized as a site of peace and unconditional love, its members being united by unbreakable bonds of mutual affection. In his fiction, Tóibín is interested in the clash between selfhood and society, where one’s family circle becomes an intimate but conflictive arena. Therefore, readers should not expect portraits of happy, unproblematic family relations. On the contrary, “traditional” families in his oeuvre tend to be dysfunctional and the relations between their members become strained because of emotional distance, regrets and distrust. Crucially, most of Tóibín’s central characters do find their sense of home and domesticity outside the traditional parameters of the family. In this study, ColmTóibín’s fiction will be contextualized within the post-nationalist literary panorama in Ireland, in which the certainties of the past become under examination. Through his revisionist agenda, Tóibín certainly undermines received notions of nationhood, society, domesticity and belonging. In this respect, I would claim that the concept of family in Ireland, considered for generations as a social institution regulated by Law and moral discourses, is redefined by the writer’s discourse of alterity and emphasis on ambivalence. Thus, Tóibín resists genealogical discourses on the family, favouring an alternative definition that is determined by context rather than essence.